Works include:AfterwardThe Age of InnocenceArtemis to Actaeon and Other VersesAutres Temps...Bunner SistersThe ChoiceComing HomeCrucial InstancesThe Custom of the CountryThe Descent of Man & Other StoriesThe Early Short Fiction of Edith Wharton, Volume 1The Early Short Fiction of Edith Wharton, Volume 2Ethan FromeFighting FranceThe Fruit of the TreeThe Glimpses of the MoonThe Greater InclinationThe Hermit and the Wild WomanThe House of MirthIn MoroccoKerfolThe Long RunMadame de TreymesThe ReefSanctuarySummerTales of Men and GhostsThe TouchstoneThe Triumph of NightThe Valley of DecisionXingu

    Soccer mom Yvette Palmer lives an ordinary life in San Antonio, Texas when a box is delivered to her by mistake, and in taking it to its rightful owner—a crotchety neighbor named Mona who shares her back fence—is drawn into a strange and haunting tale.Mona’s ratty robe, mood swings, and secretive behavior all raise red flags, and Yvette is sure someone else is living there despit Mona’s claim to live alone, but Yvette is unable to break away as she listens to how Mona transformed from a young college woman about to be married to the odd, reclusive, ghost of a woman she is now.As Yvette listens to her neighbor's tale, she discovers a shocking connection, but doesn't know whether Mona's come to help or to harm her and her family.

    The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.

    In addition to Dracula--the landmark vampire novel that set the pattern for virtually all vampire fiction written after its publication in 1897--this omnibus collects the novels The Jewel of Seven Stars and The Lair of the White Worm. In also includes a dozen of Stoker's short tales of the macabre, including "Dracula's Guest," a sidebar to his famous novel. For more than a century, Bram Stoker's fiction has inspired countless writers of horror and fantasy fiction. This volume allows readers a unique opportunity to appreciate the full range of his dark imagination. Dracua and Other Horror Classics is one of Barnes & Noble's leatherbound classic editions. Each volume features authoritative texts by the world's greatest authors, in exquisitely designed bonded-leather bindings with distinctive gilt edging and an attractive silk-ribbon bookmark. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensible cornerstone for every home library.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The Short Stories, introduced here with a revealing preface by the author, chronicles Hemingway's development as a writer, from his earliest attempts in the chapbook Three Stories and Ten Poems, published in Paris in 1923, to his more mature accomplishments in Winner Take Nothing. Originally published in 1938 along with The Fifth Column, this collection premiered "The Capital of the World" and "Old Man at the Bridge," which derive from Hemingway's experiences in Spain, as well as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," which figure among the finest of Hemingway's short fictions.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Wrenn," who would be writing you directly and explaining everything most satisfactorily. At thirty-four Mr. Wrenn was the sales-entry clerk of the Souvenir Company.

    Thoreau's most engaging and popular works, newly edited and based on the most authoritative versions of each. These essays represent Thoreau in many stages of his writing career, ranging from 1842--when he accepted Emerson's commission to review four volumes of botanical and zoological catalogues in an essay that was published in The Dial as "Natural History of Massachusetts"--to 1862, when he prepared "Wild Apples," a lecture he had delivered during the Concord Lyceum's 1859-1860 season, for publication in the Atlantic Monthly after his death. Three other early meditations on natural history and human nature, "A Winter Walk," "A Walk to Wachusett," and "The Landlord," were originally published in 1842 and 1843. Lively, light pieces, they reveal Thoreau's early use of themes and approaches that recur throughout his work. "A Yankee in Canada," a book-length account of an 1850 trip to Quebec that was published in part in 1853, is a fitting companion to Cape Cod and The Maine Woods, Thoreau's other long accounts of explorations of internal as well as external geography. In the last four essays, "The Succession of Forest Trees" (1860), "Autumnal Tints" (1862), "Walking" (1862), and "Wild Apples" (1862), Thoreau describes natural and philosophical phenomena with a breadth of view and generosity of tone that are characteristic of his mature writing. In their skillful use of precisely observed details to arrive at universal conclusions, these late essays exemplify Transcendental natural history at its best.

    And something the author of these stories knows that you are scared to admit is that reality and fantasy have flip‑flopped. They have switched places. The stories that scare you today are the ones about rapists and thugs, psychos who will carve you for a dollar and hypes who will bust your head to get fixed. Glenn Ford’s world was yesterday, and Bronson’s is today. And in the stalking midnight of this book, one of America’s top writers, Harlan Ellison, invades the shadows of both!

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    An outstanding array—52 pieces in all—of selected fiction from the multiple-award-winning, #1 New York Times bestselling author Neil Gaiman, curated by his readers around the world, and introduced with a foreword by Booker Prize-winning author Marlon JamesSpanning Gaiman’s career to date, The Neil Gaiman Reader: Selected Fiction is a captivating collection from one of the world’s most beloved writers, chosen by those who know his work best: his devoted readers. A brilliant representation of Gaiman's groundbreaking, entrancing, endlessly imaginative fiction, this captivating volume includes excerpts from each of his five novels for adults —Neverwhere, Stardust, American Gods, Anansi Boys, and The Ocean at the End of the Lane—and nearly fifty of his short stories. Impressive in its depth and range, The Neil Gaiman Reader: Selected Fiction is both an entryway to Gaiman’s oeuvre and a literary trove Gaiman fans old and new will return to many times over.

    The health and safety of a quarter-million natives—who speak countless languages and worship untold gods—are his responsibility. Whether disciplining a boy king, expelling troublesome missionaries, or fighting to contain outbreaks of sleeping sickness and beri-beri, Sanders and his lieutenants must be quick, decisive, and fair. The fate of the empire—not to mention their lives—depends on it. These rollicking escapades, based on Edgar Wallace’s travels in Africa, offer an entertaining glimpse into a world—and a mindset—long lost but endlessly intriguing. This ebook features a new introduction by Otto Penzler and has been professionally proofread to ensure accuracy and readability on all devices.

     A child’s abduction leads to a frightening pattern within a South Florida town where nothing is as it seems. Amidst the vast wetlands, suburban sprawl, and tropical heat, the Lee County police department knows what to expect on any given day. But when a serial child predator stakes his claim in the area, there is no knowing when and where he will strike. The parents of the latest victim are baffled to receive no ransom demands, given their wealth and influence. And the town is in an uproar as the girl marks the fifth child to vanish.