And in places what poetry! . . . I still haven't recovered."More than a century and a half later, Nikolai Gogol's stories continue to delight readers the world over. Now a stunning new translation--from an award-winning team of translators--presents these stories in all their inventive, exuberant glory to English-speaking readers. For the first time, the best of Gogol's short fiction is brought together in a single volume: from the colorful Ukrainian tales that led some critics to call him "the Russian Dickens" to the Petersburg stories, with their black humor and wonderfully demented attitude toward the powers that be. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know.These fantastic, comic, utterly Russian characters have dazzled generations of readers and had a profound influence on writers such as Dostoevsky and Nabokov. Now they are brilliantly rendered in the first new translation in twenty-five years--one that is destined to become the definitive edition of Gogol's most important stories.Contains:-St. John's Eve-The Night Before Christmas-The Terrible Vengeance-Ivan Fyodorovich Shponka and His Aunt-Old World Landowners-Viy-The Story of How Ivan Ivanovich Quarreled with Ivan Nikiforovich-Nevsky Prospect-The Diary of a Madman-The Nose-The Carriage-The Portrait-The Overcoat

    home body is a collection of raw, honest conversations with oneself – reminding readers to fill up on love, acceptance, community, family, and embrace change. Illustrated by the author, themes of nature and nurture, light and dark, rest here.i dive into the well of my bodyand end up in another worldeverything i needalready exists in methere’s no needto look anywhere else– home

    Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai’s tea parties and secret interrogations, they become embroiled in the complicated politics of wartime — and in a mutual attraction that may be more than what they expected. Written in lush, lavish prose, and with the tension of a political thriller, Lust, Caution brings 1940s Shanghai artfully to life even as it limns the erotic pulse of a doomed love affair.

    After disappearing from the Deputy Inspector's face, his nose shows up around town before returning to its proper place.

    Stripped of any preciousness or sentimentality, Natalia Ginzburg’s writing here is white-hot, tempered by rage. She transforms the unhappy tale of an ordinary dull marriage into a rich psychological thriller that seems to beg the question: why don’t more wives kill their husbands?

    One hundred years after his release from Reading Gaol, the life and work of Oscar Wilde has lost none of its fascination. In his day, his wit and writings enchanted and scandalized society in equal measure; his downfall came at the height of his powers. Devastated by his notorious trial for indecency, imprisoned for ``homosexual offenses,'' he was to spend two ruinous years in solitary confinement. As he was later to tell Andre Gide, Reading Gaol ``was not fit for dogs. I thought I would go mad.'' The Ballad was written from personal experience, and there was to be no more writing after this. As Wilde observed: ``Something is killed in me.'' Bankrupt, disgraced, and in exile, Wilde was to die not long after his release at the age of 46. His final resting place is the cemetery of Pere Lachaise in Paris. His tomb bears an inscription from The Ballad of Reading Gaol: ``And alien tears will fill for him/Pity's long broken urn/For his mourners will be outcast men/And outcasts always mourn.'' This commemorative edition of the poem is illustrated with the powerfully moving wood engravings of Garrick Palmer. 48 pp 5 x 8 8 wood engravings

    . .”In the midst of the broken consciousness of mid-twentieth century suffering anguish of separation from my own body and its natural infinity of feeling its own self one with all self, I instinctively seeking to reconstitute that blissful union which I experience so rarely. I took it to be supernatural an gave it holy Name thus made hymn laments of longing and litanies of triumphancy of Self over mind-illusion mechano-universe of un-feeling Time in which I saw my self my own mother and my very nation trapped desolate our worlds of consciousness homeless and at war except for the original trembling of bliss in breast and belly of every body that nakedness rejected in suits of fear that familiar defenseless living hurt self which is myself same as all others abandoned scared to own unchanging desire for each other. These poems almost unconscious to confess the beatific human fact, the language intuitively chosen as in trance & dream, the rhythms rising on breath from belly thru breast, the hymn completed in tears, the movement of the physical poetry demanding and receiving decades of life while chanting Kaddish the names of Death in many worlds the self seeking the Key to life found at last in our self.

    A collection of astonishing originality and intensity, it spoke of politics, sexual emancipation, and what it meant to be an American. From the joyful “Song of Myself” and “I Sing the Body Electric” to the elegiac “When Lilacs Last in the Dooryard Bloom’d,” Whitman’s art fuses oratory, journalism, and song in a vivid celebration of humanity. Containing all Whitman’s known poetic work, this edition reprints the final, or “deathbed,” edition of Leaves of Grass (1891–92). Earlier versions of many poems are also given, including the 1855 “Song of Myself.”Features a completely new—and fuller—introduction discussing the development of Whitman's poetic career, his influence on later American poets, and his impact on the American cultural sensibilityIncludes chronology, updated suggestions for further reading, and extensive notes

    He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.

    This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.

    However, when it comes to the question of Gaston Lachaille, very rich, and very bored, Gigi does not want to obey the rules.In 'The Cat', a story of burgeoning sexuality and blossoming love, an exquisite strong-minded Russian Blue is struggling for mastery of Alain with his seductive fiancée, Camille.

    Taking the stage after the 46th president of the United States, Joe Biden, Gorman captivated the nation and brought hope to viewers around the globe. Her poem “The Hill We Climb: An Inaugural Poem for the Country” can now be cherished in this special gift edition. Including an enduring foreword by Oprah Winfrey, this keepsake celebrates the promise of America and affirms the power of poetry.

    More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fired a sniper's rifle, blew up bridges, went reconnoitering and killed... They killed the enemy who, with unprecedented cruelty, had attacked their land, their homes and their children. Soviet writer of Belarussia, Svetlana Alexiyevich spent four years working on the book, visiting over 100 cities and towns, settlements and villages and recording the stories and reminiscences of women war veterans. The Soviet press called the book"a vivid reporting of events long past, which affected the destiny of the nation as a whole." The most important thing about the book is not so much the front-line episodes as women's heart-rending experiences in the war. Through their testimony the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism...

    . . I love you too", Robert Browning wrote in January 1845, thus initiating the most celebrated literary correspondence of the 19th century. For the next 12 months, he and Elizabeth Barrett exchanged letters and confidences. In this elegant format, the delicate interplay between the poems and the lovers' letters become vividly apparent.Elizabeth Barrett Browning was a prolific writer and reviewer in the Victorian period, and in her lifetime, her reputation as a poet was at least as great as that of her husband, poet Robert Browning. Some of her poetry has been noted in recent years for strong feminist themes, but the poems for which Elizabeth Barrett Browning is undoubtedly best know are Sonnets from the Portuguese.Written for Robert Browning, who had affectionately nicknamed her his "little Portuguese," the sequence is a celebration of marriage, and of one of the most famous romances of the nineteenth century. Recognized for their Victorian tradition and discipline, these are some of the most passionate and memorable love poems in the English language. There are forty-four poems in the collection, including the very beautiful sonnet, "How do I love thee? Let me count the ways."

    On that same day, a brilliant mathematician is locked away inside a Moscow prison that houses the country's brightest minds. He and his fellow prisoners are charged with using their abilities to sleuth out the caller's identity, and they must choose whether to aid Joseph Stalin's repressive state—or refuse and accept transfer to the Siberian Gulag camps . . . and almost certain death.First written between 1955 and 1958, In the First Circle is Solzhenitsyn's fiction masterpiece. In order to pass through Soviet censors, many essential scenes—including nine full chapters—were cut or altered before it was published in a hastily translated English edition in 1968. Now with the help of the author's most trusted translator, Harry T. Willetts, here for the first time is the complete, definitive English edition of Solzhenitsyn's powerful and magnificent classic.