He is proof that poetry will find its writer."—Mary-Louise Parker, actress"Ryan Adams, one of America's most consistently interesting singer/songwriters, has written a passionate, arresting, and entertaining book of verse. Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality."—Stephen King, on Infinity BluesRyan Adams may be acclaimed primarily for albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs "When the Stars Go Blue" and "New York, New York"), and Easy Tiger, but the world-renowned singer/songwriter has always been a poet and fiction writer at heart.With the release of Hello Sunshine, Ryan continues to break literary ground beyond what he established with his wildly popular first book, Infinity Blues. Ryan's new work provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans.Where his debut was characterized by the bitterness of heartbreak, Hello Sunshine is a graceful, sensual assertion of the other side of the emotional coin. This is a 2009 fever dream—inside Ryan's heart and mind—replete with unforgettable verse that will shock and delight those expecting a mere continuation of where Infinity Blues left off.Ryan Adams is known for his prolific nature, which in the last ten years has resulted in various international hit albums. Ryan has also produced Willie Nelson's album Songbird and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT's Crossroads with Elton John.

    Felt—a fabric made of tangled fibers—becomes a metaphor for the interweavings of humans, animals, and planet. But Felt is also the past tense of "feel." This is a book of emotions both ordinary and untoward: the shadings of humiliation, obsession, love, and loneliness—as well as states so subtle they have yet to be named. Reticent and passionate, elliptical yet available, Fulton's poems consider flaws and failure, touching and not touching. They are fascinated with proximity: the painter's closeness to the canvas, the human kinship with animals, the fan's nearness to the star. Privacy, the opening and closing of doors, is at the heart of these poems that sing the forms of solitude-the meanings and feelings of virginity, the single-mindedness of fetishism, the tragedy of suicide. Rather than accept the world as given, Fulton encounters invisible assumptions with magnitude and grace. Hers is a poetry of inconvenient knowledge, in which the surprises of enlightenment can be cruel as well as kind. Felt, a deeply imagined work, at once visceral and cerebral, illuminates the possibilities of twenty-first century poetry.

    Biography, memoir, narrative history, reportage, the travel account: all these forms now have their interesting and original practitioners in India. In this Granta issue they tackle questions ranging from rape in village India to scandal in Mumbai clubs. And there is room, as always, for the best of India's fiction.

    A must-read about these magnificent but sometimes deadly creatures—thoroughly revised, expanded, and updated

    book

    She was a fan of his band who was following him on Twitter. Her profile photo was appealing. He was single. He sent her a message. They began flirting online. The account begins and proceeds as any online dating story might. But then, once Shubaly's hope is twinborn with love, there's a wrinkle, and then a twist--and the relationship unfolds into something so mind-blowing, so staggeringly inconceivable that it charts new territory in emotional entanglement. In this Kindle Single, deep intrigue combines with fluid and nuanced prose to tell an astonishing story. Prepare to marvel at this story even weeks after you have read it. --Paul Diamond

    Haunted by memories of those she cared so dearly for, she soon longs to escape Providence in the hope that doing so will allow her to heal and feel whole once again. While browsing through the Providence Daily Post, she happens upon a series of ads placed by men from Montana who seek brides to join them on the new Frontier. All of the ads quickly begin to sound the same when suddenly, one stands out. Though skeptical, she decides to muster the courage to respond to a man named Mr. Adam Black who seeks an intelligent woman, not just a pleasant woman to keep his home tidy. Upon her arrival, Madeline meets the dashing Mr. Black and is quickly swept off her feet when he gives her a tour of his lavish home and all that lies within. Her hopes are quickly dashed, however, when he reveals to her that in truth, he’s only really looking to settle down to please his father, hoping to continue living his bachelor’s lifestyle. Although Madeline agrees to go along with Mr. Black’s peculiar arrangement, she can’t help but feel the palpable chemistry between them. Will Madeline settle for a picture perfect, yet hollow marriage arrangement, or does Mr. Black share the same feelings, turning her daydreams into a real life fairy tale? Book 2: Montana Mail Order Bride Clara: In 1890, New York City is no place for a woman alone, and that is exactly what young Clara has become. As she struggles to cope with the death of her only living relative, she is also faced with her own set of predicaments. Now, as she attempts to find work in the newspaper, she finds the advertisement of William Dean. William is a rugged man, used to the desolate life of the Frontier, and he’s made a place for himself in Montana--but his success means nothing without the tender warmth of a wife. When Clara notices his ad seeking a marriageable prospect, she responds and their worlds collide. Book 3: Montana Mail Order Bride Emma: When Emma marries her sweet husband James, she thinks she will finally get her happily ever after. But after eight happy years of marriage, Emma is forced to let her dear James fall prey to deathly clutches of a horrible illness. All she has left now is her dearest twelve year old daughter, Margaret. Both take jobs as seamstresses in a factory downtown, but their meager wages just aren’t enough for the two to get by. Emma is forced to admit that she needs the help of another husband, so when a matrimonial ad appears in the paper from a Frontier man, Emma takes a risk and heads to Montana with Margaret and Frederick, a long-time dear friend of her late husband’s who insists on accompanying the ladies as their chaperone. Book 4: Montana Mail Order Bride Julia: When a boy whom Julia has been charged to take care of dies, Julia is left searching for her next path in life. Her choices are limited, as she is not a wealthy woman nor is she married, and she fears that she must take the charity of her only living relative.

    The resulting pairs cover such subjects as "Scruples/Saints," "Hypocrisy/Precision," and "Anger/Generosity." The wisdom and startling turns we've come to expect from Dunn are everywhere in the ninety miniatures (forty-five pairs) that comprise this volume.

    This award-winning collection moves from the dark and technically astonishing title essay—on growing up within the confines of a huge Army arsenal in Ohio—to reflections on mountain hikes, limestone quarries, and fathers teaching their sons.

    In this book, John Prine curates a selection of his best loved songs. Included are lyrics, guitar chords, commentary from John and over 100 photographs - may never before published - from his personal collection. John Prine has written songs that have become central to the American musical heritage. This former Maywood, Illinois mailman came to prominence with his debut record, 'John Prine' in 1971, which includes classics like, "Angel from Montgomery," "Sam Stone," "Paradise," and "Hello in There." His lyrics speak to the everyday experience of ordinary people, with a simple honesty and an extraordinary ability to connect with the heart.

    Since then, deformed frogs have been turning up in lakes around the world. Written by the only journalist granted access to secret hot spots where these deformed frogs are tested, and brainstorming sessions among the researchers, this compelling, fast-paced narrative is the first to offer a complete picture of what is quite possibly a global catastrophe in the making.

    The Stories, set in Calcutta, bring to the fore the darkness lurking in the human psyche and bare the baser instincts. The stories, compactly written and marked by insightly dialogues that raise contemporary issues like man-woman relationships and its strains, moral and ethics, environmental degradation, class inequality, rapid and mass-scale unmindful urbanisation, are devoid of sentimentalisation. The result is they remained focused and move around the central character who is named Rahul in all the stories. We encounter the events that shape, mar, guide Rahul's life and also the lives of those around him, making us question the very essence of existence. Rahul symbolises modern man; he is not just one character, but all of us rolled into one. The story cycle stands out for two reasons - its brilliant narrative and the dispassionate style with which betrayal in personal relationships and resultant loneliness has been handled. The poems weave a maze of dreams, images, reflections and stories. They are written in a reflective and many a time in a narrative tenor within a poetic idiom. The poems are inseparable in a hidden way and are magically sequenced like various kinds of flowers in a garland or chapters of differing shades in a novel. Calcutta features in some of the poems like the looming backdrop of Gotham City in a Batman movie.

    In this, his last book completed just before his death, Sigurd F. Olson guides readers through his wide-ranging memories of a lifetime dedicated to the preservation of the wilderness.

    It is a remoteness that both perplexes and enthralls him.    Through dazzling sleight of hand in which the public becomes private and the private becomes public, the entire book—clicking from confession to family-album photograph to family chronicle to sexual fantasy to pseudo-scholarly footnote to reportage to personal essay to stand-up comedy to cultural criticism to literary criticism to film criticism to prose-poem to litany to outtake —becomes both an anatomy of American culture and a searing self-portrait.    David Shields reads his own life—reads our life—as if it were an allegory about remoteness and finds persuasive, hilarious, heartbreaking evidence wherever he goes.Winner of the PEN / Revson Award?

    From Hells Angel to celebrity bodyguard. The revealing autobiography of an American man.Chuck Zito comes by his reputation honestly as one of the toughest, most uncompromising men ever to sit astride a Harley. Now, with tales both hilarious and chilling, violent and truthful, Zito tells his life story in his own words.From growing up on the mean streets of Brooklyn and the Bronx, where fighting was a way of life, to becoming president of the New York chapter of the Hells Angels, to the wild and crazy life of protecting some of the world's biggest celebrities, Zito might be seen as a latter-day outlaw, the last of a dying breed of men. But throughout his tempestuous days, one thing defined him: his unfailing sense of justice, of what's really right and what's really wrong. That's how Zito found himself facing his biggest challenge: refusing to cooperate with a federal investigation into his brothers, the Hells Angels, and in the process losing the very thing he cherished most-his freedom.Zito's astonishing recovery from this experience, and the unique kind of stardom he forged based on hard work and sheer will, is a testament to his courage, his ambition, and his indomitable heart-a testament now recorded unflinchingly in Street Justice.