Drawn to the cold depths of the river by Ruth’s house, the girls pretend to be the drowning Ophelia, with increasingly elaborate tableaus. But by the end of that fateful summer, real tragedy finds them along the banks. Twenty-four years later, Ruth returns to the suffocating, once grand house she grew up in, the mother of young twins and seventeen-year-old Maeve. Joining the family in the country is Stuart, Ruth’s childhood friend, who is quietly insinuating himself into their lives and gives Maeve the attention she longs for. She is recently in remission, unsure of her place in the world now that she is cancer-free. Her parents just want her to be an ordinary teenage girl. But what teenage girl is ordinary? Alternating between the two fateful summers, The Ophelia Girls is a suspense-filled exploration of mothers and daughters, illicit desire, and the perils and power of being a young woman.

    Jeanne Duval, the ginger-colored entertainer, struggles with her lover poet Charles Baudelaire...Mer, plantation slave and doctor, both hungers for and dreads liberation...and Thais, a dark-skinned beauty from Alexandria, is impelled to seek a glorious revelation-as Ezili, a being born of hope, unites them all. Interweaving acts of brutality with passionate unions of spirit and flesh, this is a narrative that shocks, entertains, and dazzles-from an award-winning writer who dares to redefine the art of storytelling.A Nebula Award nominee -- A Locus Magazine recommended book

    And he never will be. But if he isn’t a real Avery, then who is he?Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.At the mercy of fortune and coincidence, he will spend a lifetime coming to know himself and where he came from – and over his three score years and ten, will struggle to discover an identity, a home, a country and much more.In this, Boyne's most transcendent work to date, we are shown the story of Ireland from the 1940s to today through the eyes of one ordinary man. The Heart's Invisible Furies is a novel to make you laugh and cry while reminding us all of the redemptive power of the human spirit.

    Within eighty years of the first outbreak, the male population has fallen by seventy-five percent. Women have taken on all the roles traditionally granted to men, even that of the Shogun. The men, precious providers of life, are carefully protected. And the most beautiful of the men are sent to serve in the Shogun's Inner Chamber...

    Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.

    From the author of Bad Behavior comes a new compilation of clever and cutting-edge stories propelling readers into a world of men and women where the ways of desire are sometimes distasteful and complex.Tiny, smiling daddy --Because they wanted to --Orchid --The blanket --Comfort --The girl on the plane --The dentist --Kiss and tell --The wrong thing Turgor --Respect --Processing --Stuff

    From the hip-hang of a bohemian lifestyle to the sophisticated lure of a wealthy boss to the happier—but taboo—security of a lesbian relationship, these three young women experience first-hand the adventures and the limitations that await spirited young working women who strike out on their own in a decidedly male-centered world.

     Alizhan can’t see faces, but she can read minds. Her mysterious ability leaves her unable to touch or be touched without excruciating pain. Rescued from abandonment and raised by the wealthy and beautiful Iriyat ha-Varensi, Alizhan has grown up in isolation, using her gift to steal secrets from Iriyat’s rivals, the ruling class of Laalvur. But Iriyat keeps secrets of her own. When Alizhan discovers that she isn’t the only one of her kind, and that a deadly plot threatens everyone like her, there’s only one person she can trust. Ev liked having a secret. None of the other girls in the village had a thief-friend. Evreyet Umarsad—“Ev” to her parents and her one friend—longs to be the kind of hero she reads about in books. But the rest of the world feels impossibly far away from her life on a farm outside Laalvur. Ev will never lay eyes on the underground city of Adappyr, the stars of the Nightward Coast, or the venomous medusas that glow in the dark depths of the sea. At least on her weekly trip to the market, Ev gets to see her thief—the strange young woman who slips by her cart and playfully steals a handful of thornfruit. When the thief needs help, Ev doesn’t hesitate. Together, they uncover a conspiracy that draws them all over Laalvur and beyond. Thornfruit is the first book in The Gardener's Hand trilogy.

     In 1950, Constantine Stassos, a Greek immigrant laborer, marries Mary Cuccio, an Italian-American girl, and together they produce three children: Susan, an ambitious beauty, Billy, a brilliant homosexual, and Zoe, a wild child. Over the years, a web of tangled longings, love, inadequacies and unfulfilled dreams unfolds as Mary and Constantine's marriage fails and Susan, Billy, and Zoe leave to make families of their own. Zoe raises a child with the help of a transvestite, Billy makes a life with another man, and Susan raises a son conceived in secret, each extending the meaning of family and love. With the power of a Greek tragedy, the story builds to a heartbreaking crescendo, allowing a glimpse into contemporary life which will echo in one's heart for years to come.

    Ripley --that speaks to identity, war, exile, love, betrayal, and heartbreak. In the devastation of post-Communist Albania, inseparable young friends Bujar and Agim feel trapped: Bujar struggling to come to terms with the loss of his father, Agim facing dangerous realizations about his sexuality and his feelings for Bujar. When shame, guilt, and the ruins of authoritarianism push Bujar and Agim to leave everything behind and flee to Italy, the unfamiliar life of an immigrant and asylum seeker sets Bujar on a path of reinvention. He follows an impulse to remake himself--as a man or woman of infinite nationalities and pasts--the burning desire to be seen and heard spurring a desperate search for a different existence to be seized at any cost. But Bujar's quest for identity and belonging is haunted by the mystery of what happened to Agim--his one, true beloved, who somehow got lost along the way. Like Statovci's acclaimed debut, My Cat Yugoslavia, Crossing is a powerful and symbolic novel of both unending war and unattainable love, but most of all, of the lies that give stories a singular power.

    They are surrounded by forests of birch and rowan; they make stew from foraged roots and hunted rabbit. The students are fulfilling their coursework; Silvie's father is fulfilling his lifelong obsession. He has raised her on stories of early man, taken her to witness rare artifacts, recounted time and again their rituals and beliefs—particularly their sacrifices to the bog. Mixing with the students, Silvie begins to see, hear, and imagine another kind of life, one that might include going to university, traveling beyond England, choosing her own clothes and food, speaking her mind.The ancient Britons built ghost walls to ward off enemy invaders, rude barricades of stakes topped with ancestral skulls. When the group builds one of their own, they find a spiritual connection to the past. What comes next but human sacrifice?A story at once mythic and strikingly timely, Sarah Moss's Ghost Wall urges us to wonder how far we have come from the "primitive minds" of our ancestors.

    Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

    And that’s heaven.”—poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.

    A young woman who has spent her entire life in a small, dusty town off the Interstate, working at her pop's mercantile, has her life thrown into chaos when a vivacious, cowboy-booted trucker, rolls into town.

    When Kate Vincent and her partner travel to Spain, Kate is accidentally transported back in time... way back in time... to 1085. What does a woman like Kate do in a world of no antibiotics, no feminism, no Diet Coke? She denies it as long as possible, then sets her mind to getting home. Tricky with her now useless twenty-first century skills. Things don't go well. Kate is captured by a band of mercenary soldiers and becomes an unwitting pawn in the violent conflict between the Catholic kings and the Islamic Moors. In her struggle to stay alive and return to the future, Kate must flee exotic harems, filthy dungeons, and treacherous Moorish courts. But when a sword-brandishing woman with an astonishing secret sweeps into Kate's life, Kate is suddenly torn between two women, and between two centuries. The Spanish Pearl is an epic adventure spiced with humor, lust, and danger—a story with surprising twists that will capture your imagination just as Kate's dilemma captures your heart.