George, the protagonist, is adjusting to life on his own after the sudden death of his partner, determined to persist in the routines of his daily life. An Englishman and a professor living in suburban Southern California, he is an outsider in every way, and his internal reflections and interactions with others reveal a man who loves being alive despite everyday injustices and loneliness. Wry, suddenly manic, constantly funny, surprisingly sad, this novel catches the true textures of life itself."--BOOK JACKET.

    Besieged by the press, his widow Millie flees to a remote Scottish village, where she seeks solace in memories of their marriage. The reminiscences of those who knew Joss Moody render a moving portrait of a shared life founded on an intricate lie, one that preserved a rare, unconditional love.

    Childless, they are drifting apart--he breaking under the weight of the work of the farm; she crumbling from loneliness and despair. In a moment of levity during the season's first snowfall, they build a child out of snow. The next morning the snow child is gone--but they glimpse a young, blonde-haired girl running through the trees. This little girl, who calls herself Faina, seems to be a child of the woods. She hunts with a red fox at her side, skims lightly across the snow, and somehow survives alone in the Alaskan wilderness. As Jack and Mabel struggle to understand this child who could have stepped from the pages of a fairy tale, they come to love her as their own daughter. But in this beautiful, violent place things are rarely as they appear, and what they eventually learn about Faina will transform all of them.

    But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys: Gretchen is now a friend, and her quirky and charming daughter Margaret a sort of surrogate child. And Jean doesn't mean to fall in love with Gretchen's husband, Howard, but Howard surprises her with his dry wit, his intelligence and his kindness — and when she does fall, she falls hard.But he is married, and to her friend — who is also the subject of the story she is researching for the newspaper, a story that increasingly seems to be causing dark ripples across all their lives. And yet Jean cannot bring herself to discard the chance of finally having a taste of happiness...But there will be a price to pay, and it will be unbearable.

    Too soon, with winter coming, he calls it quits. Helped by Rudy—her government-questioning, wisdom-spouting, seasonal-affective-disordered boss—and a neighbor couple, Helen makes it to spring. Those neighbors, Karen and Lily, are awaiting the arrival of their first child, a boy, which means their time at the Women’s Land Trust must end.So Helen invites the new family to throw in with her—they’ll split the work and the food, build a house, and make a life that sustains them, if barely, for years. Then young Perley decides he wants to go to school. And Rudy sets up a fruit-tree nursery on the pipeline easement edging their land. The outside world is brought clamoring into their makeshift family.Set in a region known for its independent spirit, Stay and Fight shakes up what it means to be a family, to live well, to make peace with nature and make deals with the system. It is a protest novel that challenges our notions of effective action. It is a family novel that refuses to limit the term. And it is a marvel of storytelling that both breaks with tradition and celebrates it. Best of all, it is full of flawed, cantankerous, flesh-and-blood characters who remind us that conflict isn't the end of love, but the real beginning.Absorbingly spun, perfectly voiced, and disruptively political, Madeline ffitch's Stay and Fight forces us to reimagine an Appalachia—and an America—we think we know. And it takes us, laughing and fighting, into a new understanding of what it means to love and to be free.

    It depicts the adventures of Malone, a beautiful young man searching for love amid New York's emerging gay scene. From Manhattan's Everard Baths and after-hours discos to Fire Island's deserted parks and lavish orgies, Malone looks high and low for meaningful companionship. The person he finds is Sutherland, a campy quintessential queen -- and one of the most memorable literary creations of contemporary fiction. Hilarious, witty, and ultimately heartbreaking, Dancer from the Dance is truthful, provocative, outrageous fiction told in a voice as close to laughter as to tears.

    Bawdy and moving, the ultimate word-of-mouth bestseller, Rubyfruit Jungle is about growing up a lesbian in America--and living happily ever after.

    A wedding invitation arrives in the mail: your boyfriend of the past nine years now engaged to someone else. You can’t say yes--it would all be too awkward--and you can’t say no--it would look like defeat. On your desk are a series of half-baked literary invitations you’ve received from around the world. QUESTION: How do you arrange to skip town?ANSWER: You accept them all. If you are Arthur Less.Thus begins an around-the-world-in-eighty-days fantasia that will take Arthur Less to Mexico, Italy, Germany, Morocco, India and Japan and put thousands of miles between him and the problems he refuses to face. What could possibly go wrong?Well: Arthur will almost fall in love in Paris, almost fall to his death in Berlin, barely escape to a Moroccan ski chalet from a Sahara sandstorm, accidentally book himself as the (only) writer-in-residence at a Christian Retreat Center in Southern India, and arrive in Japan too late for the cherry blossoms. In between: science fiction fans, crazed academics, emergency rooms, starlets, doctors, exes and, on a desert island in the Arabian Sea, the last person on Earth he wants to see. Somewhere in there: he will turn fifty. The second phase of life, as he thinks of it, falling behind him like the second phase of a rocket. There will be his first love. And there will be his last.A love story, a satire of the American abroad, a rumination on time and the human heart, by an author The New York Times has hailed as “inspired, lyrical,” “elegiac,” “ingenious,” as well as “too sappy by half,” Less shows a writer at the peak of his talents raising the curtain on our shared human comedy.

    Powerful and artful, and ten years in the writing, it is a masterwork from Jamie O’Neill.Jim Mack is a naïve young scholar and the son of a foolish, aspiring shopkeeper. Doyler Doyle is the rough-diamond son—revolutionary and blasphemous—of Mr. Mack’s old army pal. Out at the Forty Foot, that great jut of rock where gentlemen bathe in the nude, the two boys make a pact: Doyler will teach Jim to swim, and in a year, on Easter of 1916, they will swim to the distant beacon of Muglins Rock and claim that island for themselves. All the while Mr. Mack, who has grand plans for a corner shop empire, remains unaware of the depth of the boys’ burgeoning friendship and of the changing landscape of a nation.

    . ."On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office--leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.But Nella's world changes when Johannes presents her with an extraordinary wedding gift: a cabinet-sized replica of their home. To furnish her gift, Nella engages the services of a miniaturist--an elusive and enigmatic artist whose tiny creations mirror their real-life counterparts in eerie and unexpected ways . . .Johannes' gift helps Nella to pierce the closed world of the Brandt household. But as she uncovers its unusual secrets, she begins to understand--and fear--the escalating dangers that await them all. In this repressively pious society where gold is worshipped second only to God, to be different is a threat to the moral fabric of society, and not even a man as rich as Johannes is safe. Only one person seems to see the fate that awaits them. Is the miniaturist the key to their salvation . . . or the architect of their destruction?Enchanting, beautiful, and exquisitely suspenseful, The Miniaturist is a magnificent story of love and obsession, betrayal and retribution, appearance and truth.

    A true original, she is a one-of-a-kind literary sensation. Her novels consistently attract serious acclaim and discussion—and have won her a dedicated readership who are drawn again and again to the warmth, humanity and humor of her voice. How to be both is a novel all about art’s versatility. Borrowing from painting’s fresco technique to make an original literary double-take, it’s a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance.A NOTE TO THE READER:Who says stories reach everybody in the same order?This novel can be read in two ways and this book provides you with both.In half of all printed editions of the novel the narrative EYES comes before CAMERA.In the other half of printed editions the narrative CAMERA precedes EYES.The narratives are exactly the same in both versions, just in a different order. The books are intentionally printed in two different ways, so that readers can randomly have different experiences reading the same text. So, depending on which edition you happen to receive, the book will be: EYES, CAMERA, or CAMERA, EYES. Enjoy the adventure.

    Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine. As the years pass, their fortunes - and the world itself - evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis - sparked by tumultuous events - that will warp her earnest desire for love and approval into something far more.

    To understand why Calliope is not like other girls, she has to uncover a guilty family secret, and the astonishing genetic history that turns Callie into Cal, one of the most audacious and wondrous narrators in contemporary fiction. Lyrical and thrilling, Middlesex is an exhilarating reinvention of the American epic.

    After twenty years under the Pygmalion-like direction of his older partner Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate. But soon after establishing himself in San Francisco—where he alternates between a shoddy garage apartment and the absurdly ramshackle ESL school where he teaches—Aaron sees that real freedom will not come until he has made peace with his memories of Morton, Minnesota: a cramped town whose four hundred souls form a constellation of Aaron’s childhood heartbreaks and hopes.After Aaron’s father died in the town parade, it was the larger-than-life misfits of his childhood—sardonic, wheel-chair bound dwarf named Clarence, a generous, obese baker named Bernice, a kindly aunt preoccupied with dreams of The Rapture—who helped Aaron find his place in a provincial world hostile to difference. But Aaron’s sense of rejection runs deep: when Aaron was seventeen, Dolores—Aaron’s loving, selfish, and enigmatic mother—vanished one night with the town pastor. Aaron hasn’t heard from Dolores in more than twenty years, but when a shambolic PI named Bill offers a key to closure, Aaron must confront his own role in his troubled past and rethink his place in a world of unpredictable, life-changing forces.Lori Ostlund’s debut novel is an openhearted contemplation of how we grow up and move on, how we can turn our deepest wounds into our greatest strengths. Written with homespun charm and unceasing vitality, After the Parade is a glorious new anthem for the outsider.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.