Both novels depict the same issue narrated by two different people from the same place but with different perspectives. This twin wonder is interconnected, and at the same time independent, with Beniyamin touch.

    This collection brings together some of the most well known stories of M T Vasudevan Nair, fairly representative of his literary works. Written over a broad span of time from 1962 to 2000, the stories collected here reflect the built-in variety of his fictional concerns and the changing tones of his narration.

     Who was Padmavati, the Queen of Chittor? What does history tell of her? Where did she come from? What kind of life did she lead? How did she have the courage to jump willingly into fire? Mrinalini goes to Chittorgarh to discover the truth. What does she really discover?

    Some of the country s finest theatre and film talents all at key stages in their careers participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it.Kundan Shah s Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humour that Hindi cinema just hasn t seen enough of. This is the story of how it came to be despite incredible odds and what it might have been. Jai Arjun Singh s engaging take on the making of the film and its cult following is as entertaining as the film itself.

    One night, the young devadasi Kanka disappears and, as if in her place, a statue of a woman in pure gold mysteriously appears in the temple to which she was to be dedicated. Through the story of Kanaka's disappearance, Gitanjali Kolanad gives us a beautifully realized world - of priests, zamindars and devadasis, and of art, desire, and their dark reverse sides. Girl Made of Gold is a mystery, thrillingly told, and also a moving human story of the pursuit of love and freedom.

    As she stares death in the face, her memories travel back to the beginning of her story, to life's unfairness at every point: A fiercely intelligent princess who wilfully blindfolded herself for the sake of her peevish, visually-impaired husband; who underwent a horrible pregnancy to mother one hundred sons, each as unworthy as the other; whose stern tapasya never earned her a place in people's hearts, nor commanded the respect that Draupadi and Kunti attained; who even today is perceived either as an ingratiatingly self-sacrificing wife or a bad mother who was unable to control her sons and was, therefore, partly responsible for the great war of the Mahabharata.In this insightful and sensitive portrayal, Aditi Banerjee rescues Gandhari from being reduced to a mere symbol of her blindfold. She builds her up, as Ved Vyasa did, as an unconventional heroine of great strength and iron will - who, when crossed, embarked upon a complex relationship with Lord Krishna, and became the queen who cursed a God.

    He travelled with the armies of both countries and could study what is effectively the ground zero—the location where entrenched animosities as well as sudden surges of comradeship are enacted. This is one of the most fortified places on the planet.Jacob writes, "I was keen on getting into their world, the world of men in uniform, fighting each other and yet respecting each other. It was a curious world. It had breath-taking adventure, mind-blowing stories and unforgettable heroism. I loved it, and I was welcome."This vividly told, fast paced narrative brings the border area to life. Jacob was given unprecedented access by the Indian and Pakistani armies and he explores how the border is seen—both in the popular imagination and by those who exist in its shadow. He chronicles the lives of civilians and soldiers, their courage and resilience in the face of constant danger and the extraordinary similarities between the two sides.

    Taking an innovative and secular approach to business Ethics, moral fiber shows us how living our values unlocks a more purposeful life and career. This book helps us to re-discover the inherent core values, such as fairness, respect, compassion, and honesty, and then how to genuinely Act on them daily.This practical guide is filled with tips, tales, and tools to identify and eliminate toxic behaviors and motivators, as well as priceless lessons from top industry leaders and powerful research from academics. TESTIMONIALS“[Shawn] shares with us how compassion, gratitude and wisdom opens our inner door, unlocking a more purposeful life and career.” — HIS HOLINESS THE DALAI LAMA“Moral Fiber takes us on a beautiful journey of how capitalism and compassion must co-exist to improve our human condition.” — JOHN MACKEY, CO-FOUNDER AND CEO, WHOLE FOODS MARKET“At a time of great uncertainty, Moral Fiber is a welcome tonic and an authentic reminder of how having capitalism with compassion elevates us all.” — JENNIFER REINGOLD, FORMER MANAGEMENT WRITER, FORTUNE MAGAZINE, FAST COMPANY AND BUSINESSWEEK“Moral Fiber drops us head-first into a world of awakening.” — THOMAS DONALDSON, PROFESSOR OF BUSINESS ETHICS, WHARTON SCHOOL, UNIVERSITY OF PENNSYLVANIA“In Moral Fiber, Vij creatively shows us how our core values can be a key to personal happiness and professional success.” — HOWARD C. CUTLER, M.D., NEW YORK TIMES BEST SELLING AUTHOR OF THE ART OF HAPPINESS

    This selection features twenty-one of the very best stories from the region.Here, the reader will find one of Rabindranath Tagore’s most revered stories ‘The Kabuliwallah’ in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay’s wrenching study of Bengali society, ‘Mahesh’, as well as over a dozen other astounding stories by some of the greatest practitioners of the form—Buddhadeva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    Historical novel that explodes all the myths that surround Mastani who was the second wife of Peshwa Baji Rao I in Central India in the 1700s.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This unique book is a compilation of 365 intimate letterswritten by Osho [from 1962 to 1971] to his disciples and friends while hewas traveling in India on subjects as diverse as solitude, love, meditationand receptivity; as well as our fruitless efforts to make our lives secure,the stupidity of the human mind, and the ability to laugh at oneself.

    Written in a colloquial style, the original Tamil version overturns the decorum and aesthetics of upper-caste, upper-class Tamil literature and culture and, in turn, projects a positive cultural identity for Dalits in general and for Dalit women in particular. Sangati flouts received notions about what a novel should be and has no plot in the normal sense. It relates the mindscape of a Dalit woman who steps out of her small town community, only to enter a caste-ridden and hierarchical society, which constantly questions her caste status. Realizing that leaving her community is no escape, she has to come to terms with her identity as an educated, economically independent woman who chooses to live alone. In relating this tale, Bama turns Sangati into the story not just of one individual, but of a pariah community.23p intro + 126p

    First published in 1984, The Outcaste is a first-person account of the dehumanizing impact of caste oppression in India.