White's The Salt Ecstasies—originally published in 1982, shortly after White's untimely death—has earned a reputation for its artful and explicit expression of love and desire. In this new edition, with an introduction by Mark Doty and previously unpublished works by White, his invaluable poetry is again available—clear, passionate, and hard-earned.The Salt Ecstasies is a new book in the Graywolf Poetry Re/View Series, edited by Doty, dedicated to bringing essential books of contemporary American poetry back into print.

    They are truly delightful and robustly original—a poetic joy."—Tony HoaglandSelected by Bernadette Mayer for the National Poetry Series, these poems engage the structures of family and intimacy, exposing the viscera of the everyday, all its frailties and familiarity rendered absurd and remade through language.Outside there's a world where every love-scenebegins with a man in a doorway;he walks over to the woman and says "Open your mouth."Hannah Gamble has received fellowships from Rice University, The University of Houston, and The Edward F. Albee Foundation. She teaches literature and writing at Prairie State College and is the poet-in-residence at Children's Memorial Hospital in Chicago, Illinois.

    A reissuing of The Dollmaker’s Ghost, poetry by Larry Levis.

    In the Western Night brings together in one volume all of the poems to date, including many previously unpublished poems, of one of the most exciting and gifted poets writing today.

    . ." So begins the first book in the Book of Mormon, as the prophet Nephi brings us through the wilderness to a promised land where his family fractures rather than flourishes. But in spite of that tragedy, Nephi points us to the hope he found in his father's inspired dream for the future. Driven by his father's fears and faith, he sought and received his own revelations about how his people might someday find redemption and might ultimately help bring about the redemption of Israel and the entire human family.In this brief theological introduction, philosopher and theologian Joseph M. Spencer investigates the central themes and purposes of a book he calls a "theological masterpiece." What was Nephi trying to accomplish with his writings? How can readers today make better sense of Nephi's words? What can an ancient seer offer readers in the twenty-first century?

    In Asymmetry, his first collection of poems in five years, he revisits the themes that have long concerned him: the enduring imprint of history, the beauty of nature, the place of the exile. Though as sanguine as ever, Zagajewski often turns to elegy in this deeply powerful collection, remembering loved ones he's lost: a hairdresser, the philosopher Krzystzof Michalski, and, most poignantly, his parents. A moving reflection on family, the sublimity of everyday life, death, and happiness, Asymmetry is a magnificent distillation of an astounding poetic voice.

    Why is it, asks Bishop Fulton Sheen, that one hears so often the expression "Go to hell!" and almost never the expression "Go to heaven!" Here, at his most penetrating, challenging, and illuminating best is Bishop Sheen with his answer, in a book that breathes new meaning into the truths about heaven and hell, and new life into the concepts of faith, tolerance, love, prayer, suffering, and death.Beginning with "The First Faint Summons to Heaven," Sheen shows how unpopular it is today to be a true Christian, and describes the struggle for living our faith amid the disorders of our times.  Keenly aware of evil in the myriad forms it takes in today's world, Bishop Sheen writes about the constant battle man faces with the "seven pallbearers of character" - pride, avarice, envy, lust, anger, gluttony and sloth - linking them with the corrosive forces that never cease in their attacks on the Church and those who earnestly desire to be serious Christians.In Go to Heaven, a great spiritual teacher and writer, deeply aware of the human and spiritual conflicts being waged in the world, shows us the way to heaven in a most eloquent book, encouraging the reader to choose heaven now, and to understand the "reality of hell."

    "There is a whole sensible world around me that I should be able to turn to Your praise." Written between 1946 and 1947 while O'Connor was a student far from home at the University of Iowa, A Prayer Journal is a rare portal into the interior life of the great writer. Not only does it map O'Connor's singular relationship with the divine, but it shows how entwined her literary desire was with her yearning for God. "I must write down that I am to be an artist. Not in the sense of aesthetic frippery but in the sense of aesthetic craftsmanship; otherwise I will feel my loneliness continually . . . I do not want to be lonely all my life but people only make us lonelier by reminding us of God. Dear God please help me to be an artist, please let it lead to You."O'Connor could not be more plain about her literary ambition: "Please help me dear God to be a good writer and to get something else accepted," she writes. Yet she struggles with any trace of self-regard: "Don't let me ever think, dear God, that I was anything but the instrument for Your story."As W. A. Sessions, who knew O'Connor, writes in his introduction, it was no coincidence that she began writing the stories that would become her first novel, Wise Blood, during the years when she wrote these singularly imaginative Christian meditations. Including a facsimile of the entire journal in O'Connor's own hand, A Prayer Journal is the record of a brilliant young woman's coming-of-age, a cry from the heart for love, grace, and art.

    Scott Hahn, one of the most celebrated scholars and influential Catholic writers living today, enthusiastically encourages Catholics around the world to renew their focus on the sacred role of the Catholic priest. Using his unique ability to present deep spiritual and theological ideas in the language of everyday life, Dr. Hahn examines the biblical and historical roots of the priesthood to explain the centrality of the priest in the life of the Church. He brings reinvigorated attention to the many roles of the priest—provider, mediator, protector, teacher, judge, and more—all of which are united in the priest's place as spiritual father to God's people, and ultimately he shows that it is through the priest, empowered by God, that the continuing presence of Jesus Christ makes itself known to our world.      Lively, insightful, and engaging, Many Are Called will serve as an inspiration to students and seminarians considering a vocation, to clergy renewing their call, to Catholic readers looking to deepen their faith, and to seekers curious about one of Catholicism's defining but least understood elements. With a foreword by the Most Reverend Timothy M. Dolan, the Archbishop of New York, this is a truly special book, one that speaks to the restless heart of humanity and reveals that our pleas for a spiritual father have already been answered.

    Drawing heavily on poignant anecdotes from his own experience as a life-long Catholic born in 1960s, Madrid offers readers a way of looking at the Church--its members, teachings, customs, and history--from perspectives many may have never considered.Growing up Catholic during a time of great social and theological upheaval and transition, a time in which countless Catholics abandoned their religion in search of something else, Patrick Madrid learned a great deal about why people leave Catholicism and why others stay. This experience helped him gain many insights into what it is about the Catholic Church that some people reject, as well as those things that others treasure. Drawing upon Madrid's personal experiences, Why Be Catholic? offers a deeply personal, fact-based, rationale for why everyone should be Catholic or at least consider the Catholic Church in a new light.

    Her poetic strength lies in her ability to cast poems as modern myths and allegories. Propelled by patterned repetitions and lush cadences, the poems move the reader through a landscape where waking and dream consciousness fuse.Brigit Pegeen Kelly teaches creative writing at the University of Illinois at Urbana-Champaign. Her poetry collections are Song (BOA Editions), the 1994 Lamont Poetry Selection of The Academy of American Poets and a finalist for the 1995 Los Angeles Times Book Award, and To the Place of Trumpets, selected by James Merrill for the 1987 Yale Series of Younger Poets Prize.

    John Riccardo helps us dive into the Scriptures so that we can apply them to our daily lives. In his inspiring and incisive way, Fr. Riccardo addresses the obstacles we all face in becoming mature disciples. How do we learn to forgive? How do we combat fear and understand suffering? How do we worship the Lord, love others as Christ loves us, and fully surrender our lives to God? If you've enjoyed Fr. Riccardo's gifts of teaching and preaching through his broadcasts and podcasts, this book is for you!

    The volume responds primarily to the twenty-first century's inescapable evidence of the terms of black life--not so much new as newly visible. The poems trace a whole web of connections between the kinds of violence that affect people across the racial, ethnic, gender, class, sexual, national, and linguistic boundaries that do and do not divide us. How do we protect our humanity, our ability to feel deeply and think freely, in the face of a seemingly endless onslaught of physical, social, and environmental abuses? Where do we find language to describe, process, and check the attacks and injuries we see and suffer? What actions can break us out of the soul-numbing cycle of emotions, moving through outrage, mourning, and despair, again and again? In poems that span fragment to narrative and quiz to constraint, from procedure to prose and sequence to song, semiautomatic culls past and present for guides to a hoped-for future.Hardcover is un-jacketed.

    Fountain’s voice is at once deep and loose, enacting the dawning of spiritual insight, but without leaving the daily world, matching the feeling of the “pure holiness in motherhood” with the “thuds the giant dumpsters make behind the strip mall when they’re tossed back to the pavement by the trash truck.” In these wise, accessible, deeply emotional poems, she captures a contemporary longing for spiritual meaning that’s wary of prepackaged wisdom—a longing answered most fully by attending to the hustle and bustle of everyday life.

    Responding to the post-industrial landscape of rural life, Jenny George braids together regional plains poetry and the darkly fantastic imagery of medieval painting. Alluding to Goya’s grotesque bestiary, The Dream of Reason is similarly preoccupied with creatures of all kinds: tiny husks of insects, bats crawling across porches like goblins, purring moths, and pigs, in many forms. George names these creatures and documents the traumas of farm life, the role of the handlers involved, and the empathy and horror that comes with it. The collection lingers, transfixed by its strange imaginings, searching for sense in the dark.