This is a wordless and profoundly moving story--by the creator of the beloved comic strip Mutts--that explores being lost and found, crossing boundaries, saying goodbye, and broadening horizons.

    "The sad thing is, I like it" - Maurice Sendak"The perfect gift to give a child or grandchild for their high school or college graduation.Also Father's Day.Also, other times." - Stephen Colbert

    When Quirky Turkey comes along, the opportunity to make some mischief proves too hard to resist.

    After a Labor Day jaunt to the beach leaves Robot rusty and immobilized in the sand, Dog, unsure what to do, abandons him. As the seasons pass, Dog tries to replace his friend, making and losing a series of new ones, from a melting snowman to epicurean anteaters. Meanwhile, Robot passes his time daydreaming, escaping to better places... Through interwoven journeys, the two characters long to recover from their day at the beach. Although its adorable characters and playful charm will win over young readers, Robot Dreams speaks universally to the fragile nature of friendship, loss, and redemption.

    She and her thumb were very happy together—in sickness and in health, in good times and in bad, Lulu and her thumb were best friends. Despite the urging of her family and the teasing of her friends, Lulu just would not give up her thumb-sucking habit. That is, until one day . . . when Lulu made up her mind to stop. And to help herself and thumb suckers all over the world, Lulu developed a program—one with steps. Twelve steps, to be exact. Join Lulu in her quest to kick the habit as she goes through the steps in this funny and insightful picture book. Told in a light-hearted manner and filled with good humor about a universal and important concern, Thumb Love will be embraced by parents and caregivers alike. This is not an issue book but a story that will resonate with anyone who is—or was—a kid.

    With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.

    And for someone who has spent a long time entertaining themselves and has had the garden, the kitchen, forest paths, the lake, and even Grandpa all to herself, it can be hard to invite another in on the fun. So when a young girl’s grandfather brings an elephant home to stay, she is not pleased at all. Nostalgic and often dreamlike, this wordless story is about interrupted solitude, learning to be together with another, and how the choices we make deeply affect our lives.

    It's run down, and Hippo hardly ever gets any visitors. So he decides to set off for the outside with his friend Red Panda. To make it in the human world, Hippo will have to become a Hippopotamister: he'll have to act like a human, get a job, and wear a hat as a disguise. He's a good employee, whether he's a construction worker, a hair stylist, or a sous chef. But what he really needs is a job where he can be himself.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    In the seaside village of Frip live three families: the Romos, the Ronsens, and a little girl named Capable and her father. The economy of Frip is based solely on goat’s milk, and this is a problem because the village is plagued by gappers: bright orange, many-eyed creatures the size of softballs that love to attach themselves to goats. When a gapper gets near a goat, it lets out a high-pitched shriek of joy that puts the goats off giving milk, which means that every few hours the children of Frip have to go outside, brush the gappers off their goats, and toss them into the sea. The gappers have always been everyone’s problem, until one day they get a little smarter, and instead of spreading out, they gang up: on Capable’s goats. Free at last of the tyranny of the gappers, will her neighbors rally to help her? Or will they turn their backs, forcing Capable to bear the misfortune alone? Featuring fifty-two haunting and hilarious illustrations by Lane Smith and a brilliant story by George Saunders that explores universal themes of community and kindness, The Very Persistent Gappers of Frip is a rich and resonant story for those that have all and those that have not.

    Seventeen fairy tales are wonderfully adapted and illustrated in comics format by seventeen different cartoonists, including Raina Telgemeier, Brett Helquist, Cherise Harper, and more. Edited by Nursery Rhyme Comics' Chris Duffy, this jacketed hardcover is a beautiful gift and an instant classic.

    Shed a little humor on the subject by reading your child "Poop! There it is!".  Kids will giggle and laugh along with this silly book while learning the basics of potty training.

    Her slime is the slimiest and her grime is the grimiest. Alas, she is neighbors with Boris Kleanitoff, a persnickety ghoul so tidy he vacuums his vampire bats. What could ever bring these two together? Why, a hoppin' Halloween party, of course!

    Two young children pay a visit to Halmoni (grandmother in Korean), only to discover she's not home. As they search for her, noticing animal tracks covering the floor, they discover a pair of traditional Korean doors, slightly ajar, new to their grandmother's home. Their curiosity gets the best of them, and the adventure begins when they crawl through and discover an unfamiliar, fantastical world. As they continue to search for their grandmother and solve the mystery of the tracks, they go deeper into the world of Korean folklore and experience their cultural heritage in unexpected ways, meeting a number of Korean-speaking characters along the way. Translations to Korean text in the story and more about the folktale-inspired characters are included at the end.

    But he is constantly interrupted by the reader who is seduced at every turn into foiling his efforts ("please go away" "please do not turn the page")--until at last we reach the final page & discover that together, Pig & the reader have indeed created a book.