Spending his days walking the streets and his nights drinking and gambling, meeting revolutionaries, zealots, lovers and libertines, he adjusts his eyes to the darkness that falls over Europe, and threatens to destroy him. Mihail Sebastian's 1934 masterpiece, now translated into English for the first time, was written amid the anti-Semitism which would, by the end of the decade, force him out of his career and turn his friends and colleagues against him. For Two Thousand Years is a prescient, heart-wrenching chronicle of resilience and despair, broken layers of memory and the terrible forces of history.

    Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

    Most of them, as Ivan Petrovich told me, were true stories heard from various people.First published anonymously in 1830, Alexander Pushkin’s Tales of Belkin contains his first prose works. It is comprised of an introductory note and five linked stories, ostensibly collected by the scholar Ivan Belkin. The stories center variously around military figures, the wealthy, and businessmen; this beautiful novella gives a vivid portrait of nineteenth century Russian life.It has become, as well, one of the most beloved books in Russian literary history, and symbolic of the popularity of the novella form in Russia. In fact, it has become the namesake for Russia’s most prestigious annual literary prize, the Belkin Prize, given each year to a book voted by judges to be the best novella of the year.It is presented here in a sparkling new translation by Josh Billings. Tales of Belkin also highlights the nature of our ongoing Art of the Novella Series—that is, that it specializes in important although albeit lesser-known works by major writers, often in new tranlsations.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    Even as he grounded his narratives in the intimate daily life of Germany, Broch was identifying the oceanic changes that would shortly sweep that life into the abyss.Whether he is writing about a neurotic army officer The Romantic, a disgruntled bookkeeper and would-be assassin The Anarchist, or an opportunistic war-deserter The Realist, Broch immerses himself in the twists of his characters psyches, and at the same time soars above them, to produce a prophetic portrait of a world tormented by its loss of faith, morals, and reason.

    Trapped, he knows that Hitler has already lost the war ... yet he is suddenly galvanised by the thought that he is on the way to his death.As the train hurtles on, he riffs through prayers and memories, talks with other soldiers about what they've been through, and gazes desperately out the window at his country racing away. With mounting suspense, Andreas is gripped by one thought over all: Is there a way to defy his fate?

    P. Lovecraft. Despite this nearly unprecedented posthumous trajectory, at the time of his death at the age of forty-six, Lovecraft's work had appeared only in dime-store magazines, ignored by the public and maligned by critics. Now well over a century after his birth, Lovecraft is increasingly being recognized as the foundation for American horror and science fiction, the source of "incalculable influence on succeeding generations of writers of horror fiction" (Joyce Carol Oates).In this volume, Leslie S. Klinger reanimates Lovecraft with clarity and historical insight, charting the rise of the erstwhile pulp writer, whose rediscovery and reclamation into the literary canon can be compared only to that of Poe or Melville. Weaving together a broad base of existing scholarship with his own original insights, Klinger appends Lovecraft's uncanny oeuvre and Kafkaesque life story in a way that provides context and unlocks many of the secrets of his often cryptic body of work.Over the course of his career, Lovecraft―"the Copernicus of the horror story" (Fritz Leiber)―made a marked departure from the gothic style of his predecessors that focused mostly on ghosts, ghouls, and witches, instead crafting a vast mythos in which humanity is but a blissfully unaware speck in a cosmos shared by vast and ancient alien beings. One of the progenitors of "weird fiction," Lovecraft wrote stories suggesting that we share not just our reality but our planet, and even a common ancestry, with unspeakable, godlike creatures just one accidental revelation away from emerging from their epoch of hibernation and extinguishing both our individual sanity and entire civilization.Following his best-selling The New Annotated Sherlock Holmes, Leslie S. Klinger collects here twenty-two of Lovecraft's best, most chilling "Arkham" tales, including "The Call of Cthulhu," At the Mountains of Madness, "The Whisperer in Darkness," "The Shadow Over Innsmouth," "The Colour Out of Space," and others. With nearly 300 illustrations, including full-color reproductions of the original artwork and covers from Weird Tales and Astounding Stories, and more than 1,000 annotations, this volume illuminates every dimension of H. P. Lovecraft and stirs the Great Old Ones in their millennia of sleep.

    From the surreal to the mundane, these stories exhibit his ability to transform the full range of human experience in ways that are instructive, surprising, and relentlessly entertaining. Here are animated crows, a criminal monkey, and an iceman, as well as the dreams that shape us and the things we might wish for. Whether during a chance reunion in Italy, a romantic exile in Greece, a holiday in Hawaii, or in the grip of everyday life, Murakami’s characters confront grievous loss, or sexuality, or the glow of a firefly, or the impossible distances between those who ought to be closest of all.

    In the process of compacting, he has acquired an education so unwitting he can't quite tell which of his thoughts are his own and which come from his books. He has rescued many from jaws of hydraulic press and now his house is filled to the rooftops. Destroyer of the written word, he is also its perpetrator.But when a new automatic press makes his job redundant there's only one thing he can do - go down with his ship.This is an eccentric romp celebrating the indestructability- against censorship, political opression etc - of the written word.

    This Nordic Prize-winning novel, a truly gripping epic, relates the lives of four generations of a unique and strange family with touching intimacy and surreal comedy.Traces four generations of a family marked by the untimely birth of Fred, a misfit and boxer conceived during a devastating rape who forges an unusual friendship with his younger half-brother, Barnum.

    His epigrammatic and, above all, discomforting monologue gradually saps, then undermines, the reader's own complacency.

    Translated from the French by Eric Sutton.

    During his lifetime, his work found little critical regard, but word of his remarkable talents gradually won him an international readership. This volume brings together his complete fiction, including three short stories and his final surviving work, Sanatorium Under the Sign of the Hourglass. Illustrated with Schulz's original drawings, this edition beautifully showcases the distinctive surrealist vision of one of the twentieth century's most gifted and influential writers.

    Huxley's bold, nontraditional narrative tells the loosely autobiographical story of Anthony Beavis, a cynical libertine Oxford graduate who comes of age in the vacuum left by World War I. Unfulfilled by his life, loves, and adventures, Anthony is persuaded by a charismatic friend to become a Marxist and take up arms with Mexican revolutionaries. But when their disastrous embrace of violence nearly kills them, Anthony is left shattered—and is forced to find an alternative to the moral disillusionment of the modern world.

    --No particular night or morning --The city --The fire balloons --The last night of the world --The veldt --The long rain --The great fire --The wilderness --A sound of thunder --The murderer --The April witch --Invisible boy --The golden kite, the silver wind --The fog horn --The black black and white game --Embroidery --The golden apples of the sun --Powerhouse --Hail and farewell --The great wide world over there --The playground --Skeleton --The man upstairs --Touched with fire --The emissary --The jar --The small assasin --The next in line --Jack-in-the-box --The leave-taking --Exorcism --The happiness machine --Calling Mexico --The wonderful ice cream suit --Dark they were, and golden-eyed --The strawberry window --A scent of sarsaparilla --The Picasso summer --The day it rained forever --A medicine for melancholy --The shoreline at sunset --Fever dream --The town where no one got off --All summer in a day --Frost and fire --The anthem sprinters --And so died Riabouchinska --Boys! Raise giant mushrooms in your cellar! --The vacation --The illustrated woman --Some live like Lazarus --The best of all possible worlds --The one who waits --Tyrannosaurus Rex --The screaming woman --The terrible conflagration up at the place --Night call, collect --The tombling day --The haunting of the new --Tomorrow's child --I sing the body electric! --The women --The inspired chicken motel --Yes, we'll gather at the river --Have I got a chocolate bar for you! --A story of love --The parrot who met Papa --The October game --Punishment without crime --A piece of wood --The blue bottle --Long after midnight --The utterly perfect murder --The better part of wisdom --Interval in sunlight --The black ferris --Farewell summer --McGillahee's brat --The aqueduct --Gotcha! --The end of the beginning.

    Haunted by the deaths of his parents and wielding his tin drum Oskar recounts the events of his extraordinary life; from the long nightmare of the Nazi era to his anarchic adventures in post-war Germany.