Gumball thinks he’s the coolest kid on the block, but his little sister Anais begs to differ, and Darwin just wants to keep them all out of trouble.

    For example, I was once pinned down by a young lad who repeatedly asked me why I was hitting myself, when he knew full well that I had temporarily ceded hegemony over my hands and forearms. I tried to explain it to him, but he didn’t seem to comprehend. In retrospect, I can only conclude that my explanation was not articulate enough.To that end, I and Phil Plait have teamed up to create precisely 128 insults designed to weaken the resolve of aggressors, while educating them in their primary field of interest. Whether the person pummeling you is a student of mathematics or belles-lettres, we have the right words for the occasion.Zach WeinersmithPS: In the highly likely situation that the person pummeling you refuses to cease his aggression until he understands the meaning of the insult, we have also provided an appendix in which the insults are explained.

    Then in "Barbecue Blunder," sometimes it's fun to reminisce about picnics gone by!

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    A perfect Mother's Day and Father's Day gift, as well as an absolute must-have for new and seasoned parents. 120 illustrations. of color cartoons.

    No era or tome emerges unscathbed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 5600.000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilarious as Beaton.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    Zach Galifianakis, start of The Hangover, will provide the foreword.Everyone knows the only thing more painful than relationships is not having them--or is it the other way around? Whatever, says author and cartoonist Nick Galifianakis. In his first book, If You Loved Me, You'd Think This Was Cute: Uncomfortably True Cartoons About You, he makes the case that either way, the only recourse is to embrace our frailties and laugh. Taken from Carolyn Hax's nationally syndicated advice column, this compilation spins the pain of dating, mothers-in-law, "beneficial" friends and more into ... the pain of self-recognition. The intricately drawn pen-and-ink panels and pointed captions explore some of life's most uncomfortable truths, exposing the humanity in our mistakes, the underbelly of our triumphs and the sheer heroism of trying and trying again.Throughout this character study of men and women (and the dogs who love them), Galifianakis mines our hopes and insecurities for a unifying truth: If we can't laugh at ourselves, he'll do it for us."Nick snuck me into my first comedy club when I was only a back-acned teenager. The back acne went away but the comedy stuck. I know that last sentence sounds like a lyric from a Joan Baez song, but trust me, it's original." --Zach Galifianakis, from the foreword"Nick's cartoons are funny, witty, and smart. But what makes them so special are how universal and true they are, making the laughs they bring all the more poignant. Relationships, in all their glory, have never been captured quite so succinctly and with such charm." --Amy B. Harris, writer/producer for Sex and the City"Nick Galifianakis understands relationships unbelievably well, for a guy. My guess is he actually menstruates." --Gene Weingarten, two-time Pulitzer Prize winner, Washington Post humor columnist

    CHILL as Lady Deadpool and Headpool try to find the root cause of their majorly abusive frenemieship. Then THRILL as Kidpool and Dogpool embark on a 100-ton mechanized joy ride and and uhm...GET ILL as Dogpool makes a brand-new archenemy. Then it's 'Two Mutants and a Baby' in the untold story of how Cable escaped from Alaska with Hope. Wait -- You don't think Cable did that alone, did you? PLUS: Deadpool struggles to find the perfect way to honor his pal Cable.

    Originally published by Palliard Press.

    From the top-rated show on Warner Bros.' Cartoon Network, the newest additions to DC Comics' roster of animated heroes make their debut in two new digest-sized paperbacks Capturing all of the action and fun of the Cartoon Network series, these volumes showcase a multitude of adventures for Robin, Beast Boy, Raven, Cyborg and Starfire as they face some of their greatest foes.

    Contains a clipping of comics pages from Times Herald of Port Huron, Michigan, announcing under the date of 2-13-00 Schultz's retirement.

    Together they break headlines on the food bowl, new plants, mysterious red dots, strange cats in the yard, and all the daily happenings in their home.

    And boy does he make his first appearance count. --The Bob and Tom Radio ShowNominated by the National Cartoonist Society as Best Comic Strip, Jef Mallett's Frazz follows the life of Bryson Elementary School janitor and hit-songwriting-wonder Edwin Frazier. An all-round Renaissance man, role model, and friend rolled into one, Frazz feels as comfortable philosophizing with the students as he is with the teachers and principal.Always placing an emphasis on the importance of seizing opportunities to learn and grow, Frazz is a family favorite and multiple-year recipient of the Wilbur Award from the Religion Communicators Council for excellence in communicating values and ethics.

    Berkeley Breathed’s Bloom County burst onto the American comic scene in December 1980 and it soon became one of the most popular comic strips of all time. The endearing and quirky denizens of the strip included Milo Bloom, Steve Dallas, Michael Binkley, Cutter John, Bill the Cat, and Opus the Penguin. Bloom County was a strip that dealt with many issues relevant to the period. Occasional “Context comments” are added throughout this collection, giving the reader a greater understanding of the time. This is the first time Bloom County has been collected in a digital library. IDW will add more volumes, one year per volume. Each newspaper strip is reproduced in chronological order from first to last. Great effort has been made to ensure the highest production values are achieved.