Bennett's bestselling The Book of Virtues is an inspiring anthology that helps children understand and develop moral character—and helps parents teach it to them.Responsibility. Courage. Compassion. Honesty. Friendship. Persistence. Faith. Everyone recognizes these traits as essentials of good character. In order for our children to develop such traits, we have to offer them examples of good and bad, right and wrong. And the best places to find them are in great works of literature and exemplary stories from history. William J. Bennett has collected hundreds of stories in The Book of Virtues. From the Bible to American history, from Greek mythology to English poetry, from fairy tales to modern fiction, these stories are a rich mine of moral literacy, a reliable moral reference point that will help anchor our children and ourselves in our culture, our history, and our traditions—the sources of the ideals by which we wish to live our lives. Complete with instructive introductions and notes, The Book of Virtues is a book the whole family can read and enjoy—and learn from—together.

    Each selection showcases a writer's unique voice to demonstrate how writers present themselves through their work and to provide students with models they can use to develop their own voices. Arranged alphabetically by author and by five types of writing (informal, personal, expository, and argumentative writing, as well as short fiction) and with minimal apparatus, the readings allow instructors to be flexible and allow the writing to speak for itself.

    All contributors have been recent faculty members of the prestigious Warren Wilson Low Residency Program, including such literary favorites as Margot Livesey, Charles Baxter, Robert Boswell, Jim Shepard, Antonya Nelson, David Shields, and the editors themselves.Each writer was asked to submit an original story, accompanied by an essay describing the challenges of the story and how they were met. Since writers resist herding, the editors were happily surprised by the wide range of essays—"fiction writers, when given the space, think about their work very differently." We learn about the genesis of a story, how story evolves, what was eventually relinquished and why, and how a story—surprisingly—might "insist" on changing.Arranged alphabetically by author, and beginning with Richard Russo's cogent introduction, this volume is a treasure throughout.

    On the page facing each letter, an illustration by a celebrated illustrator or graphic artist presents that artist's visual response.Among the diverse contributions are letters from Jane Goodall, Neil Gaiman, Jerome Bruner, Shonda Rhimes, Ursula K. Le Guin, Yo-Yo Ma, Judy Blume, Lena Dunham, Elizabeth Gilbert, and Jacqueline Woodson, as well as a ninety-eight-year-old Holocaust survivor, a pioneering oceanographer, and Italy’s first woman in space. Some of the illustrators, cartoonists, and graphic designers involved are Marianne Dubuc, Sean Qualls, Oliver Jeffers, Maira Kalman, Mo Willems, Isabelle Arsenault, Chris Ware, Liniers, Shaun Tan, Tomi Ungerer, and Art Spiegelman.  This project is woven entirely of goodwill, generosity of spirit, and a shared love of books. Everyone involved has donated their time, and all profits will go to the New York Public Library systems.Preface by David Remnick, editor, The New Yorker; Edited and introduced by Maria Popova, who has been writing since 2006 about what she reads on Brain Pickings (brainpickings.org), which is now included in the Library of Congress archive of culturally valuable materials; Edited by Claudia Bedrick, publisher, editorial and art director of Enchanted Lion Books.

    These bewitching poems and stories unwind a fevered world of magic and longing and young women who chance the uncanny and gain wisdom beyond their years.

    Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa.  These lessons—rooted in women’s experiences of migration, colonization, y cariño—define in evocative detail what it means to grow up female in an immigrant home. In one story, Daisy sets out to defy the dictates of race and class that preoccupy her mother and tías, but dating women and transmen, and coming to identify as bisexual, leads her to unexpected questions. In another piece, NAFTA shuts local factories in her hometown on the outskirts of New York City, and she begins translating unemployment forms for her parents, moving between English and Spanish, as well as private and collective fears. In prose that is both memoir and commentary, Daisy reflects on reporting for the New York Times as the paper is rocked by the biggest plagiarism scandal in its history and plunged into debates about the role of race in the newsroom. A heartfelt exploration of family, identity, and language, A Cup of Water Under My Bed is ultimately a daughter’s story of finding herself and her community, and of creating a new, queer life.

    In this brilliant translation by Matvei Yankelevich, English-language readers now have a comprehensive collection of the prose and poetry that secured Kharms s literary reputation a reputation that grew in Russia even as the Soviet establishment worked to suppress it.A master of formally inventive poetry and what today would be called micro-fiction, Kharms built off the legacy of Russian Futurist writers to create a uniquely deadpan style written out of and in spite of the absurdities of life in Stalinist Russia. Featuring the acclaimed novella The Old Woman and darkly humorous short prose sequence Events (Sluchai), Today I Wrote Nothing also includes dozens of short prose pieces, plays, and poems long admired in Russia, but never before available in English. A major contribution for American readers and students of Russian literature and an exciting discovery for fans of contemporary writers as eclectic as George Saunders, John Ashbery, and Martin McDonagh, Today I Wrote Nothing is an invaluable collection for readers of innovative writing everywhere.About the EditorMATVEI YANKELEVICH is also a co-translator of Oberiu: An Anthology of Russian Absurdism (2006). His translation of the Vladimir Mayakovsky's poem "Cloud in Pants" appears in Night Wraps the Sky: Writings by and About Mayakovsky. He is the author of a long poem, The Present Work, and his writing has appeared in Fence, Open City, and many other literary journals. He teaches Russian Literature at Hunter College in New York City and edits the Eastern European Poets Series at Ugly Duckling Press in Brooklyn.

    The title is Latin for "Our earth". Modeled on James Joyce's Finnegans Wake, Terra Nostra shifts unpredictably between the sixteenth century and the twentieth, seeking the roots of contemporary Latin American society in the struggle between the conquistadors and indigenous Americans. -Terra Nostra is the spreading out of the novel, the exploration of its possibilities, the voyage to the edge of what only a novelist can see and say.- Milan Kundera

    At age six she was a Chilean refugee adjusting to life as a Latina in North America. At eighteen she was a revolutionary dissident married to a generous-hearted man she couldn't fully love. In her early twenties she fought to find her voice as an actress and to break away from the stereotypical roles thrust upon her--Housekeeper, Hotel Maid, Mexican Hooker #1--all the while navigating the complex paths of lust and heartbreak. As she grew in her career, Aguirre became a writer, a director, an actress, and then a mother, but alongside her many multi-faceted identities was another that was unbearable to embrace yet impossible to escape; that of the thirteen-year-old girl attacked by one of Canada's most feared rapists. Thirty-three years after the assault, Aguirre decided it was time to meet the man who changed her life.Fierce, funny and enlightening, Aguirre interweaves her account of overcoming the attack that shook her world with a host of stories of life and love. From her passionate but explosive relationship with a gorgeous Argentinian basketball player to the all-consuming days at drama school in Vancouver; from the end of the Chilean revolutionary dream to life among the Chicano theatre scene of Los Angeles; from the child who was made the victim of a terrible crime to the artist who found the courage to confront her assailant, Aguirre tells a story of strength and survival that will leave you speechless.

    Kennedy, Groucho Marx, Charles Dickens, Katharine Hepburn, Mick Jagger, Steve Martin, Clementine Churchill, Ray Bradbury, Kurt Vonnegut and many more.

    If I sit still and don't do anything, the world goes on beating like a slack drum, without meaning. We must be moving, working, making dreams to run toward; the poverty of life without dreams is too horrible to imagine."-- Sylvia Plath, from "Notebooks, February 1956"Renowned for her poetry, Sylvia Plath was also a brilliant writer of prose. This collection of short stories, essays, and diary excerpts highlights her fierce concentration on craft, the vitality of her intelligence, and the yearnings of her imaginaton. Featuring an introduction by Plath's husband, the late British poet Ted Hughes, these writings also reflect themes and images she would fully realize in her poetry. "Jonny Panic and the Bible of Dreams" truly showcases the talent and genius of Sylvia Plath.

    Every time she looked in the mirror, Cepeda saw a mystery—a tapestry of races and ethnicities that came together in an ambiguous mix. With time running out, she decided to embark on an archaeological dig of sorts by using the science of ancestral DNA testing to excavate everything she could about her genetic history.Digging through memories long buried, she embarks upon a journey not only into her ancestry but also into her own history. Born in Harlem to Dominican parents, she was sent to live with her maternal grandparents in the Paraíso (Paradise) district in Santo Domingo while still a baby. It proved to be an idyllic reprieve in her otherwise fraught childhood. Paraíso came to mean family, home, belonging. When Cepeda returned to the US, she discovered her family constellation had changed. Her mother had a new, abusive boyfriend, who relocated the family to San Francisco. When that relationship fell apart, Cepeda found herself back in New York City with her father and European stepmother: attending tennis lessons and Catholic schools; fighting vicious battles wih her father, who discouraged her from expressing the Dominican part of her hyphenated identity; and immersed in the ’80s hip-hop culture of uptown Manhattan. It was in these streets, through the prism of hip-hop and the sometimes loving embrace of her community, that Cepeda constructed her own identity.Years later, when Cepeda had become a successful journalist and documentary filmmaker, the strands of her DNA would take her further, across the globe and into history. Who were her ancestors? How did they—and she—become Latina? Her journey, as the most unforgettable ones often do, would lead her to places she hadn’t expected to go. With a vibrant lyrical prose and fierce honesty, Cepeda parses concepts of race, identity, and ancestral DNA among Latinos by using her own Dominican-American story as one example, and in the process arrives at some sort of peace with her father.

    This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.

    Bellatin’s work, Beauty Salon is pithy, allegorical and profoundly disturbing, with a plot that evokes The Plague by Camus or Blindness by José Saramago."--New York Times"Including a few details that may linger uncomfortably with the reader for a long time, this is contemporary naturalism as disturbing as it gets."--BooklistA strange plague appears in a large city. Rejected by family and friends, some of the sick have nowhere to finish out their days until a hair stylist decides to offer refuge. He ends up converting his beauty shop, which he’s filled with tanks of exotic fish, into a sort of medieval hospice. As his “guests” continue to arrive and to die, his isolation becomes more and more complete in this dream-hazy parable by one of Mexico’s cutting-edge literary stars.Mario Bellatin, the author of numerous short novels, was born in Mexico City in 1960. In 2000, Beauty Salon was nominated for the Médicis Prize for best novel translated into French. This is its first translation into English.

    They had some good times. There was a whiteboard in the conference room, and often cartoons were drawn on this whiteboard. The cartoons were of varying quality. By the end of the year, with the help of a similar committee of high school students in Ann Arbor, and their guest editor, Rachel Kushner, they selected the contents of this anthology. The Best American Nonrequired Reading 2016 features stories about Bulgarian spaceships, psychedelic mushroom therapy, and a cyclorama in Iowa. If you don’t know what a cyclorama is, you aren’t alone. Read on to find out.The Best American Nonrequired Reading 2016 includes N. R. KLEINFIELD,  ANNA KOVATCHEVA, DAN HOY, ANTHONY MARRA, MICHAEL POLLAN, MARILYNNE ROBINSON, DANA SPIOTTA, ADRIAN TOMINE, INARA VERZEMNIEKS and othersRachel Kushner, guest editor, is the author of The Flamethrowers, which was a finalist for the 2013 National Book Award and one of the New York Times’s top five novels of 2013. Kushner’s debut novel, Telex from Cuba, was a finalist for the 2008 National Book Award, a winner of the California Book Award, and a New York Times bestseller and Notable Book.