The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    No Art is an exhilarating argument both with America and with poetry itself, in which online slang is juxtaposed with academic idiom, philosophy collides with advertising, and the language of medicine and the military is overlaid with echoes of Whitman and Keats. Here, clichés are cracked open and made new, made strange, and formal experiments disclose new possibilities of thought and feeling. No Art confirms Ben Lerner as one of the most searching and ambitious poets working today.

    In the privacy of their homes, who can save them from themselves? In the forests and hills and on the beautiful lakes, what could possibly be wrong? Even in the sweet hometown, with its kindly police, menace lurks in a thousand disguises. Mystery and magic surround this metropolis of the imagination. Once again, James Tate has given us a world of surprising pleasures:... lost in the interstellar space between teacups in the cupboard, found in the beak of a downy woodpecker, the lovers staring into the void and then jumping over it, flying into their beautiful tomorrows like the heroes of a storm.

    Their home. Her sanctuary. When Prue Bridgewater first glimpses the abandoned old house, it's love at first sight. Her husband Ray is not so sure. The property has been neglected for decades, and Ray can’t help wondering why. But with Prue on the brink of a nervous breakdown, he’ll do whatever it takes to keep her sane, even if it means he has to live there. Once ensconced in their new home, Prue begins fixing up the place while Ray is away at work. But after a series of disturbing discoveries, she fears she's losing her mind. She hears things and sees people who couldn’t possibly be there, and she can’t shake the feeling she’s being watched. As Prue’s hold on reality begins to disintegrate, along with her marriage, she struggles to tell truth from delusion. But things go from bad to worse, and soon not just her sanity, but her survival hinges upon the long-buried secrets of THE HOUSE. This is a novella of approximately 27,287 words

    An anthology of some the best poems written by Harivansh Rai Bachchan,which have been selected specially for this anthology by himself.

    All the poems are in William Stafford's familiar, reflective voice, and some had been freshly typed at the time of Stafford's death in August of 1993. The book is hospitable to a full range of experiences, moods, stunts with language, tones, expressive landmarks, and intimacies with the universe. Long considered a major voice in twentieth century American poetry, William Stafford is also one of our nation's most popular poets.

    "Nick Demske writes from culture like the Hollywood version of a rebellious slave, the role shredding off him, culture's synthetic exemplary tales shredding and piling up on the floor of the projector room."—Joyelle McSweeneyHis name is "a transcendant uber-obsenity that can be understood universally by speakers of any language."

    -Washington Post Book World A character so outrageous he could only have come from the ingenious imagination of Elmore Leonard, lewd, lecherous, law-bending Florida jurist Judge Robert Maximum Bob Gibbs has been judged guilty by a grudge-bearing malefactor and sentenced to death-by alligator, if necessary. Maximum Bob is a delightfully dark classic thriller from the greatest crime writer of our time, perhaps ever (New York Times Book Review), and any reader who loved getting gleefully lost in criminal mayhem of Get Shorty, Rum Punch, Out of Sight, The Hot Kid, or any number of the inimitable Leonards numerous crime fiction masterworks will get maximum enjoyment out of this one. Product Details: Hardcover Publisher: Imprint unknown (September 26, 1991) ISBN-10: 0670843121 ISBN-13: 978-0670843121 Product Dimensions: 6.8 x 4.1 x 1.1 inches Shipping Weight: 3.2 ounces

    As a poet who has achieved success in the realms of both grassroots popularity and national critical attention, Kocot is poised to claim her place as America’s boldest new poetic voice.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    He's a synthetic man! She's a mutant sorceress! Once they were outcasts, but now they have each other, and a love which can withstand every danger they face! Steve Englehart and Richard Howell present…Vision and the Scarlet Witch!

    A hilarious collection of poetry by dogs- perfect for lovers of literature and pups alike.

    With breathtaking freshness, he writes of mutability, of the passage of time, and of growth, decay, and death as they are reflected in both ourselves and the changing of the seasons. By turns playful, melancholy, and mysterious, the poems in "April Galleons" reaffirm the extraordinary powers that have made Ashbery such a significant figure in the American literary landscape.

    A small collection of short stories, sold as part of the boxed set "One Hundred and Forty Five Stories in a Small Box: Hard to Admit and Harder to Escape, How the Water Feels to the Fishes, and Minor Robberies"

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.