Her masterful and authentic retellings of twelve treasured tales are well-matched by Jane Ray's evocative illustrations. Teeming with rich colors, golden trim patterns, silhouettes, and symbols, these pictures—like the timeless stories they interpret—are to be pored over and cherished. Come back to CINDERELLA, SNOW WHITE, BEAUTY AND THE BEAST, THE FROG PRINCE, and eight other beloved tales. Enter a haunting world of magic and enchantment.

    Meet a hen that lays golden eggs and a harp that sings by itself. And don't forget the ogre...A classic fairy tale with rich and dynamic illustrations that will leave you chanting "Fee-fi-fo-fum!"

    In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

    Each of the four fairy tale has been translated and retold to reflect the original dark magic of the earliest versions of these works. Full color.Hansel & GretelSnow WhiteCinderellaSleeping Beauty

    Included are popular myths and legends from all six Celtic cultures of Western Europe-Irish, Scots, Manx, Welsh, Cornish, and Breton. Here for the modern reader are the rediscovered tales of cattle raids, tribal invasions, druids, duels, and doomed love that have been incorporated into, and sometimes distorted by, European mythology and even Christian figures. For example, there is the story of Lugh of the Long Hand, one of the greatest gods in the Celtic pantheon, who was later transformed into the faerie craftsman Lugh-Chromain, and finally demoted to the lowly Leprechaun. Celtic Myths and Legends also retells the story of the classic tragic love story of Tristan and Iseult (probably of Cornish origin-there was a real King Mark and a real Tristan in Cornwall) and the original tale of King Arthur, a Welsh leader who fought against the invading Anglo-Saxons. In the hands of Peter Berresford Ellis, the myths sung by long-dead Celtic bards come alive to enchant the modern reader. "The casual reader will be best entertained by ... the legends themselves ...colored with plenty of swordplay, ... quests, shape-shiftings, and druidic sorcery."-Publishers Weekly

    People, Beings and BeastsWhere does the boogeyman come from?What creatures feast on faithful men?How do you defeat a minotaur?What really riles a dragon?Where would you find real-life werewolves?What happened to Atlantis?From dragons, vampires, werewolves and fairies to flying carpets, lost cities and modern-day mysteries,this delightful compendium of over 250 weird and wonderful legends, myths and monsters will entertain and astound anyone

    A unique body of medieval literature, the Sagas rank with the world’s great literary treasures – as epic as Homer, as deep in tragedy as Sophocles, as engagingly human as Shakespeare. Set around the turn of the last millennium, these stories depict with an astonishingly modern realism the lives and deeds of the Norse men and women who first settled in Iceland and of their descendants, who ventured farther west to Greenland and, ultimately, North America. Sailing as far from the archetypal heroic adventure as the long ships did from home, the Sagas are written with psychological intensity, peopled by characters with depth, and explore perennial human issues like love, hate, fate and freedom.

    Here is the classic story of Rapunzel, the lovely girl who is raised by a witch and locked up in a tall tower before being rescued by a handsome prince.

    CONTENTS Blondine, Bonne-Biche, and Beau-Minon Blondine; Blondine Lost; The Forest of Lilacs; Blondine's Awakening - Beau-Minon; Bonne-Biche; Blondine's Second Awakening; The Parrot; Repentance; The Tortoise; The Journey and Arrival Good Little Henry The Poor Sick Mother; The Crow, the Cock, and the Frog; The Harvest; The Vintage; The Chase; The Fishing; The Plant of Life Princess Rosette The Farm; Rosette at the Court of the King Her Father; Family Council; Second Day of the Festival; Third and Last Day of the Festival The Little Gray Mouse The Little House; The Fairy Detestable; The Prince Gracious; The Tree in the Rotunda; The Casket Ourson The Lark and the Toad; Birth and Infancy of Ourson; Violette; The Dream; The Toad Again; Violette's Sacrifice; The Wild Boar; The Conflagration; The Well; The Farm - The Castle - The Forge; The Sacrifice; The Combat; The Recompense

    This growing series is rigorously updated, with scholarly introductions and notes added to new titles.

    This dramatic Kindle in Motion edition presents seven classic stories—each restored to its original version and reimagined with modern digital illustrations.Each tale is lovingly portrayed by a different artist: Kali Ciesemier’s vibrant colors animate the thorny path of “Briar Rose.” The sinister course of “Hansel and Gretel” takes a twist in the candy hues of Peter Diamond. Daniel Krall’s richly detailed line work shines amid the wickedly dark “The Juniper-Tree.” Nicolas Rix’s charming storybook style delights in “The Frog-Prince or Iron Henry.” Ashley Mackenzie’s golden tones light up the ball in “Cinderella.” Horses, ducks, and birds turn macabre in Wesley Allsbrook’s wildly gestural portrayal of “The White Snake.” And Rapunzel lets down her hair in Rovina Cai’s hauntingly beautiful drawings.Experience the iconic classics you know and love, lavishly illustrated to breathe new life into age-old tales.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    Compiling favored stories suggested by the author and his fans, this delightful treasury contains the most esteemed and beloved selections that de Lint has to offer. Innovative characters in unexpected places are the key to each plot: playful Crow Girls who sneak into the homes of their sleeping neighbors; a graffiti artist who risks everything to expose a long-standing conspiracy; a half-human girl who must choose between her village and her strange birthright; and an unrepentant trickster who throws one last party to reveal a folkloric tradition. Showcasing some of the finest offerings within the realms of urban fantasy and magical realism, this essential compendium of timeless tales will charm and inspire.Contents IntroductionIn Which We Meet Jilly Coppercorn Coyote Stories Laughter in the Leaves The Badger in the Bag And the Rafters Were Ringing Merlin Dreams in the Mondream Wood The Stone Drum Timeskip Freewheeling A Wish Named Arnold Into the Green The Graceless Child Winter Was Hard The Conjure Man We Are Dead Together Mr. Truepenny's Book Emporium and Gallery In the House of My Enemy The Moon Is Drowning While I Sleep Crow Girls Birds Held Safe by Moonlight and Vines In the Pines Pixel Pixies Many Worlds Are Born Tonight Sisters Pal o' Mine That Was Radio Clash Old Man Crow The Fields Beyond the Fields

    Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.