Drawing on a rich range of sources, from inventories and guild regulations topoetry and chronicles, it examines everything from panel paintings to carved altarpieces.While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception.Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.

    It is intended to instruct the faithful, and satisfy their pious desires. There might, perhaps, have been some reason to fear, at the very outset, that the mere title of Devotion to the Sacred Heart of Jesus Christ, however it might attract many persons to read this book, might also deter many others. Arrested by the first words, they might be led to form an inaccurate idea of the devotion. To remove this difficulty, it has been thought well to explain in the beginning, what is understood by devotion to the Sacred Heart of Jesus Christ. Experience has proved, that there is no one, who, after seeing in what it consists, does not agree, that it is reasonable, solid, and most useful, for our salvation, as well as for our perfection

    Simply constructed, the book explores 50 key works – from the realist painting of Courbet to a contemporary installation by Yayoi Kusama – and then links them to the most important movements, themes and techniques. Accessible, concise and richly illustrated, the book reveals the connections between different periods, artists and styles, giving readers a thorough understanding and broad enjoyment of modern art.

    But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

    Images from Ryden's acclaimed Japanese Snow Yak Show are reproduced in large 11" x 14" format, & include many detail images & drawings. Features all of the works, as well as photographs of the work on display.

    She slept on a bed of thorns. She had a friend whip her. She put hot coals between her toes. She suffered from smallpox, and the disease left her almost blind. Yet she still fasted, in penitence, and ministered to the sick and elderly. When she died, it was said, the smallpox scars instantly vanished from her face. It wasn’t long before people began to credit her with miracles.Indeed, the Vatican has just announced, 300 years after her death, that Tekakwitha is a miracle worker. She will be named a saint—America’s first indigenous saint, no less—as early as next fall. But what, exactly, does that mean? How does someone become a saint? What’s the vetting process? In this thoroughly entertaining investigation into the mysterious world of saints, Bill Donahue tells the strange and fascinating story of how the holy get their halos. The journey to canonization is long (sometimes, as in the case of Tekakwitha, it can take centuries), lurid (decayed body parts play a role), and, nowadays, surprisingly cutting-edge. Tekakwitha earned her saint status thanks to a medical miracle she allegedly caused in 2006: A boy suffering from a fatal flesh-eating bacteria suddenly and inexplicably recovered after his family prayed to the Blessed Kateri. Church experts grilled the boy’s doctors, studied his MRIs and hospital chart, and came to the conclusion that a force stronger than modern medicine saved him. In addition to Tekakwitha, Donahue introduces us to a cast of celestial characters, from Mother Teresa and Pope John Paul II—both on the fast track to sainthood—to Saint Francis, Joan of Arc, and the shady Padre Pio, who claimed to suffer stigmata and raise bodies from the dead. But it’s what happens after these holy folk die that’s arguably even more intriguing. Mixing legend and science, history and on-the-ground reporting, The Secret World of Saints sheds light on one of the Catholic Church’s most arcane and captivating traditions.* * *Early praise for "The Secret World of Saints":"My sinful covetousness for Bill Donahue's talents and the fun he's having here has put me out of the running for sainthood. I love his story anyway."— Mary Roach, author of the bestselling "Stiff," "Spook," "Bonk," and "Packing for Mars"* * * About the Author: Bill Donahue is a journalist living in Portland, Oregon. His work has appeared in "The Atlantic," "The New York Times Magazine," "Wired," "Runner’s World," "The Washington Post Magazine," and "Inc." He has been nominated for two National Magazine Awards, and his stories have been reprinted in Best American Travel Writing, Best American Sports Writing, and numerous other anthologies.

    It is a journey into a past vividly brought to life and bursting with ideas, that pits one century against another in his quest to measure which century saw the greatest change.We journey from a time when there was a fair chance of your village being burned to the ground by invaders — and dried human dung was a recommended cure for cancer — to a world in which explorers sailed into the unknown and civilizations came into conflict with each other on an epic scale. Here is a story of godly scientists, fearless adventurers, cold-hearted entrepreneurs, and strong-minded women — a story of discovery, invention, revolution, and cataclysmic shifts in perspective.Millennium is a journey into the past like no other. Our understanding of human development will never be the same again, and the lessons we learn along the way are profound ones for us all.

    First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has."Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" —Peter Fuller, Arts Review"The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" —Geoff Dyer in Ways of TellingWinner of the 1972 Booker Prize for his novel, G., John Peter Berger (born November 5th, 1926) is an art critic, painter and author of many novels including A Painter of Our Time, From A to X and Bento’s Sketchbook.

    In a revised edition of Furta Sacra, Patrick Geary considers the social and cultural context for these acts, asking how the relics were perceived and why the thefts met with the approval of medieval Christians.

    You see, those Gospels were written for first century readers already familiar with many of the persons, places, parties, and politics that colored events in those long-past days. Not so modern readers, twenty centuries later! Which is why Fr. Ralph Gorman has here crafted for us a single detailed narrative out of the four Gospels, weaving into his narrative relevant Old Testament passages and prophecies, and facts from Jewish and Roman history, laws, beliefs, traditions, and practices, plus helpful first century military, political, geographical, and archaeological information. Faithful to the Gospels while drawing on the best commentaries on them in English, Latin, French, German, and Italian, these rich pages provide you a refreshing reading of the Gospels supplemented by reliable archaeological, historical, and theological information about the period, places, and persons involved. Plus, you have the benefit of Fr. Gorman's keen depictions of the Gospel places based on his three years' residence there.You can read this book straight through, or one chapter a day as spiritual reading before Mass or during Lent. Either way, you'll come to understand better the malice of the crowds, the dismay and confusion of Christ's friends, and the speed with which the deadly events unfolded. Most of all, you'll come to grasp anew the depths of Christ's love for you, awakening in you greater devotion to Him than ever before.

    Introducing art in its international context, this accessible book explores core issues about how art is made, interpreted, and displayed, without any of the unnecessary terminology. Divided into themes, A Short Book About Art presents new ways of thinking about the relationship between artists and their work, as well as fresh comparisons between works of art from different periods and places. Thought-provoking and stimulating, it is the ideal companion for anyone who wants to learn about art without a dictionary in their hands.

    Her lifelong friend, Ingrid, has asked her to do the impossible -- authenticate the painting from a photograph. The photograph in question was passed down to Ingrid by her grandfather, Klaus Rettke a key member of the German Einsatzstab Reichsleiter Rosenberg, the Nazi organization appointed to confiscate art from the Jews. Obscure references in Klaus Rettke's diary convince Maggie that Rettke stole the painting from the Nazis. Now she must use science to verify that the painting in the photo is genuine, something that has never been done before. From the National Gallery of Art in Washington, D.C. to the Musee du Jeu de Paume in Paris, Maggie searches for answers. Finally, she confronts the possibility that there is not one painting, but the original and several forgeries. With tens of millions of dollars at stake and a killer at large, she is determined to find the authentic Van Gogh. To do so, Maggie must stay alive . . . something that's proving difficult to do.

    Professor Lynch's admirable survey (concentrating on the western church, and emphasising ideas and trends over personalities) meets a long-felt need for a single-volume comprehensive history, designed for students and non-specialists.

     Fifteen-year-old Margharita is toiling in her family's meager field when a handsome gentleman rides in with a proposal of marriage. After only a few words with her father,Master Domenico Vasari tears Margharita away from the family she cherishes and the farm boy she loves-and hauls her off to a foreign, violent life, full of strangers and strange customs. At the Vasari castle, she is given powders, perfumes, and gowns of silk. But for these fineries Margharita pays a dear price. Vasari beats her, viciously and without warning, even when she becomes pregnant. So Margharita begins to pray, fervently and furtively, to the Blessed Mother and Saint Mary Magdalene. For her safety, for her unborn child, and for the starving masses surrounding the castle walls. Only then does the Virgin Mother reveal Margharita's fate to her-and why she will forever be known as the Barefooted One.

    This classic textbook examines the artistic movements and achievements of that time.