Almost no visual documentation of the period exists and that which does is biased due to government control over media, arts and cultural institutions.Red-Color News Soldier is a controversial visual record of an infamous, misunderstood period of modern history that has been largely hidden from the public eye, both within China and abroad. Li Zhensheng (b.1940) - a photo journalist living in the northern Chinese province of Heilongjiang - managed, at great personal risk, to hide and preserve for decades over 20,000 stills. As a party-approved photographer for The Heilongjiang Daily , he had been granted unusual access to capture events during the Cultural Revolution. This account has remained unseen until now, except for some eight photographs that were released for publication in 1987.Red-Color News Soldier includes over 400 photographs and a running diary of Li's experience. The images are powerful representations of the turbulent period, including photographs of unruly Red Guard rallies and relentless public denunciations and Mao's rural re-education centres, as well as portraits prominent participants in the Cultural Revolution.Jonathan Spence, Yale Professor and pre-eminient historian of modern China, presents a rigorous introduction. In it, he states: 'Li was tracking human tragedies and personal foibles with a precision that was to create an enduring legacy not only for his contemporaries but for the generations of his countrymen then unborn. As Westerners confront the multiplicity of his images, they too can come to understand something of the agonizing paradoxes that lay at the centre of this protracted human disaster.'This book excels as a volume of both compelling photography and riveting historical record. It is truly unique - in terms of both its artefactual value and its deconstruction - and indispensable for anyone interested in modern Chinese history or the powerful cultural role of photojournalism.

    This is volume one of the Understanding China Through Comics series.Jing Liu is a Beijing native now living in Davis, California. A successful designer and entrepreneur who helped brands tell their stories, Jing currently uses his artistry to tell the story of China.

    One glimpse of her through a window as she put on lipstick was enough to capture Rao's heart, the moment that sparked a union that would last almost sixty years. Our Story is that epic romance told through his paintings and accompanying text. We see Pingru and Meitang through the decades, in both poverty and good fortune--looking for work, opening a restaurant, moving cities, mending shoes, raising their children, and being separated for seventeen years by the government when Pingru is sent to a labor camp. As they age, China undergoes extraordinary growth, political turmoil, and cultural change. When Meitang passes away in 2008, Pingru memorializes his wife and their relationship the only way he knows how: through painting. In an outpouring of love and grief, he puts it all on paper. It's a tale at once tragic and inspiring, of enduring love and simple values, an old-fashioned story that unfolds in a nation rapidly becoming modern. Spanning 1923 to 2008, Our Story is a truly singular graphic memoir.

    Written by scholars at the forefront of new thinking, many of whom are rising stars in their fields, the Oxford History of Art series offers substantial and innovative texts that clarify, illuminate, and debate the critical issues at the heart of art history today. Providing a fresh new look at art that moves away from traditional elitist approaches, the series makes use of new research and methodologies, as well as newly accessible and non-canonical works to offer comprehensive coverage of the art world from archaic and classical Greek art to twentieth-century design and photography, from the artistry of African-American and Native North Americans to the masterpieces of Europe, Polynesia, and Micronesia. Lavishly illustrated and superbly designed, the Oxford History of Art brings new substance and verve to the exciting and ubiquitous world of art.China boasts a history of art spanning 5,000 years and embracing a wide diversity of images and objects--from jade tablets, painted silk handscrolls and fans to ink and lacquer painting, porcelain-ware, sculpture, and calligraphy. But this rich tradition has not, until now, been fully appreciated in the West where scholars have focused their attention on sculpture, while largely ignoring those art forms most highly prized by the Chinese themselves, such as calligraphy. Now, in Art in China, Craig Clunas marks a breakthrough in the study of the subject. Taking into account all the arts practiced in China, and drawing on recent innovative scholarship, this rich text examines the production and consumption of art in its appropriate contexts. From art found in tombs to the state-controlled art of the Mao Zedong era, Art in China offers a novel look and comprehensive examination of all aspects of Chinese art.

    The Chinese are inordinately proud of having invented, among a whole host of other things, the compass (without which the world would have got lost), paper (without which books would not exist), the printing press (ditto), porcelain (no pretty matching chinaware), silk (no decadence), pasta (what would the Italians eat?), the wheelbarrow (how would civilisation have fared without it?) and the bristle toothbrush. A guide to understanding the Chinese which dispels or confirms preconceived prejudices with humor and insight.

    The Lost History of Christianity unveils a vast and forgotten network of the world's largest and most influential Christian churches that existed to the east of the Roman Empire. These churches and their leaders ruled the Middle East for centuries and became the chief administrators and academics in the new Muslim empire. The author recounts the shocking history of how these churches—those that had the closest link to Jesus and the early church—died.Jenkins takes a stand against current scholars who assert that variant, alternative Christianities disappeared in the fourth and fifth centuries on the heels of a newly formed hierarchy under Constantine, intent on crushing unorthodox views. In reality, Jenkins says, the largest churches in the world were the “heretics” who lost the orthodoxy battles. These so-called heretics were in fact the most influential Christian groups throughout Asia, and their influence lasted an additional one thousand years beyond their supposed demise.Jenkins offers a new lens through which to view our world today, including the current conflicts in the Middle East, Asia, and Africa. Without this lost history, we lack an important element for understanding our collective religious past. By understanding the forgotten catastrophe that befell Christianity, we can appreciate the surprising new births that are occurring in our own time, once again making Christianity a true world religion.

    An autobiography of a young Chinese man whose childhood and adolescence were spent in Mao's China during the Cultural Revolution.

    Warlords, Western businessmen, soldiers, missionaries and Japanese all ruled China, exploited and fought one another and the Chinese. In 1949, Mao Zedong came to power. China Witness is both a journey through time and through the author’s own country, and a memorial to an extraordinary generation of men and women who have survived war, invasion, revolution, famine and modernization — to tell the story of their times. It is an extraordinary personal testimony from a normally silent generation who, in their lifetimes have seen China transformed from a largely peasant, agricultural country of more than 1.3 billion people into a modern state. These are ordinary people — a herb woman at a market, retired teachers, a legendary “bandit” woman, Red Guards, oil pioneers, an acrobat, a naval general, a shoe mender, a lantern maker, taxi drivers, and others — from west to east, across the vast country, now in their seventies, eighties and nineties, and whose memories will soon die with them.Here, for the first time many of them speak out about their lives and private thoughts about what they witnessed. Together their intimate stories are perhaps the only accurate record of modern Chinese history.

    More important, we come to see how this unique Chinese history of the world shapes China's economic policy, attitude toward the United States and the rest of the world, relations with its neighbors, positions on democracy and human rights, and notions of good government.As the Chinese see it, for as far back as anyone can remember, China had the richest economy, the strongest military, and the most advanced philosophy, culture, and technology. The collision with the West knocked China's historical narrative off course for the first time, as its 5,000-year reign as an unrivaled superpower came to an ignominious end.Ever since, the Chinese have licked their wounds and fixated on returning their country to its former greatness, restoring the Chinese version of its place in the world as they had always known it. For the Chinese, the question was never if they could reclaim their former dominant position in the world, but when.

    Sterling Seagrave describes for the first time the intricate and fascinating rise to power of Charlie Soong and his children: daughters Ai-ling, who married one of China's richest men, H.H. Kung; Ching-ling, who married Sun Yat-sen, leader of China's republican revolution; May-ling, who married Chiang Kai-shek, the autocratic ruler of Nationalist China whose ties to the Shanghai underworld the author has documented; and son T.V. Soong, who at various times served as Chiang's economic minister, foreign minister and premier. How all of the Soongs except Ching-ling amassed enormous wealth while millions of Chinese starved or were killed in the long fight against Japan and the equally bitter struggle with Mao are just some of the revelations in this explosive book.

    Fearing cremation, she extracted from her family the promise to bury her after she died. This was in Xi’an, a city in central China, in the 1970s, when a national ban on all traditional Chinese practices, including burials, was strictly enforced. But Huang’s grandmother was persistent, and two years later, his father built her a coffin. He also appointed his older son, Wenguang, as coffin keeper, a distinction that meant, among other things, sleeping next to the coffin at night.Over the next fifteen years, the whole family was consumed with planning Grandma’s burial, a regular source of friction and contention, with the constant risk of being caught by the authorities. Many years after her death, the family’s memories of her coffin still loom large. Huang, now living and working in America, has come to realize how much the concern over the coffin has affected his upbringing and shaped the lives of everyone in the family. Lyrical and poignant, funny and heartrending, The Little Red Guard is the powerful tale of an ordinary family finding their way through turbulence and transition.

    But it has always been some grand and even intimidating universe that I wanted to unpick and explain to myself. Wang Gungwu is one of Asia’s most important public intellectuals. He is best-known for his explorations of Chinese history in the long view, and for his writings on the Chinese diaspora.  With Home is Not Here, the historian of grand themes turns to a single life history: his own. Wang writes about his multicultural upbringing and life under British rule. He was born in Surabaya, Java, but his parents’ orientation was always to China. Wang grew up in the plural, multi-ethnic town of Ipoh, Malaya (now Malaysia). He learned English in colonial schools and was taught the Confucian classics at home. After the end of WWII and Japanese occupation, he left for the National Central University in Nanjing to study alongside some of the finest of his generation of Chinese undergraduates. The victory of Mao Zedong’s Communist Party interrupted his education, and he ends this volume with his return to Malaya. Wise and moving, this is a fascinating reflection on family, identity, and belonging, and on the ability of the individual to find a place amid the historical currents that have shaped Asia and the world.

     "Song of Praise for a Flower" traces a century of Chinese history through the experiences of one woman and her family, from the dark years of World War II and China’s civil war to the tragic Great Leap Forward, Cultural Revolution, and beyond. It is a window into a faraway world, a sweeping epic about China’s tumultuous transformation and a harrowing yet ultimately uplifting story of a remarkable woman who survives it all and finally finds peace and tranquility. Chu’s story begins in the 1920s in an idyllic home in the heart of China’s rice country. Her life is a struggle from the start. At a young age, she defies foot-binding and an arranged marriage and sneaks away from home to attend school. Her young adulthood is thrown into turmoil when the Japanese invade and ransack her village. Later her family is driven to starvation when Mao Zedong’s Communist Party seizes power and her husband is branded a ‘bad element.’ After Mao’s death in the 1970s, as China picks up the pieces and moves in a new direction, Chu eventually finds herself in a glittering city on the sea adjacent to Hong Kong, worlds away in both culture and time from the place she came from. “Fengxian Chu’s first-person account of growing up female in feudal rural China is ultimately as uplifting as it is heart wrenching. Beautiful and bravely written. Bravo.” – Michael J. Totten, author of Where the West Ends

    In this extraordinary collection of hundreds of internal government and Communist Party documents, secretly smuggled out of China, we learn how these events came to pass from behind the scenes. The material reveals how the most important decisions were made; and how the turmoil split the ruling elite into radically opposed factions. The book includes the minutes of the crucial meetings at which the Elders decided to cashier the pro-reform Party secretary Zhao Ziyang and to replace him with Jiang Zemin, to declare martial law, and finally to send the troops to drive the students from the Square. Just as the Pentagon Papers laid bare the secret American decision making behind the Vietnam War and changed forever our view of the nation's political leaders, so too has The Tiananmen Papers altered our perception of how and why the events of June 4 took the shape they did. Its publication has proven to be a landmark event in Chinese and world history.

     The Souls of China tells the story of one of the world's great spiritual revivals. Following a century of violent anti-religious campaigns, China is now filled with new temples, churches, and mosques--as well as cults, sects, and politicians trying to harness religion for their own ends. Driving this explosion of faith is uncertainty--over what it means to be Chinese and how to live an ethical life in a country that discarded traditional morality a century ago and is searching for new guideposts.Ian Johnson first visited China in 1984; in the 1990s he helped run a charity to rebuild Daoist temples, and in 2001 he won a Pulitzer Prize for his coverage of the suppression of the Falun Gong spiritual movement. While researching this book, he lived for extended periods with underground church members, rural Daoists, and Buddhist pilgrims. Along the way, he learned esoteric meditation techniques, visited a nonagenarian Confucian sage, and befriended government propagandists as they fashioned a remarkable embrace of traditional values. He has distilled these experiences into a cycle of festivals, births, deaths, detentions, and struggle--a great awakening of faith that is shaping the soul of the world's newest superpower.