himself. After all, he never even knew he had a "second cousin, twice removed" in America, much less that the eccentric gentleman had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . .Together, A. and Niamh quickly come to feel as if they have inherited much more than just a rambling home and a cushy lifestyle. Axton House is haunted, they know it, but that's just the tip of the iceberg when it comes to the secrets they slowly but surely uncover. Why all the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze and what does the basement vault keep? And what of the rumors in town about a mysterious gathering at Axton House on the night of the winter solstice?Told vividly through a series of journal entries, scrawled notes, recovered security footage, letters to Aunt Liza, audio recordings, complicated ciphers, and even advertisements, Edgar Cantero has written a dazzling and original supernatural adventure featuring classic horror elements with a Neil Gaiman-ish twist.

    Refusing to leave his home in a small coastal town in Maine, Jack Peter spends his time drawing monsters. When those drawings take on a life of their own, no one is safe from the terror they inspire. His mother, Holly, begins to hear strange sounds in the night coming from the ocean, and she seeks answers from the local Catholic priest and his Japanese housekeeper, who fill her head with stories of shipwrecks and ghosts. His father, Tim, wanders the beach, frantically searching for a strange apparition running wild in the dunes. And the boy’s only friend, Nick, becomes helplessly entangled in the eerie power of the drawings. While those around Jack Peter are haunted by what they think they see, only he knows the truth behind the frightful occurrences as the outside world encroaches upon them all.In the tradition of The Turn of the Screw, Keith Donohue’s The Boy Who Drew Monsters is a mesmerizing tale of psychological terror and imagination run wild, a perfectly creepy read for a dark night.

    For years it has remained empty, overgrown, abandoned. Soon the door will be opened for the first time in decades. But something is waiting, lurking in the shadows, anxious to meet its new guests…When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country’s most infamous haunted houses, he reluctantly agrees. At least he won’t be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

    While he was out cold, his son, Darkus, took it upon himself to read of all his dad's old cases, and he's learned a lot about the art of detection. It's a good thing too—because suddenly the duo find themselves caught up in a crazy conspiracy that involves a group of villainous masterminds (who keep appearing and then vanishing), some high-speed car chases (that will have everyone fastening their seat belts), and a national, bestselling book with the power to make people do terrible, terrible things. But because Alan is still suffering the effects of his coma, he tends to, well, fall asleep at the worst possible moments, Meaning that young Darkus might just have to solve this mystery . . . by himself.

    Clair is going to be a lawyer. She was the fastest girl in New York City. She knows everything there is to know about the brain. And now that she’s living in Crow, Iowa, she wants to ride into her first day of school on a cow named Willowdale Princess Deon Dawn. But Gwyn isn’t in Crow, Iowa, just for royal cows. Her family has moved there, where her parents grew up, in the hopes of jogging her mother Vienna’s memory. Vienna has been suffering from memory loss since Gwyn was four. She can no longer remember anything past the age of thirteen, not even that she has two young daughters. Gwyn’s father is obsessed with finding out everything he can to help his wife, but Gwyn’s focused on problems that seem a little more within her reach. Like proving that the very strange Gaysie Cutter who lives next door is behind the disappearance of her only friend, Wilbur Truesdale. Gwyn is sure she can crack the case, but when she does she finds that not all of her investigations lead her to the places she would have expected. In fact they might just lead her to learn about the mother she’s been doing her best to forget.

     Judith can't bear to part with the photograph of her mother in its lovely green silk frame. Surely this one small defiance will not jeopardize the happiness she finds in South Carolina -- with a family at last, and new friends, especially Zeke Carey, the miller's son. But Uncle Geoffrey's house holds a secret of its own. And Judith's small picture frame, hidden away at the bottom of her trunk, unleashes a powerful force that seems determined to bring that secret into the open. Or is Judith simply following her mother down the path toward madness?

    But you know what's worse? He left behind an angry ghost in his room!With the help of his friends Nat and Gus, Danny interviews everyone his Brooklyn neighborhood to find out about spirits. Is it an Arabian ghoul? A Korean gwishin? A Polish haunting? Maybe the answer lies with Danny's own bubbe and her tales of a dybbuk, a Jewish mythological ghost. Regardless of its origins, what does the spirit truly want? And can Danny manage to bring the phantom to rest?

    This chapel, a stained glass folly set on the moors of Shropshire, was built by de Bonne sixteen years earlier to house the remains of his beloved wife and muse, Ada. Since then, the chapel has been locked and abandoned, a pilgrimage site for the rabid fans of de Bonne’s last book, The Lost History of Dreams.However, Ada’s grief-stricken niece refuses to open the glass chapel for Robert unless he agrees to her bargain: before he can lay Hugh to rest, Robert must record Isabelle’s story of Ada and Hugh’s ill-fated marriage over the course of five nights.As the mystery of Ada and Hugh’s relationship unfolds, so does the secret behind Robert’s own marriage—including that of his fragile wife, Sida, who has not been the same since the tragic accident three years ago, and the origins of his own morbid profession that has him seeing things he shouldn’t—things from beyond the grave.Kris Waldherr effortlessly spins a sweeping and atmospheric gothic mystery about love and loss that blurs the line between the past and the present, truth and fiction, and ultimately, life and death.

    So begins the swirling, serpentine world of Paraic O’Donnell’s Victorian-inspired mystery, the story of a city cloaked in shadow, but burning with questions: why does the seamstress jump from the window? Why is a cryptic message stitched into her skin? And how is she connected to a rash of missing girls, all of whom seem to have disappeared under similar circumstances?On the case is Inspector Cutter, a detective as sharp and committed to his work as he is wryly hilarious. Gideon Bliss, a Cambridge dropout in love with one of the missing girls, stumbles into a role as Cutter’s sidekick. And clever young journalist Octavia Hillingdon sees the case as a chance to tell a story that matters—despite her employer’s preference that she stick to a women’s society column. As Inspector Cutter peels back the mystery layer by layer, he leads them all, at last, to the secrets that lie hidden at the house on Vesper Sands.By turns smart, surprising, and impossible to put down, The House on Vesper Sands offers a glimpse into the strange undertow of late nineteenth-century London and the secrets we all hold inside us.

    At its heart was a beautiful, enigmatic woman called Pandora Gibson-Hoare, a photographer of genius whose only legacy is a handful of photographs and the clues to a mystery.Just weeks after four students cross the threshold of the derelict Fischer House, one of them has committed suicide and the other three are descending into madness.Nick Mason's sister is one of them. To save her, Nick must join ranks with Paul Seaton--the only person to have visited the house and survive. But Paul is a troubled man, haunted by otherworldly visions that even now threaten his sanity.Desperate, Nick forces Paul to go back into the past, to the secret journal of beautiful photographer Pandora Gibson-Hoare and a debauched gathering in the 1920s, and to the dark legacy of Klaus Fischer--master of the unspeakable crime and demonic proceedings that have haunted the mansion for decades.Because now, the Fischer House is beckoning, and some old friends have gathered to welcome Paul back. . . .

    But she doesn’t even know it.Take this as a warning: if you are not able or willing to control yourself, it will not only be you who suffers the consequences but those around you, as well.New Oldbury, 1821 In the wake of a scandal, the Montrose family and their three daughters—Catherine, Lydia, and Emeline—flee Boston for their new country home, Willow Hall. The estate seems sleepy and idyllic. But a subtle menace creeps into the atmosphere, remnants of a dark history that call to Lydia, and to the youngest, Emeline.All three daughters will be irrevocably changed by what follows, but none more than Lydia, who must draw on a power she never knew she possessed if she wants to protect those she loves. For Willow Hall’s secrets will rise, in the end…

    They argue, they laugh, and they tell their stories. Some tell their own stories, some tell stories they have heard elsewhere. Some of them are true, some are not. But each tale draws you closer.One by one, the storytellers depart, until suddenly it's just you and the narrator, alone in the dark...

    With help from childhood friend Noah she begins to uncover the truth about Jack's death and the company that employed him and Noah.Jocelyn's twin brother Jack was the only family she had growing up in a world of foster homes-and now he's dead, and she has nothing. Then she gets a cryptic letter from "Jason December"-the code name her brother used to use when they were children at Seale House, a terrifying foster home that they believed had dark powers. Only one other person knows about Jason December: Noah, Jocelyn's childhood crush and their only real friend among the troubled children at Seale House.But when Jocelyn returns to Seale House and the city where she last saw Noah, she gets more than she bargained for. Turns out the house's powers weren't just a figment of a childish imagination. And someone is following Jocelyn. Is Jack still alive? And if he is, what kind of trouble is he in? The answer is revealed in a shocking twist that turns this story on its head and will send readers straight back to page 1 to read the book in a whole new light.

    With a dark and wild past, Hendricks doesn’t think the small town her parents moved her to has much to offer her in terms of excitement. She plans on laying low, but when she’s suddenly welcomed into the popular crowd at school, things don’t go as expected. Hendricks learns from her new friends that the fixer-upper her parents are so excited about is notorious in town. Local legend says it’s haunted. Hendricks doesn’t believe it. Until she’s forced to. Blood-curdling screams erupt from the basement, her little brother wakes up covered in scratches, and something, or someone pushes her dad down the stairs. With help from the mysterious boy next door, Hendricks makes it her mission to take down the ghosts . . . if they don’t take her first.

    Chess has always been the protector over his younger siblings, Emma loves math, and Finn does what Finn does best—acting silly and being adored. They’ve been a happy family, just the three of them and their mom.But everything changes when reports of three kidnapped children reach the Greystone kids, and they’re shocked by the startling similarities between themselves and these complete strangers. The other kids share their same first and middle names. They’re the same ages. They even have identical birthdays. Who, exactly, are these strangers?Before Chess, Emma, and Finn can question their mom about it, she takes off on a sudden work trip and leaves them in the care of Ms. Morales and her daughter, Natalie. But puzzling clues left behind lead to complex codes, hidden rooms, and a dangerous secret that will turn their world upside down.