Eleven of the world’s best female thriller writers from Diana Gabaldon to Charlaine Harris are paired with eleven of the world’s best male thriller writers, including John Sandford, C.J. Box, and Nelson DeMille. The stories are edited by #1 New York Times bestselling author Lee Child and feature:-Lee Coburn and Joe Pickett in “Honor & …” by Sandra Brown and C.J. Box -Tony Hill and Roy Grace in “Footloose” by Val McDermid and Peter James -Temperance Brennan and Jack Reacher in “Faking a Murderer” by Kathy Reichs and Lee Child -Jamie Fraser and Cotton Malone in “Past Prologue” by Diana Gabaldon and Steve Berry -Liz Sansborough and Rambo in “Rambo on Their Minds” by Gayle Lynds and David Morrell -Jeffrey Tolliver and Joe Pritchard in “Short Story” by Karin Slaughter and Michael Koryta -Harper Connelly and Ty Hauck in “Dig Here” by Charlaine Harris and Andrew Gross -Regan Pescoli and Virgil Flowers in “Deserves to be Dead” by Lisa Jackson and John Sandford -Lucan Thorne and Lilliane in “Midnight Flame” by Lara Adrian and Christopher Rice -Bennie Rosato and John Corey in “Getaway” by Lisa Scottoline and Nelson DeMille -Ali Reynolds and Bravo Shaw in “Taking the Veil” by J.A. Jance and Eric Van Lustbader

    The wealthy couple invites self-made success stories to live in their guesthouse and then conspires to ruin their lives. After all, there is nothing worse than a bootstrapper. Demi has always felt like the odds were stacked against her. At the end of her rope, she seizes a risky opportunity to take over another person’s life and unwittingly becomes the subject of the upstairs couple’s wicked entertainment. But Demi has been struggling all her life, and she’s not about to go down without a fight. In a twist that neither woman sees coming, the game quickly devolves into chaos and rockets toward an explosive conclusion. Because every good rich person knows: in money and in life, it’s winner take all. Even if you have to leave a few bodies behind.

    MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook.   As prolific a novelist as John D. MacDonald was in his time, his output as a short-story writer is simply astonishing. All told, just a fraction of the five hundred pieces he produced as a working writer were anthologized, and End of the Tiger and Other Stories is the first of just a few such collections. Although renowned primarily as a noir author, these fifteen handpicked gems showcase MacDonald’s tremendous range. Written between 1947 and 1966, during the golden age of short fiction in America, and appearing in such national magazines as Cosmopolitan, The Saturday Evening Post, Collier’s, and Ladies’ Home Journal, these stories are a timeless testament to a writer at the top of his craft.   This collection includes “Hangover,” “The Big Blue,” “The Trouble with Erica,” “Long Shot,” “Looie Follows Me,” “Blurred View,” “The Loveliest Girl in the World,” “Triangle,” “The Bear Trap,” “A Romantic Courtesy,” “The Fast Loose Money,” “The Straw Witch,” “End of the Tiger,” “The Trap of Solid Gold,” and “Afternoon of the Hero.”   Features a new Introduction by Dean Koontz   Praise for John D. MacDonald   “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King   “My favorite novelist of all time.”—Dean Koontz   “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut   “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

    Thrilling suspense. Sinister happenings. Dive into crime and corruption, adventure and avarice, with this limited edition collection of nine fast-paced whodunits. Follow hardened detectives and amateur sleuths as they chase down clues and risk it all to solve the case. Discover ruthless villains and unfortunate scapegoats who will thrust you deep into worlds of murder and mayhem. Whether you prefer fast-paced thrillers, cozy murder mysteries, or historical whodunits, this collection comes with plenty of twists to keep you on the edge of your seat… plus hours of binge-worthy reading to leave you turning the pages long after dark! Fans of James Patterson, Janet Evanovich, and Gillian Flynn will devour this collection where suspense, lies, and secrets are just the beginning. Featuring stories from… USA Today bestselling author, M.R. Graham USA Today bestselling author Sarah Biglow USA Today bestselling author Heather Marie Adkins Amy McKinley Amy Richie Emma Calin Alan Chaput Jess Reece Theresa Sederholt

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    She used to be able to tell what they were thinking, feeling, if they were lying…But it's as though every day, every minute even, she knows them a little less. Her boys aren’t boys anymore, they’re becoming men - men she’s not sure she recognises, men she’s not sure she can trust.So when one of her son’s classmates is killed in suspicious circumstances, people start asking questions.Was it really a hit and run? A car-jacking gone wrong? Or something much more sinister?Now Jackie must separate the truth from the lies.How did that boy end up on the road?And where was her son that night?

    My sister was not most little girls.Inside you'll experience intimate first hand accounts of modern day murders, kidnappings, and violent revenge. Other stories are heart-warming with whimsical mysteries, gothic fairy tales, and supernatural monstrosities.

    He's got a choice. Stay or leave. Go back to where it all went wrong, or simply get out of the county. Disappear. Start again as someone else.But it's not as simple as that.There's the matter of the man he killed. It wasn't murder, but even so. You tell that to the family. Especially when that family is the Mintons, who own half that's profitable and two-thirds of what's crooked between the Wolds and the coast. And who could have got to Matlock as easy as you like in prison, but who haven't touched him. Not yet.And like Matlock found out in prison, there's no getting away from yourself, so what would the point be in not facing up to other people?It's time to go home.East of England blends a rural take on the noir thriller with a fascination with the British industrialised countryside that lies east of the Wolds, between the Humber and the Wash. Unlit byways rather than the neon-bright and rain-slicked city. A world of caravan parks, slot machines, and low-rise battery farms.The flatlands of the east coast; decaying market towns and run-down resorts, and the distant throb of offshore windfarms. Where the smell you're trying to get out of your clothes is the cigarette taint of old phone boxes and bus shelters, and where redemption, like life, is either hard-earned or fought for, one way or another.

    When she returns only two hours later, she swears the baby in the crib is not her child. Despite her distress, David is adamant that she is wrong.The police are called to the scene. Detective Constable Simon Waterhouse is sympathetic, but he doubts Alice's story. His superior, Sergeant Charlie Zailer, thinks that Alice must be suffering from some sort of delusion brought on by postpartum depressions.With an increasingly hostile and menacing David swearing she must either be mad or lying, how can Alice make the police believe her before it's too late?

    A blood-soaked bed. A missing man. Senior Investigator Shana Merchant believes it all adds up to a killer in their midst—and that murder is a family affair.Thirteen months ago, former NYPD detective Shana Merchant barely survived being abducted by a serial killer. Now hoping to leave grisly murder cases behind, she's taken a job in her fiancé's sleepy hometown in the Thousand Islands region of Upstate New York. But as a nor'easter bears down on her new territory, Shana and fellow investigator Tim Wellington receive a call about a man missing on a private island. Shana and Tim travel to the isolated island owned by the wealthy Sinclair family to question the witnesses. They arrive to find blood on the scene and a house full of Sinclair family and friends on edge.While Tim guesses they're dealing with a runaway case, Shana is convinced that they have a murder on their hands. As the gale intensifies outside, she starts conducting interviews and discovers the Sinclairs and their guests are crawling with dark and dangerous secrets. Trapped on the island by the raging storm with only Tim whose reliability is thrown into question, the increasingly restless suspects, and her own trauma-fueled flashbacks for company, Shana will have to trust the one person her abduction destroyed her faith in—herself. But time is ticking down, because if Shana's right, a killer is in their midst and as the pressure mounts, so do the odds that they'll strike again.

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    But she doesn't know she's lost.Carmel Wakeford becomes separated from her mother at a local children's festival, and is found by a man who claims to be her estranged grandfather. He tells her that her mother has had an accident and that she is to live with him for now. As days become weeks with her new family, 8-year-old Carmel realises that this man believes she has a special gift...While her mother desperately tries to find her, Carmel embarks on an extraordinary journey, one that will make her question who she is - and who she might become.

    His two-year absence from the close-knit Berkshire horse community has been something of a relief. Broken bridges have been mended; lives have been rebuilt. And his disappearance has been a miracle for one individual in particular: the person who killed him. But now Glyn is back - in bizarre circumstances. A record-breaking storm has ripped his corpse from its ingenious hiding place. How did he get there and how did he die? Many have benefited from his absence - but who is no longer sleeping so soundly at night? It seems that, even in death, bad boy Glyn is as much trouble as he ever was...

    But as Jocelyn watches in disbelief, the woman jumps off the bridge, plunging to her death in the Schuylkill River one hundred fifty feet below. Wracked with guilt, especially after learning the woman, Molly Porter, left behind a small child, Jocelyn wants answers. Why would a woman who seemingly had it all commit suicide because of a car accident? But the more Jocelyn learns about Molly’s life and her past, the less perfect it seems. Because Molly Porter had secrets…secrets with dangerous consequences.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?