Containing many "lost" pieces, it is a compendium of suspense from the pulp magazines of the '20s to his last efforts in the '70s. Fine.

    Here the reader is offered a glimpse of Mark Twain's sustained creative process, in what many critics consider the finest fiction of his later years. Begun in 1897 and revised first in 1902 and then 1908, the third version was the only manuscript titled The Mysterious Stranger. These texts offer a rare opportunity to observe Mark Twain's sustained literary struggle with a central theme.

    The Beast God Forgot to Invent offers stories of culture and wildness, of men and beasts and where they overlap. A wealthy man retired to the Michigan woods narrates the tale of a younger man decivilized by brain damage. A Michigan Indian wanders Los Angeles, hobnobbing with starlets and screenwriters while he tracks an ersatz Native-American activist who stole his bearskin. An aging "alpha canine," the author of three dozen throwaway biographies, eats dinner with the ex-wife of his overheated youth, and must confront the man he used to be.

    He almost made it. Instead, he finds himself free-falling through a world of hallucinatory absurdity, low comedy, and epic degradation. A Hollywood bottom-feeder who moonlights as a limo driver to pay the bills, both tormented and vicariously aroused by his contact with the industry's elite, Mr. Wiggins bears poignant, paranoid witness to the horror and hysteria that are by-products of "the Business." His phantasmagoric saga, by turns picaresque, pornographic, and poetic, Force Majeure is the first of a projected quartet called "Scriptures" that will chronicle the misadventures and transcendental fall and rise -- comic, tragic, and tragicosmic -- of Bud Wiggins, Quixote of Babylon.

    The Anarchists' Convention is his first short story collection, providing a prism of America through fifteen stories. These everyday people -- a kid on the road heading west, aging political activists, a lonely woman in Boston -- go about their business with humor and resilience, dealing more in possibility than fact. In the widely anthologized and O. Henry Award-winning "I-80 Nebraska," Sayles perfectly renders the image of a pill-popping trucker who has become a legend of the road.

    In Can't Find My Way Home, journalist and filmmaker Martin Torgoff chronicles what a long strange trip it's been as the American Century became the Great Stoned Age. Weaving together first-person accounts and historical background, Can't Find My Way Home is a narrative vast in scope yet rich in intimate detail. Torgoff tells the stories of those whose lives became synonymous with the drug culture, from Charlie Parker, Allen Ginsberg, Timothy Leary, and John Belushi to ordinary people who felt their consciousness "expanded" or who plumbed the depths of addiction. He also examines the broader impact of drugs on society and politics, from the war on drugs to the recovery movement, and the continuing debate over drug policy. A vivid work of cultural history that neither demonizes nor romanticizes its subject, Can't Find My Way Home is a provocative and fascinating look at how drugs have entered the American mainstream.

    Included here is Crown-Fire, Country Full of Swedes, The Windfall, Horse Thief, Yellow Girl and Kneel to the Rising Sun.

    In fact, the short story, as A. O. Scott wrote in The New York Times Book Review, shows “McInerney in full command of his gifts . . . These stories, with their bold, clean characterizations, their emphatic ironies and their disciplined adherence to sound storytelling principles, reminded me of, well, Fitzgerald and also of Hemingway—of classic stories like ‘Babylon Revisited’ and ‘The Short Happy Life of Francis Macomber.’ They are models of the form.”Only seven of these stories have ever been collected in a book, but all twenty-six unveil and re-create the manic flux of our society. Whether set in New England, Los Angeles, New York or the South, they capture various stages of adulthood, from early to budding to entrenched to resentful: a young man confronting the class system at a summer resort; a young woman holed up in a remote cabin while her (married) boyfriend campaigns for the highest office of all; a couple whose experiments in sexuality cross every line imaginable; an actor visiting his wife in rehab; a doctor contending with both convicts and his own criminal past; a youthful socialite returning home to nurse her mother; an older one scheming for her next husband; a family celebrating the holidays while mired in loss year after year; even Russell and Corrine Calloway, whom we first met in McInerney's novel Brightness Falls.A manifold exploration of delusion, experience and transformation, these stories display a preeminent writer of our time at the very top of his form.

    Vollmann's growing reputation as the American writer whose books tower over the work of his contemporaries by virtue of their enormous range, huge ambition, stylistic daring, wide learning, audacious innovation, and sardonic wit (Washington Post Book World). All these qualities are in evidence in this collection in which the character of the writer and that of some of his intimates - both real and imaginary - surface and resurface in a series of extraordinary situations and encounters. Two astonishing stories frame this collection. The first, The Ghost of Magnetism, tells about a young man leaving San Francisco to become a sort of literary hobo living on his freeze-dried memories. The last, The Grave of Lost Stories, describes the death of Poe in a fungus-encrusted tomb somewhere deep in the earth. Here is the colorful and disreputable group of people familiar to us from Vollmann's earlier fiction - pimps, tramps, pornographers, witch doctors and massage-parlor girls. Within these stories, Vollmann gives us one of the most searching, bizarre, and subversive views of America today.

    tight binding. No marks on pages.

    Here are thirteen memorable stories by renowned science fiction writers, telling what things might be like if... Elvis Presley weren't the "King" but the President of the United States ("Ike at the Mike" by Howard Waldrop)... The Black Death had killed the entire population of Europe in the fourteenth century ("Lion Time in Timbuctoo" by Robert Silverberg)... John F. Kennedy had survived the 1963 shooting in Dallas ("The Winterberry" by Nicholas A. DiChario). Included, too, is fascinating short fiction by Mike Resnick, Susan Shwartz, Larry Niven, Pamela Sargent, Fritz Leiber, Greg Bear, Barry N. Malzberg, Harry Turtledove, Gregory Benford and Kim Stanley Robinson. After reading these stories - some of the most compelling examples of alternate history anywhere - your mind will keep spinning the question "What If...?"

    They include "The Preliminary Notes", "The Apocalypse of Bob Paisner", and "Primary Sources". The title piece was awarded the Aga Khan Prize for Best Fiction published in the "Paris Review" during 1994.

    Crumley's disturbing Vietnam novel. In '62, Sergeant Krummel assumes command of a crew of rebellious, drunken enlistees. Surviving military absurdities only to be shipped to Vietnam, Krummel's band confront their worst fears while losing faith in Americ

    Now, The Library of America collects On the Road together with four other autobiographical “road books” published during a remarkable four-year period.The Dharma Bums (1958), at once an exploration of Buddhist spirituality and an account of the Bay Area poetry scene, is notable for its thinly veiled portraits of Kerouac’s acquaintances, including Ginsberg, Gary Snyder, and Kenneth Rexroth. The Subterraneans (1958) recounts a love affair set amid the bars and bohemian haunts of San Francisco. Tristessa (1960) is a melancholy novella describing a relationship with a prostitute in Mexico City. Lonesome Traveler (1960) collects travel essays that evoke journeys in Mexico and Europe, and concludes with an elegiac lament for the lost world of the American hobo. Also included in Road Novels are selections from Kerouac’s journal, which provide a fascinating perspective on his early impressions of material eventually incorporated into On the Road.

    The adventurous and sometimes shocking later works of playwright Tennessee Williams, from 1957 to 1980, are collected in this volume, which includes "Orpheus Descending, Suddenly Last Summer", and "The Night of the Iguana".