After a decade of work and groundbreaking anthologies, "Everything Together" collects his short-story comics, which condense vast amounts of emotion and information into nuanced cartoon narratives. Harkham's classic style is both articulate and expedient. At the center of the book are two vastly different tales: "Poor Sailor," a sea-faring myth of a man gone to find wealth for his love; and "Somersaulting," a kind of fever dream of teenagers in love, wiling away the summer. Alongside these stories are shorter comic strips tackling everything from Napoleon as a tortured artist to touching examinations of Jewish mysticism and life in a shtetl, to satires on contemporary university life. Throughout these tales, Harkham maintains a light touch and emotive wit. The works in this book confirm his place among the best storytellers of his generation.Sammy Harkham was born in Los Angeles in 1980, moving to Sydney, Australia, at the age of 14. He soon started making his own comics and a zine, "Kramers Ergot," which has evolved into one of the most influential comics anthologies published today. His comic strip "Poor Sailor," originally published in "Kramers Ergot" 4, was subsequently included in "Best American Nonrequired Reading of 2004 "and has been published in French, Korean and Italian. "Kramers Ergot" has been on numerous "best of the year" lists including the "LA Weekly," "Time," "The New York Times," "Dazed and Confused," "The Comics Journal" and "Publishers Weekly." In 2006 Harkham started the ongoing comic series, "Crickets," and edited "The Simpsons' Treehouse of Horror," and most recently the eighth volume of "Kramers Ergot." A partner in both the renowned bookstore Family, and the movie theater, Cinefamily, Harkham lives in Los Angeles with his wife and three children.

    Known for his moody, shadowy illustrations, Colan was a natural fit as artist on Batman when he came to DC in the 1980s. His run of stories in the pages of both BATMAN and DETECTIVE COMICS included appearances by some of Batman’s greatest foes, including Man-Bat, The Monk, Rupert Thorne and more.

    Collected here for the first time is an anthology of pieces artist Tracey Emin wrote for The Independent newspaper in London-a weekly column that ran to great acclaim between 2005 and 2009-that touch on everything from the themes behind her work to her process, inspirations, and her alternately humorous and profound observations of daily life. Moving from diatribes on contemporary art and culture to confessional pieces chronicling her travels abroad and reflecting on her private life in London, the columns bring together elements of essay and diary that present a unique perspective on life and the work of the queen of the Young British Artists. Edited and introduced by the artist, and illustrated with forty reproductions of photographs that recall the original format of the columns, Tracey Emin: My Life in a Column makes a giant of the art world at once more familiar and more profound.

    Translated into dozens of languages, Tintin's adventures have sold millions of copies, and Steven Spielberg is presently adapting the stories for the big screen. Yet, despite Tintin's enduring popularity, Americans know almost nothing about his gifted creator, Georges Remi--better known as Herg�. Offering a captivating portrait of a man who revolutionized the art of comics, this is the first full biography of Herg� available for an English-speaking audience. Born in Brussels in 1907, Herg� began his career as a cub reporter, a profession he gave to his teenaged, world-traveling hero. But whereas Tintin was fully formed, clear-headed, and positive, Assouline notes, his inventor was complex, contradictory, inscrutable. For all his huge success--achieved with almost no formal training--Herg� would say unassumingly of his art, I was just happy drawing little guys, that's all. Granted unprecedented access to thousands of the cartoonist's unpublished letters, Assouline gets behind the genial public mask to take full measure of Herg�'s life and art and the fascinating ways in which the two intertwine. Neither sugarcoating nor sensationalizing his subject, he meticulously probes such controversial issues as Herg�'s support for Belgian imperialism in the Congo and his alleged collaboration with the Nazis. He also analyzes the underpinnings of Tintin--how the conception of the character as an asexual adventurer reflected Herg�'s appreciation for the Boy Scouts organization as well as his Catholic mentor's anti-Soviet ideology--and relates the comic strip to Herg�'s own place within the Belgian middle class. A profound influence on a generation of artists such as Andy Warhol and Roy Lichtenstein, the elusive figure of Herg� comes to life in this illuminating biography--a deeply nuanced account that unveils the man and his career as never before.

    What followed was a whirlwind childhood spent among art and artists in the heyday of Abstract Expressionism. Gabrielle grew up in a home full of the most celebrated artists of the day: Rothko, de Kooning, Tinguely, Giacometti, and Christo, among others.Poignant and candid, Unstill Life is a daughter’s memoir of the art world and a larger-than-life father known to the world as Mr. Modern Art. Selz offers a unique window into the glamour and destruction of the times: the gallery openings, wild parties and affairs that defined one of the most celebrated periods in American art history. Like the art he loved, Selz’s father was vibrant and freewheeling, but his enthusiasm for both women and art took its toll on family life. When her father left MoMA and his family to direct his own museum in California, marrying four more times, Selz’s mother, the writer Thalia Selz, moved with her children into the utopian artist community Westbeth. Her parents continued a tumultuous affair that would last forty years.Weaving her family narrative into the larger story of twentieth-century art and culture, Selz paints an unforgettable portrait of a charismatic man, the generation of modern artists he championed and the daughter whose life he shaped.

    This hardcover, double issue is a return to pulp horror comics of the 1950's, but stylized and written for a new generation of horror fans! The book is anchored by the mysterious Blueman, an intimidating phantom that lives in the deepest, darkest recesses of the net. Join him as he tells two spine-tingling tales full of twists and turns! He is The Rake:  Our first story features a creature that's inspired a massive fandom around the web. The Rake is a mysterious beast that appears to people in the night as a dark omen. When the strange entity's presence causes the death of one man's wife, he becomes obsessed with getting payback, but is his quest for vengeance misguided? He Is... is a classic tale of revenge with a sinister twist that will send chills through your body! I Waited Inside Her Closet: The account of a dangerous serial killer and his unhealthy obsession with fame. But there's more than meets the eye in this story. The homicidal maniac's grisly exploits soon lead him to a terrible truth when he comes face to face with something even more terrifying than himself. Pick up this CREATURE DOUBLE-FEATURE and you won't be disappointed!

    With captions from Mike and Bryan throughout, this is an intimate look inside the creative process that brought the mystical world of bending and a new generation of heroes to life!* Captions by creators Michael Dante DiMartino and Bryan Konietzko!* Follow-up to smash hit animated series Avatar: The Last Airbender!* Never-before-seen artwork!

    With all-new stories, a How-To-Draw, and classic Sunday strips from Charles Schulz, get your perfect beach read right here. Featuring a Schroeder 1st appearance variant cover!

    Featuring art never seen before the publication of the hardcover, unused and unfinished covers, and drawing upon ten years of sketchbooks, The Art of Hellboy provides the ultimate inside look at Mignola's design, storytelling, and color work. Page after page of rarely seen art reveals the labor involved in creating one of comics' most acclaimed books.

    Strange and Stranger: The World of Steve Ditko is a coffee table art book tracing Ditko's life and career, his unparalleled stylistic innovations, his strict adherence to his own (and Randian) principles, with lush displays of obscure and popular art from the thousands of pages of comics he's drawn over the last 55 years.

    Each volume of the Art of Cardcaptor Sakura contains over 100 full color pictures from the series, most of which have never before been seen in America.

    This full-length, exhaustively researched account of the thrash kings' career recaps and reevaluates the years guitar hero Jeff Hanneman and drum legend Dave Lombardo were in the group. Over the course of 59 chapters, 400 footnotes and three appendices, it profiles the members and presents dramatic scenes from 32 years in the Abyss: A fresh look at the group's early days. Reign in Blood tours. A European invasion. The Palladium riot. The seat cushion chaos concert. Newly unearthed details from Lombardo's turbulent history with the band. Historical artwork and photos never seen in public before. The entire diabolical discography. Hanneman’s hard times. The Big Four’s big year. Lombardo’s final exit. The top 11 Hanneman tributes. The mosh memorial service. Untold stories. Updates. And relevant digressions, including a contrasting look at other contemporaries and cutting-edge extreme bands. Over decades, Slayer experience triumph and loss, but never defeat, whether it's at the hands of rivals, peers, America's most infamous church, or the United States government itself. In addition to extensive archival material, this book features original content from the band, key affiliates, and firsthand witnesses, including Metal Blade CEO Brian Slagel, former tour manager Doug Goodman, engineer Bill Metoyer, former Metal Blade exec William "DJ Will" Howell, and cover artist Albert Cuellar (who went on to work with Tim Burton, Sublime, and Sir Mix-A-Lot). It also includes Jeff Hanneman's original diagram for the Live Undead picture disc (spoiler: it's a stick-figure sketch). Slayer fans will never see — or hear — the thrash metal champions the same way. 33 photos and 11 illustrations include lost artwork by Hell Awaits artist Albert Cuellar and stunning exclusive pictures by Harald Oimoen (of Murder in the Front Row renown). Written by D.X. Ferris, an Ohio Society of Professional Journalists Reporter of the Year and author of "Slayer's Reign in Blood," which is book no. 57 in Bloomsbury Academic's prestigious 33 1/3 series. The bargain-priced e-book edition features extensive interactive content, and can be read on any smart phone, tablet, computer, or portable communications device (with free Kindle software).

    This amazing collection features the best of Hughes' work for DC Comics, along with commentary from the artist, rarely seen preliminary material and much more!

    A Hellraiser Companion, first in a 4 volume set.

    A Must Have for the Metal Gear Solid Collector!!EXCLUSIVE TO THE COLLECTOR’S EDITION GUIDE: A lithograph by Yoji Shinkawa, an art gallery, an exclusive hardcover and additional content.THE ULTIMATE GUIDE TO 100% COMPLETION: All missions, all side quests, all secrets, all collectibles, all Achievements and Trophies – at your fingertips!TURNKEY WALKTHROUGH: An at-a-glance, map-based walkthrough steers you through the entire adventure supported by annotated hi-res screenshots.ALL GAME SYSTEMS DECODED: Statistics, diagrams and analysis from our experts provide a comprehensive understanding of all game systems and features, including the Mother Base management metagame. A WEALTH OF EXTRAS: Includes an extensive story recap, a poster covering the immense game area and much more!DEVELOPMENT: Developed directly with Kojima Productions in Tokyo. MAINTAINING TRADITION: From the same team that brought you the highly acclaimed guides to Metal Gear Solid, Metal Gear Solid 2: Sons of Liberty, Metal Gear Solid 3: Snake Eater, Metal Gear Solid 4: Guns of the Patriots and Metal Gear Rising: Revengeance.QUALITY CONTROL: Carefully designed to avoid unnecessary story spoilers.