She lives with her husband Brace and her two children in a very new, very small, very white flat in Knightsbridge. As we follow Edith's fortunes we enter the enchanting world of Edwardian London, bewitched by the courtships, jealousies and love affairs of Edith's coterie - Hyacinth, Eugenia, Charles and Cecil, Vincy, Madame Frabelle and many more.

    The fourteen-year-old Tessa has fallen in love with Lewis Dodd, a gifted composer like her father. Confidently, she awaits maturity, for even his marriage to Tessa's beautiful cousin Florence cannot shatter the loving bond between Lewis and his constant nymph.

    Jane Dacre finds painter Albert Gates irresistible, but the Old Regime is less enraptured, for Albert is an outrageous prankster.

    Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up hidden masterpieces, and come to the aid of a murderess, will find that they have adventure to spare.In The Fountain Overflows, a 1957 best seller, Rebecca West transmuted her own volatile childhood into enduring art. This is an unvarnished but affectionate picture of an extraordinary family, in which a remarkable stylist and powerful intelligence surveys the elusive boundaries of childhood and adulthood, freedom and dependency, the ordinary and the occult.

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    127, was Dorothy Whipple’s debut novel. It is about the first twenty years of a girl’s life: she lives at home mostly looked after by the kindly Emily, goes to school, falls in love and finally marries someone else. So far, so unoriginal. Yet it is original. There is something about the description of Anne’s life which is quite simply superb.As Lucy Mangan says in her Persephone Preface: in the novel DW’s ‘unmistakable voice is already there. The book that would start her on her career as a novelist is written with all the sense of command and restraint that her fans (then and now) would come to know and love so well. The temptation of the debut author is to overwrite – to show all that you can do, all at once and repeatedly, so that people Get The Message. We have all read them and been exhausted by them. But Whipple, from the off, keeps her ego and her insecurities in check. As in all her later, more experienced works, she is not a showman but a patient, disciplined archaeologist at a dig, gently but ceaselessly sweeping away sandy layers of human conventionality and self- deception, and on down to deeper pretences to get at the stubborn, jagged, enduring truths about us all beneath.’

    Anna Lacey, a young country girl, is given her first job in Greater London, and as she learns to cope with the challenges of her new life, we share with her the delights and pleasures of teaching "those dear, devilish, delicious, disarming, infuriating and exhausting creatures" who are her young pupils.

    A vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfilment of their desires. Evelyn Waugh’s acidly funny and experimental satire shows a new generation emerging in the years after the First World War, revealing the darkness and vulnerability beneath the glittering surface of the high life.

    She tells the story herself with the utmost frankness and with an authenticity which derives from Dodie Smith's own wide experience as both actress and playwright.Mouse never felt that her nickname fully suited her; tiny she might be, but timid never. Within a day of her arrival in town she had bluffed her way into an audition at a famous theatre, infuriated its forceful young stage director, amused its kind if quite amoral actor-manager, Rex Crossway, and finally landed not a part but a toehold as a junior secretary. From then on she was involved in the engrossing affairs of the Crossway Theatre.She was also involved with her friends at the club where she lived -- Molly, a baby-faced six-footer, and elegant, ambitious LIlian who was fated to clash disastrously with Mouse, though even then they could find something to laugh at together. And later there was Zelle, rich, generous, enigmatic, and responsible for an outing to a Suffolk village pageant which proved a turning point for them all.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    They find each other—and the castle of their dreams—through a classified ad in a London newspaper one rainy February afternoon. The ladies expect a pleasant holiday, but they don’t anticipate that the month they spend in Portofino will reintroduce them to their true natures and reacquaint them with joy. Now, if the same transformation can be worked on their husbands and lovers, the enchantment will be complete.The Enchanted April was a best-seller in both England and the United States, where it was a Book-of-the-Month Club selection, and set off a craze for tourism to Portofino. More recently, the novel has been the inspiration for a major film and a Broadway play.

    Now one of her most endearing classics is being reissued for a new generation of readers. China Court is the story of the hours and days of a country house in Wales and five generations of the family who inhabited it.

    The opening novel in Anthony Powell's brilliant twelve-novel sequence, A Dance to the Music of Time.Discover the extraordinary life of Anthony Powell – captured by acclaimed biographer Hilary Spurling in Anthony Powell: Dancing to the Music of Time

    Quick-witted, resilient, and eager to please, she adapts to this cloistered world, learning rigid conformity and subjection to authority. Passionate friendships are the only deviation from her total obedience. Convent life is perfectly captured by Antonia White.

    Happily loitering about London, c. 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world," as secretary to the peculiar Autobiographical Association. Mad egomaniacs, hilariously writing their memoirs in advance—or poor fools ensnared by a blackmailer? Rich material, in any case. But when its pompous director, Sir Quentin Oliver, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself has already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end? "A delicious conundrum," The New Statesman called Loitering with Intent.