Included is the original shooting script. With over thirty pages of material not used in the final film, along with a sixteen-page color section featuring rare artwork, production drawings, photographs of the cast and crew, and detailed annotations by the screenwriters.

    It's nothing like the suburb you might live in . . . Unless, that is, an insane, Listerine-guzzling Realtor sold you your house? Or perhaps your postman happens to have a disturbing relationship with his claw hammer? A grieving Dan LaBarbara knows something is different in Helltown as soon as he comes back home. Yeah, sure, the town always been a little off. You can feel that about the place, like if you stepped into a house whose only occupants were freshly murdered corpses in an upstairs bedroom. But this is something else entirely. Standing in his little brother Barbie's basement workshop, holding one of those dioramas Barbie's been building since the accident, the ones that seem to move when you hold them, Dan can feel Barbie's terror. Barbie must know something is coming, something big, something evil. He's trying to warn Dan in the only way he knows. Why else would Barbie build a diorama depicting a man-sized version of a cartoon rabbit with bloody teeth about to devour a trembling teenager? Why else would he spend so much time crafting an intricate model of Death standing over a pimply teenager in the school library? And let's not even talk about that little model of the mob of undead surrounding the massive tower of vicious black spines behind the high school. Hilltown has a story to tell, and the lonely brain-damaged man who builds magical dioramas in his basement workshop has been telling it all along. As the evil closes in around them, Dan and his new love interest Jessica must do the impossible: save everyone one in Hilltown before it's too late.

    Shan Hai Gaaru". This 2011 U.S. edition features an excerpt of the author’s WNYC Leonard Lopate Essay Contest-winning new novel "Memoirs of a Eurasian". In the post-Cultural Revolution Shanghai of 1984, university senior Sha-fei Hong longs to study in the U.S. for graduate school, ostensibly to pursue the American Dream, but partly to escape her sexually-harassing Communist cadre stepfather. She meets the visiting Chinese-American businessman Gordon Lou, who has political ambitions and ties to the Chinatown underworld in the U.S. He takes Sha-fei to the American Consulate in Shanghai to look into studying in America. There, Sha-fei meets the intern Edward Cook, a young, Caucasian American lawyer who has a strong preference for all things Asian. Within a year, these three people of entirely different cultural and socio-economic backgrounds cross paths in New York. Value systems and self-interests clash. The curtain falls on a dramatic stage of ambition, sex, intrigue, and murder.

    

    What Rebecca Gilman makes of this familiar scenario is something startlingly real and compelling, delving deeply into the small space that can divide a feeling of hope from one of hopelessness, as Curt and Sandy both try to get a foothold in the American dream of a house, a job, a life, a relationship with another human being.Gilman's previous play, Boy Gets Girl, was acclaimed by Time magazine as the best play of 2000, saying that "with Spinning into Butter, her play about race relations on campus, Rebecca Gilman gave notice that she was a playwright to watch. And with this intense drama of a woman's encounter with a stalker, she became one to hail . . . It's not just a gripping play but also an important one." Marked by Gilman's characteristically sharp delineation of character, pitch-perfect dialogue, and effortless use of humor that is both biting and silly, Blue Surge is a worthy successor to these plays--an intimate look at the class struggle in America today as well as a brilliant example of the dramatic craft from one of today's most accomplished practitioners. It will have its world premiere at the Goodman Theatre in Chicago in the spring of 2001.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    

    

    I have plenty of money. But let me tell you how this works. You see this contract…let me tell you what it says. It says I’ll post your bail, and have my one hell of a lawyer or judge friend get you off, or pay somebody to get you off under one condition…that DICK belongs to me; anytime, anywhere, until the contract is up. That means, your wife can’t know a thing about our little agreement and that also means that I want the works; I want to be fucked…not played with. Pleased not left unsatisfied; no in between, straight like that. So, where do we go from here is up to you. So, what’s it going to be?” I said in closing as I liked my lips. Devon leaned back in his chair and eyed me as if he was trying to read my mind. My guess was that he was trying to figure out if I was serious or if it all was some sick, twisted joke. But I was dead ass serious. He eyed me up and down, just before biting his bottom lip. After a few more minutes, he cleared his throat and crossed his arms over his chest. “Okay,” he said…I grinned.****

    Fifteen-year-old Annie Anderson was adopted by Sylvia and Hugh after the death of their own daughter. Annie is told that her own mother in childbirth and her father died before she was born.A chance encounter introduces Annie to local lad Andrew Fraser. Their friendship blossoms, but once Annie’s adoptive parents learn of it they forbid her from seeing him. When Annie asks why, it sets her on a path to discover more about her origins – but will what she learns bring heartache or joy? Don’t miss this rich and vivid saga by one of Liverpool’s best-known novelists, perfect for fans of Kitty Neale and Katie Flynn.

    

    Of the scripts included here, Barton Fink--an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood--is a masterful culmination of these themes.

    Leaving behind his life in Fletcherford in northern England, his friends from Fletcherford Writers’ group and Sally, his foul-mouthed, best friend, colleague and confidante from Fletcherford Community College, he embarks on an adventure that will transform his life forever. As the larger than life,Yiorgi and the womanising Vangelis, friends of the deceased Martha, help him, in their own ways, to settle into his new life Bob begins to piece together the details of his aunt’s life and that of her mysterious husband Dimitri. The dark secrets of Martha’s Vineyard take Bob on a harrowing journey of self-discovery revealing the true meaning of love, belonging and revenge.

    He killed them…. in the name of justice.” From Robert Hanlon, the bestselling author of “Texas Bounty Hunter,” “Bounty For The Preacher” and “Pecos Bounty Hunter” comes his best Western… “Clint Cain – Texan Avenger.” Vengeance, repentance and justice come in many forms. For Clint Cain, it comes in the form of his gun—a gun he knows how to use better than almost anyone else. Filled to the brim with action, adventure, plot twists and gunsight justice—Clint Cain is not a man to be crossed. This is a book filled with the dead, the dying and those who don’t get in his way—because those who do cross Clint Cain end up dead. Real dead. If you like your Westerns written in the style of A.H. Holt, Bruce G. Bennett and Paul L. Thompson—you will love “Clint Cain – Texan Avenger!” Download your copy today and start a read filled with action, adventure and drama—and the bodies of dead bad guys.