This narrative history masterfully weaves together the sweeping events surrounding the so-called “Babylonian captivity” of the popes into the broader story of 14th-century Europe, a turbulent time of transition between Middle Ages and Renaissance when seven successive popes resided in Avignon in the south of France.

     When Moray Allen is left in charge of Muir Castle the fortnight before Yule, he doesn't anticipate any excitement. The excitement is all down south, where the Grant and Ramsay cousins are embroiled in their final battle with the Channel of Dubh, smugglers who trade in human cargo. But the chieftain hasn’t been gone for more than a day when Moray spots a golden-haired lass in the wilds surrounding Castle Muir. He suspects she’s lost and in need of food, but she runs from him. Meanwhile, the chieftain’s son, Steenie, is preparing for Yule with his beloved pet, Paddy, who seems to have his own plans for the holiday--plans that involve the mysterious stranger. Although Shona escaped the Channel of Dubh with her brother and three other bairns, she knows they’re not safe. Their food supply has run out and winter weather is settling in across the Highlands, seeping into the cave they're using for shelter. To protect herself and the others, Shona must place her faith in someone, although she’s hesitant to trust any man, even the handsome Highlander she keeps seeing. Moray and Shona are both in need of a little Yuletide magic. Who better to help them than Paddy the Pony?

     Nesta was a consort to King Henry I, wife to Gerald of Pembroke and the captive-lover to Owain of Poweys. She is thought to be the original mother to the Tudor and Stuart Dynasties which Princess Diana and John F Kennedy are both descendants.

    The tales illuminate the mystical significance of knighthood and its ethos of self-purification and honour, decoding many allusions found in medieval art, literature and song.

    Two nations. One crown. 1328. After years of civil unrest between England and France, Charles IV dies, leaving no apparent heir. His closest heir to the throne is Edward III of England, but it passes instead to Charles' cousin, Phillip, spurring both countries on to war.1346. Landing at Normandy, Edward's immense army makes inroads into French territory, burning everything in their path. But the mysterious assassination of an English knight reveals a terrible truth: there is a traitor in their midst. The king charges Simon Merrivale, the Prince of Wales’ herald, with solving the case.As the army marches on towards its destiny, at the awesome scenes of the Battle of Crécy, Simon will uncover a conspiracy that goes to the heart of the warring nations. Among the ashes and the rubble, their fate will be decided: on the battlefield... and in the shadows.

    Gerda Panofsky-Soergel has updated the commentary in the light of new material, and the bibliography that she has prepared reflects the scholarship on St.-Denis in the last three decades. She has obtained some additional and more recent photographs, and the illustrations include a new ground plan and a new section of the chevet of the Abbey Church, both drawn under the supervision of Sumner McKnight Crosby.

    Britain's underbelly was exposed.The Dark Ages had begun... Rome had abandoned Britannia, leaving its people undefended. Anglo Saxon warriors, previously employed as mercenaries, now saw themselves as conquerors. The scene was set, as more war bands crossed the North Sea to take British gold, slaves, and land. One Briton, alone in the forest, wanting only to live as a hunter and trapper, was about to have his life changed forever. Dominic would become the hope of abandoned Britons. Dominic the wolf slayer would become the nemesis of any evil that entered his forest realm.

    Before he did, he carefully eliminated all obstacles in his way—or so he thought. Despite all his efforts, a wide network of spies and soldiers are planning to remove him from power and put his niece, the First Princess, on the throne.Fourteen-year-old Ellery Rider is an orphan living in a frontier village cut off from the terror Jadeth has caused. When a knight arrives to recruit men for the army massing against the king, her only worry is that her cousin and only friend will be dragged into the war.When the knight gives her an emerald necklace, Ellery discovers that she has much bigger things to worry about. The emerald is a dragonstone, and Ellery has become one of the Draikon, the mythical race of dragon shapeshifters who are the shadow king’s only enemies. Despised throughout Prell for abandoning Jadeth’s eldest brother in his hour of need, they are nevertheless the only thing that stands between the shadow king and absolute power.

    The Highland Mist series continues . . . Once sworn enemies, the fearsome knight Sir Galen de Ogilvy and the beautiful, headstrong Scotswoman, Laoghaire MacKinnon, have been ordered by Robert the Bruce to wed one another in order to end the blood feud between their two families. And though their marriage is born of ancient hatreds, beneath the newlyweds’ fiery exchanges an explosive passion simmers. But Laoghaire soon discovers a far more dangerous enemy lurking in the shadows, one who will stop at nothing to sever the burgeoning bond between her and Galen. When the treachery is finally revealed, it will put their love and their lives in deadly peril. HER SCOTTISH WARRIOR is a sensuous and spirited tale in which swords and hearts clash, as a formidable warrior and a bold-hearted bride discover that love, and not revenge, is the one thing worth fighting for.ABOUT THE AUTHOR: Kate Wingo is the pseudonym of a two-time Golden Heart finalist. Born in Washington DC, she graduated from George Mason University with a degree in art history. Although Kate began her writing career in the romance genre, she switched gears several years ago, making the leap to thrillers. Having completed an esoteric thriller series for Penguin UK under the pen name C.M. Palov, she has happily returned to her romance roots. Kate lives and writes from her home in Virginia’s Shenandoah Valley.

    Where the legend ends, the story begins... Lancashire, England, AD 1480 The story of England's last wolf plays a large part in Kate's life. The man who killed the wolf is her father, Sir John Harrington, lord and master of Wraysholme Manor. Strangely, though, her knowledge of the tale is all second-hand. Her father, for unknown reasons, refuses to speak of exactly what happened the day the wolf was killed. Nor will he speak of Kate's mother, who died soon after giving birth. So, Kate is left to wonder about her past, although lately her curiosity has been overshadowed by a series of unusual dreams. Indeed, her lonely heart has been captured by the handsome stranger who speaks to her in sleep. But he is not the only man who haunts her nights. There is another who lurks in the shadows of her subconscious. Who is he, and why does she feel so threatened by him? When Kate is brutally snatched from her home, she begins to understand the meaning behind her dreams and the incredible truth about her past. Her captor is a man void of emotion and without conscience, yet Kate finds herself irresistibly drawn to his dark charisma. As the reason for her kidnapping is revealed, Kate is faced with a decision. Will she find the courage to make the right choice? Can the love of a gentle heart hope to save an unfeeling and corrupted soul? Perhaps – especially if their destinies were preordained long ago. The death of the wolf, it seems, is part of an much older legend.

    When they are unable to fend off the invading army, the leader of their enemies claims Christiana was promised to him as his wife, along with her home and her family's lands. Betrothed to another, she fights him, but finds herself married quickly.Roland joined William of Normandy for the potential to become a land owner. A second son, he knows the only way he will ever own anything is by joining forces with the powerful ruler. He's told there are three sister witches defending their home and the oldest is his promised bride. Both Christiana and Roland are used to being in charge. Will the sisters be able to fight off the coming evil to fulfill their destiny? Is it possible for two headstrong people from different cultures to find a way to live as husband and wife?

    It is based primarily on the 538-line Middle English poem Sir Landevale, which in turn was based on Marie de France's lai Lanval, written in a form of French understood in the courts of both England and France in the 12th century. Sir Launfal retains the basic story told by Marie de France and retold in Sir Landevale, augmented with material from an Old French lai Graelent and a lost romance that possibly featured a giant named Sir Valentyne. This is in line with Thomas Chestre's eclectic way of creating his poetry.In the tale, Sir Launfal is propelled from wealth and status – the steward at King Arthur's court – to being a pauper and a social outcast. He is not even invited to a feast in his home town of Caerleon in South Wales when the king visits, although Arthur knows nothing of this. Out in the forest alone, he meets with two damsels who take him to their mistress, the daughter of the King of Faerie. She gives him untold wealth and a magic bag in which money can always be found, on the condition that he becomes her lover. She will visit him whenever he wants and nobody will see her or hear her. But he must tell nobody about her, or her love will vanish at that instant.The story of a powerful (fairy) woman who takes a lover on condition that he obey a particular prohibition is common in medieval poetry: the French lais of Desiré, Graelant, and Guingamor, and Chrétien de Troyes's romance Yvain, the Knight of the Lion, all share similar plot elements. The presence of a Land of Faerie, or an Otherworld, betrays the story's Celtic roots. A final court scene may be intended by Chestre as criticism of the contemporary legal and judicial framework in late-fourteenth century England.[4] The equation of money with worth in the tale may satirize a late-fourteenth century bourgeois mentality.

    Convened at Rouen and directed by bishop Pierre Cauchon, the trial culminated in Joan's public execution for heresy. The trial record, which sometimes preserves Joan's very words, unveils her life, character, visions, and motives in fascinating detail. Here is one of our richest sources for the life of a medieval woman.This new translation, the first in fifty years, is based on the full record of the trial proceedings in Latin. Recent scholarship dates this text to the year of the trial itself, thereby lending it a greater claim to authority than had traditionally been assumed. Contemporary documents copied into the trial furnish a guide to political developments in Joan's career--from her capture to the attempts to control public opinion following her execution.Daniel Hobbins sets the trial in its legal and historical context. In exploring Joan's place in fifteenth-century society, he suggests that her claims to divine revelation conformed to a recognizable profile of holy women in her culture, yet Joan broke this mold by embracing a military lifestyle. By combining the roles of visionary and of military leader, Joan astonished contemporaries and still fascinates us today.Obscured by the passing of centuries and distorted by the lens of modern cinema, the story of the historical Joan of Arc comes vividly to life once again.

    It's considered one of the most important works of late medieval German literature. The poem's 34 short chapters are a dialog between a plowman, whose beloved wife has recently died, & Death. In odd-numbered chapters the grieving plowman accuses Death for his loss. In even-numbered chapters Death responds to the plowman's emotions with cold cynical logic. In the penultimate chapter God appears & adjudicates the dispute, reminding the plowman that he owes his life to God & reminding Death that he owes his powers to God. The final chapter is a prayer by the plowman for the soul of his wife. Sixteen manuscripts & 17 early printed editions of the work are preserved. The present manuscript was created around 1470 in the workshop of Ludwig Hennflin in Stuttgart. It is presently held by Heidelberg University Library.

    Maybe after he made a deal they would stop their raids and maintain the peace of the Laird’s lands and keep the promises they had broken again, and again. But what my father hadn’t bargained on was that Lachlann Mackay, the fearsome leader of the warlike clan at our doorstep, would want a bride in exchange for his peace. A promise is a promise, and my sister will do her duty to our father, but when she disappears on her wedding day there is only one person who could take her place, but the last thing I want is to be tied to a filthy barbarian for the rest of my life. But if I do not—if I go against my father’s wishes and break the oath that was made, all of our lives are in danger. Reader beware — “An Unwilling Bride” features lots of plaid, possible historical inaccuracies, a high-spirited heroine facing off against a sword-swinging alpha-hero worthy of some serious swooning, and a dastardly plot that could ruin everything. There is no cheating to be found here, and (by the trilogy's end) a Highland HEA is guaranteed. Inside every history book is a heartthrob waiting to be discovered... Highlander’s Honor Book 1 - An Unwilling Bride Book 2 - A Stolen Bride - COMING February 2020 Book 3 ~ A Warlord’s Prize - COMING March 2020