When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    A child explores the wonders of the natural world in this rhyming, beautiful bright colored picture storybook about the lives of small animals and insects living around a freshwater pond.

    But soon a trumpet makes a duet, a french horn a trio, and so on until the entire orchestra is assembled on stage. Written in elegant and rhythmic verse and illustrated with playful and flowing artwork, this unique counting book is the perfect introduction to musical groups. Readers of all ages are sure to shout “Encore!” when they reach the final page of this joyous celebration of classical music.

    The TV shuts off and a boy wails, "Mommm!" His sister can no longer use the phone, Mom can't work on her computer, and Dad can't finish cooking dinner. What's a family to do? When they go up to the roof to escape the heat, they find the lights--in stars that can be seen for a change--and so many neighbors it's like a block party in the sky! On the street below, people are having just as much fun--talking, rollerblading, and eating ice cream before it melts. The boy and his family enjoy being not so busy for once. They even have time to play a board game together. When the electricity is restored, everything can go back to normal . . . but not everyone likes normal. The boy switches off the lights, and out comes the board game again.Using a combination of panels and full bleed illustrations that move from color to black-and-white and back to color, John Rocco shows that if we are willing to put our cares aside for a while, there is party potential in a summer blackout.

    "There's a really big bear in the backyard." This is how three children meet Stillwater, a giant panda who moves into the neighborhood and tells amazing tales. To Addy he tells a story about the value of material goods. To Michael he pushes the boundaries of good and bad. And to Karl he demonstrates what it means to hold on to frustration. With graceful art and simple stories that are filled with love and enlightenment, Jon Muth -- and Stillwater the bear -- present three ancient Zen tales that are sure to strike a chord in everyone they touch.

    So the question arises: Do we really need another edition of Puss? Presented with Fred Marcellino's magnificent interpretation of this nimble new translation of the authentic text, book lovers young and old are apt to decide that this Puss in Boots belongs on their shelf of special favorites.Long regarded as the preeminent designer of book jackets in America, Fred Marcellino provides an unstinting visual feast in his first full-color picture book. The eadventures of that rascal, Puss, and his master, the miller's sonare portrayed in a lavish series of illustrations that range from sumptuous grandeur to comedy both boisterous and sly.

    This stampede of wild animals, from Chinese Alligator to Grevy's Zebra, are so rare, they're all endangered. David McLiman's bold and playful illustrations transform each letter into a work of art, graphically rendered with animal characteristics. Scales, horns, even insect wings transform the alphabet into animated life.Once you take this eye-opening safari, you'll never look at letters or animals with the same way again. A striking work of art and a zoological adventure, Gone Wild is sure to be loved by children and adults alike.

    He was a farmboy and a kid with chickenpox and a soldier and, most of all, an artist. In this captivating new picture book, readers follow Grandpa Green's great-grandson into a garden he created, a fantastic world where memories are handed down in the fanciful shapes of topiary trees and imagination recreates things forgotten.In his most enigmatic and beautiful work to date, Lane Smith explores aging, memory, and the bonds of family history and love; by turns touching and whimsical, it's a stunning picture book that parents and grandparents will be sharing with children for years to come.This title has Common Core connections.Grandpa Green is a Publishers Weekly Best Children's Picture Books title for 2011. One of School Library Journal's Best Picture Books of 2011.

    In her newest book, Caldecott and Geisel Honor Book author Laura Vaccaro Seeger fashions an homage to a single color and, in doing so, creates a book that will delight and, quite possibly astonish you. Green is a Kirkus Reviews Best Children's Book of 2012

    . . .But to Daveit was clay,the plain and basic stuffupon which he formed a lifeas a slave nearly 200 years ago.Dave was an extraordinary artist, poet, and potter who lived in South Carolina in the 1800s. He combined his superb artistry with deeply observant poetry, carved onto his pots, transcending the limitations he faced as a slave. In this inspiring and lyrical portrayal, National Book Award Finalist Laban Carrick Hill and award-winning artist Bryan Collier tell Dave's remarkable story, one rich in history, hope, and long-lasting beauty.

    A wolf cub is lost, too. How will they find their way home?Paintings rich with feeling tell this satisfying story of friendship and trust. Here is a book set on a wintry night that will spark imaginations and warm hearts, from Matthew Cordell, author of Trouble Gum and Another Brother.

    With Papa off to sea and Mama despondent, Ida must go outside over there to rescue her baby sister from goblins who steal her to be a goblin's bride.

    Lesser and Zelinsky retell the story of a pair of children lost in the woods who run into a witch with a very tasty house.

    As he sits waiting for a bite, a farmer calls him a fool and says "You'll never catch fish in McElligot's Pool!" Marco, however, refuses to be discouraged and spends the rest of the story describing all the fish that could be coming to McElligot's Pool from the ocean. The story ends with Marco still fishing and the farmer scratching his beard and looking confused. The use of color and illustrations blur the line between fantasy and reality during Marco's story, creating one of the most interesting aspects of the book. The text is made up of catchy rhymes and intriguing fish descriptions. The pictures complement the text and make the fish descriptions seem real. Interestingly, Seuss illustrates every other page in black and white. At the beginning of the story when Marco sits by the pond, the black and white emphasizes the concrete reality of the Marco talking to the farmer. After page one, every other page is in color. The color magnifies Marco's fantasy about all of the fish, making them seem beautiful and real. At the same time, the black and white pages make Marco's fish descriptions seem realistic. Seuss's use of the black-and-white pictures during Marco's whimsical descriptions in the text could be his way of toning down the fantasy and bringing it into the context of every day life. The use of color to blend reality and fantasy also emphasizes optimism in the story. The farmer was probably right in telling Marco that he will "never catch fish in McElligot's Pool." With the clever use of color and illustrations, however, Dr. Seuss undermines the fisherman's certainty and makesMarco's claim that there might be fish in McElligot's Pool believable. McElligot's Pool sends the message that life is not always as it seems, that it is not as simple as b

    Willie’s notebooks filled up, one after another. Willie’s words gave him freedom and peace, but he also knew he needed to earn a living. So he went off to medical school and became a doctor -- one of the busiest men in town! Yet he never stopped writing poetry. In this picture book biography of William Carlos Williams, Jen Bryant’s engaging prose and Melissa Sweet’s stunning mixed-media illustrations celebrate the amazing man who found a way to earn a living and to honor his calling to be a poet.