Over time he has learned to accept his confinement. After all, it is no more than he deserves given the heinous nature of his previous crimes. However, when a new member of the nursing staff begins taking an interest in Tommy, he learns things previously kept from him: Like why he is being permanently dosed with meds. How, and why, his parents really died. And is it just a coincidence his earlier crimes occurred at the time of a full moon? Nurse Jenny informs Tommy about the true nature of his world: Secret Government cabals, and their plans for a New World Order; the murder of his parents, and facing up to the reality of his life as a werewolf. Then, when she thinks he is ready, she tells him the biggest secret of all: Nurse Jenny has a way out of Broad-lands. But, as is often the case, nothing comes without a price. What is the real motivation for her aiding Tommy's escape? A tale of horror that unfolds beneath the light of a full moon.

    This is a story about the legions of Inferno invading the Earth. If we can enter AlterWorld, why can’t AlterWorld enter our home? Do you like to watch Chaos unfold? Beware, for one day you will feel its gaze upon you…- Call of Duty. Doc’s long awaited story. Did Doc make his dream a reality and save the doomed children? And what will the authorities do once they see the empty beds and the overfilled freezers in the hospice morgue?

    This short story was originally published in Joe Hill's collection 20TH CENTURY GHOSTS.

    Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.

    When a fellow passenger on his usual train goes missing, a man begins to wonder if everything is as it seems.

    The walking wounded. These are the stories of ordinary people.

    ANGEL’S SONG: A companion short story to the novel “The Thorn”, book one of “The Chronicles of Gan” (speculative fiction). WATER: Based on the account found in the Gospel of John, chapter 5, verses 1-16, and the painting by Carl Bloch, “Healing at the Pool of Bethesda” (historical fiction).

    This story appears in the anthology Make Shift: Dispatches from the Post-Pandemic Future, edited by Gideon Lichfield and available for pre-order from The MIT Press.Content advisory: Discussion of pandemics, near-drowning

    Grab a mug of hot chocolate, sit back and enjoy a fairytale New York Christmas.... When Londoner Penny decides to visit her best friend Kate in New York for the festive season, the surprise appearance of a previous suitor sends her plans for a relaxing, carefree visit into complete disarray. When she and Mike last saw each other, the timing couldn't have been worse. But when Mike decides to show Penny the very best of what a snowy, festive, New York has to offer - resolving to make it a fairytale Christmas - will she be able to resist his charms this time round? And will finding one other again turn out to be the greatest Christmas gift?

    What is fate, in a culture of free will and self-determination? Where do we project our doom, that ancient and evolving belief in predestination? In this issue of Granta, twenty-two writers meditate on fate in all its many forms.Includes contributions by Anjan Sundaram, Andrea Stuart, Fatima Bhutto, Sam Coll, Joanna Kavenna, Joseph Roth, Michael Cunningham, and Will Self.

    The narrator describes the frustration that the people of the community have with the artist, who is not only painting over one of their favorite places to play, relax in the shade, and hold on to the memories of a lost friend, but the artist is unwilling to accept the hospitality from anyone who tries to offer her food, or find out what she is up to. When the narrator and Lou go out into the country to meet up with their grandmother, they learn about graffiti from dad and grandmother who are watching the news, and they decide that they are going to deface the painting when they return back to Taliaferro Street. When they return, however, they find that the mural was a beautiful picture that not only reminded the community of all of the things that they loved about the wall, but celebrated the vibrant cultural richness of their community.

    

    Short story from the story collection FREE AND OTHER STORIES.

    They have a fun time in their London home, renting films on VHS and watching TV, even if Stephen can hardly ever get her to watch Doctor Who on Saturday nights.If their life really is so very ordinary, though, then why is a corpse slumped in the corner of their living room – and another in the downstairs toilet?

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.