Lawrence devotee, he might have written books like Cabbagetown, a voluminous tale of depression-era Canada that's arguably Hugh Garner's finest novel. First published in a bowdlerized edition in 1950, Cabbagetown is one of the few Canadian novels published before 1960 that is genuinely frank about sex and politics, and as a result, it's one of the few literary artifacts of its time to dismantle the myth of Toronto the Good. Set in Toronto's east-end Cabbagetown neighbourhood ("the largest Anglo-Saxon slum in North America," not the comfortable middle-class enclave it has since become), Garner's novel begins on the eve of the Great Depression, with his teenage characters leaving school, finding paltry jobs, and attending half-innocent kissing parties at their more privileged friends' homes. The effects of the stock market collapse slowly begin to crush Cabbagetown's paltry economy, and Garner's characters--the earnestly struggling Ken Tilling and the sometime love of his life Myrla Patson most prominent among them--do what they can to survive. Some turn to crime, prostitution, or wage slavery and others ride the rails, while one cynical social climber becomes a crypto-fascist and government clerk. Cabbagetown is chiefly notable as an alternative social history of Toronto. There's nothing puritanical about Garner's novel; in this Old Ontario, people cruise for sex in city parks, drink themselves to death, and lie, cheat, cuss, and steal for all they're worth. It's also an Ontario rife with political struggle: in one of the novel's most disturbing scenes, a gang of fascist youths attacks a party of picnicking Jews at Cherry Beach; later, Ken Tilling finds his way into the Lincoln Brigade in the Spanish Civil War. As literary art, Cabbagetown is decidedly second-tier. Readers who have yet to read Norman Levine's (By a Frozen River or Canada Made Me) shouldn't turn to Garner just yet. Nonetheless, its brutal honesty makes it a consistently rewarding novel, and far more than a mere historical curiosity. --Jack Illingworth

    Debut novel of renowned slam poet Elizabeth Acevedo.Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself.So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out, much less speak her words out loud. But still, she can’t stop thinking about performing her poems.Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

    Capturing the moment when her unique talent blossomed in a new direction, this new edition of her life-affirming, universal stories will allow her to be read by a another generation of readers. Wallace’s poetry and short stories have been anthologized, and have appeared in periodicals across the country. She won a National Magazine Award, the Pat Lowther Award, the Du Maurier Award for Poetry, and in 1989 she was named Regional Winner of the Commonwealth Poetry Prize in the U.K.

    This poem, written from the perspective of the silkworm, explores the cultural, scientific, and linguistic complexities of silk written inside the body.

    Friedman speaks to America's urgent need for national renewal and explains how a green revolution can bring about both a sustainable environment and a sustainable America. Friedman explains how global warming, rapidly growing populations, and the expansion of the world’s middle class through globalization have produced a dangerously unstable planet--one that is "hot, flat, and crowded."  In this Release 2.0 edition, he also shows how the very habits that led us to ravage the natural world led to the meltdown of the financial markets and the Great Recession.  The challenge of a sustainable way of life presents the United States with an opportunity not only to rebuild its economy, but to lead the world in radically innovating toward cleaner energy.  And it could inspire Americans to something we haven't seen in a long time--nation-building in America--by summoning the intelligence, creativity, and concern for the common good that are our greatest national resources. Hot, Flat, and Crowded is classic Thomas L. Friedman: fearless, incisive, forward-looking, and rich in surprising common sense about the challenge--and the promise--of the future.

    Mitchell died in 1998, he was described as "Canada's best-loved writer." Every commentator agreed that his best—and his best-loved—book was Who Has Seen the Wind. Since it was first published in 1947, this book has sold almost a million copies in Canada.As we enter the world of four-year-old Brian O'Connal, his father the druggist, his Uncle Sean, his mother, and his formidable Scotch grandmother ("she belshes … a lot"), it soon becomes clear that this is no ordinary book. As we watch Brian grow up, the prairie and its surprising inhabitants like the Ben and Saint Sammy—and the rich variety of small-town characters—become unforgettable. This book will be a delightful surprise for all those who are aware of it, but have never quite got around to reading it, till now.

    She spends her childhood and adolescence traveling constantly and changing identities. In adulthood, she finds it impossible to stop. Haunted by an inability to remember her early childhood, she moves restlessly from city to city, abandoning lovers along with way, possibly still followed by a private detective who has pursued her for years. Then her latest lover follows her from New York to Montreal, determined to learn her secrets and make sure she s safe. Last Night in Montreal is a story of love, amnesia, compulsive travel, the depths and the limits of family bonds, and the nature of obsession. In this extraordinary debut, Emily St. John Mandel casts a powerful spell that captures the reader in a gritty, youthful world charged with an atmosphere of mystery, promise and foreboding where small revelations continuously change our understanding of the truth and lead to desperate consequences. Mandel's characters will resonate with you long after the final page is turned.

    In six long poems, Schnackenberg's rhyme-rich blank verse, with its densely packed images, shifts effortlessly between the lyric and the epic, setting passion to a verbal music that is recognizably her own.An exceptional and moving new collection from one of the most talented American poets of our time, Heavenly Questions is a work of intellectual, aesthetic, and technical innovation—and, more than that, a deeply compassionate and strikingly personal work.

    Now you can become part of the movement - and together, we can make history.It's time. This is our last chance to do anything about the global climate and ecological emergency. Our last chance to save the world as we know it.Now or never, we need to be radical. We need to rise up. And we need to rebel.Extinction Rebellion is a global activist movement of ordinary people, demanding action from Governments. This is a book of truth and action. It has facts to arm you, stories to empower you, pages to fill in and pages to rip out, alongside instructions on how to rebel - from organising a roadblock to facing arrest.By the time you finish this book you will have become an Extinction Rebellion activist. Act now before it's too late.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    Lawrence (1885-1930) made a contribution to poetry that, in the words of Lousie Bogan, "can now be recognized as one of the most important, in any language, of our time." Birds, Beasts, and Flowers!, his first great experiment in free verse, was published when he was thirty-eight. This Black Sparrow edition re-sets the text in the format of the first edition (New York: Thomas Seltzer, 1923) and restores several "indecent" lines suppressed by the original publisher. Lawrence's original jacket artwork is reproduced on the jacket in full color.Many of these individual poems are popular in anthologies - they are best read, however, in the context and continuum of the whole book. In preparing the original collection for publication, Lawrence grouped the poems in a purposeful sequence and prefaced many of the subsections with brief quotations from the third edition of John Burnet's Early Greek Philosophy, which particularly interested him at the time.He believed in writing poetry that was stark, immediate and true to the mysterious inner force which motivated it. Many of his best-loved poems treat the physical and inner life of plants and animals; others are bitterly satiric and express his outrage at the puritanism and hypocrisy of conventional Anglo-Saxon society. -- Academy of American PoetsBirds, Beasts and Flowers is the peak of Lawrence's achievement as a poet...Like the romantics [his] starting point in these poems is a personal encounter between himself and some animal or flower, but, unlike the romantics, he never confuses the feelings they arouse in him with what he sees and hears and knows about them. The lucidity of his language matches the intensityof his vision; he can make the reader see what he is saying as very few writers can. -- W.H. Auden

    When she reaches her teens, Vera is taken by her grandfather's mistress to a small island in Japan. The women of the island take her in.

    . . then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead.From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up.Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, but their tough-love attitudes meant conflicts became commonplace. And the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. One day, he finally realized he would die unless he turned his life around.In this heartwarming and heartbreaking memoir, Jesse Thistle writes honestly and fearlessly about his painful experiences with abuse, uncovering the truth about his parents, and how he found his way back into the circle of his Indigenous culture and family through education.An eloquent exploration of what it means to live in a world surrounded by prejudice and racism and to be cast adrift, From the Ashes is, in the end, about how love and support can help one find happiness despite the odds.

    All, however, share a common vision: a rediscovery of this land, and the ways by which we might become natives of the place, ceasing to think and act (after all these centuries) as newcomers and invaders. Of particular interest is the full text of the ever more relevant "Four Changes," Snyder's seminal manifesto for environmental awareness.

    But Conrad's violent behavior, a problem since he was a teen, is getting more and more serious, and Veda's ongoing commitment to watch out for him is pushing her to a breaking point. When Veda is injured as a bystander during one of Conrad's many fights, she knows it's time to leave Vancouver for a fresh start. She heads to New York, staying in the Manhattan apartment of old friends Al and Marie. Exploring the city, she swings between feeling hopeful and lost--until one day the bus she's on is hijacked by a sweet-faced gun-toting man named Peter. He instructs Veda and the other passengers to spray paint the bus windows black, and what ensues is a gripping and unpredictable hostage situation, the outcome of which will make Veda question everything she knows about herself and the nature of fear. Told with powerful immediacy and warmth, at once unsettling and engrossing, Be Ready for the Lightning is a story of violence, its attractions and repulsions; of love, loyalty and friendship; and of a young woman finding an unexpected kind of bravery.