The narrator of this story, a precocious nine-year old child, is sent to visit an aunt. This aunt, ignored by a husband whose only interest seems to lie in entertaining slim-waisted young boys, suffers from a relentless bodily itch, an itch, her niece discovers, no doctor can cure and only her maidservant can relieve. Frank and often wickedly comic, Chughtai's stories were the imaginative core of her life's work, drawn from memories of the sprawling Muslim household of her childhood. With her mastery of the spoken language, economy of form, and her fine eye for the details of the intricate and hidden world of women's experience, Chughtai captured the evolving conflicts of Muslim India. Her exploration of the myriad and subtle tyrannies of middle-class gentility, and, equally, of those unexpected moments of sexual liberation and spirit, is unrivalled in contemporary Urdu literature.

    In attempting to make sense of it all, he ends up confronting his own demons and nightmares. He visits locations where most traditional media cannot and will not go, and most of us would like to avoid even in our worst nightmares. Although he writes with his sense of humour firmly in place throughout, that does not obscure the seriousness of the subject. Quite scary.

    More than thirty years after Khomeini’s return to Tehran and the subsequent rebirth of Iran as an Islamic Republic, Khomeini’s Ghost offers an intimate, richly detailed portrait of the fundamentalist leader and architect of Iran’s adversarial relationship with the West—a man whose legacy has influenced history and policy, and will continue to do so for generations to come.

    In 2011, following an attack on his offices by the Pakistani Taliban, he took a five-year sabbatical to write books and worked as a political risk consultant. He has been widely quoted and regularly featured in major news outlets like The New York Times, USA Today, The Wall Street Journal, The Times, Le Monde, DW, Bloomberg, Reuters, CNN, BBC and NPR. His first novel, The Prisoner (2013), was longlisted for the DSC Prize for South Asian Literature 2015 and is now being adapted for a feature film. His second novel is The Spinner’s Tale (2015). In 2016, Omar returned to active duty as a Counter Terrorism Officer.

    The trail of two key figures, an accused Pakistani mastermind and his American operative, traces the rise of a complex, international threat.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    An Alaskan alone—and lonely—in Japan, she begins to pay attention.My Year of Dirt and Water is a record of that journey. Allowed only occasional and formal visits to see her cloistered husband, Tracy teaches English, studies Japanese, and devotes herself to making pottery. Her teacher instructs her to turn cup after cup—creating one failure after another. Past and present, East and West intertwine as Tracy is twice compelled to return home to Alaska to confront her mother’s newly diagnosed cancer and the ghosts of a devastating childhood. Revolving through the days, My Year of Dirt and Water circles hard questions: What is love? What is art? What is practice? What do we do with the burden of suffering? The answers are formed and then unformed—a ceramic bowl born on the wheel and then returned again and again to dirt and water.

    The Domestic Crusaders focuses on a day in the life of a modern Muslim Pakistani-American family of six eclectic, unique members, who convene at the family house to celebrate the twenty-first birthday of the youngest child.With a background of 9-11 and the scapegoating of Muslim Americans, the tensions and sparks fly among the three generations, culminating in an intense family battle as each "crusader" struggles to assert and impose their respective voices and opinions, while still attempting to maintain and understand that unifying thread that makes them part of the same family.

    This is incorrect, for at the very outset the movement was stigmatized as aberrant by the leading Sunni scholars of the day, because it rejected many of the traditional beliefs and practices of Sunni Islam and declared permissible warfare against all Muslims that disputed Wahhabi teachings. Nor can Wahhabism be regarded as a movement of “purification” or “renewal,” as the source of the genuinely revivalist movements that were underway at the time. Not until Saudi oil money was placed at the disposal of its propagandists did Wahhabism find an echo outside the Arabian Peninsula. The author discusses the rise of Wahhabism at the hands of Muhammad b. `Abd al-Wahhab, a native of Najd in the eastern part of the Arabian peninsula, the doctrines he elaborated to serve as the basis of the Wahhabi sect, and the alliance he concluded with the Saudi family, then rulers of the principality of al-Dir'iya. An early result of this union was a creeping conquest of the Arabian Peninsula, misnamed as jihad; it culminated in the sacking of Taif and the occupation of Mecca in 1803. This first Wahhabi occupation was short-lived but Wahhabism triumphed anew with the foundation of the Kingdom of Saudi Arabia in 1925. Among the extensions of Wahhabism beyond Arabia must be accounted the perverse and brutal regime of the Taliban in Afghanistan.

    When I almost died it was just after midday.When the Taliban took control of the Swat Valley in Pakistan, one girl spoke out. Malala Yousafzai refused to be silenced and fought for her right to an education.On Tuesday, October 9, 2012, when she was fifteen, she almost paid the ultimate price. She was shot in the head at point-blank range while riding the bus home from school, and few expected her to survive. Instead, Malala's miraculous recovery has taken her on an extraordinary journey from a remote valley in northern Pakistan to the halls of the United Nations in New York. At sixteen, she has become a global symbol of peaceful protest and the youngest-ever Nobel Peace Prize laureate.I Am Malala is the remarkable tale of a family uprooted by global terrorism, of the fight for girls' education, of a father who, himself a school owner, championed and encouraged his daughter to write and attend school, and of brave parents who have a fierce love for their daughter in a society that prizes sons.

    While certainly not the first account of a female body being negotiated for honor in a family, this time the survivor had bravely chosen to fight back. In doing so, Mai single-handedly changed the feminist movement in Pakistan, one of the world's most adverse climates for women. By July 2002, the Pakistani government awarded her the equivalent of 8,500 U.S. dollars in compensation money and sentenced her attackers to death — and Mukhtar Mai went on to open a school for girls so that future generations would not suffer, as she had, from illiteracy.In this rousing account, Mai describes her experience and how she has since become an agent for change and a beacon of hope for oppressed women around the world. Timely and topical, "In the Name of Honor" is the remarkable and inspirational memoir of a woman who fought and triumphed against exceptional odds.

    The schism between the Orthodox and Catholic Churches influenced relationships between nations across Europe, and religious intolerance based on different Christian faiths led to persecution and outright violence across the continent for centuries. The Protestant Reformation split Christianity further, and the results culminated in the incredibly destructive Thirty Years’ War in the 17th century. Today, the most important religious split is between the Sunnis and the Shias (Shiites) within Islam. Unlike divisions in other faiths - between Conservative and Orthodox Jews or Catholic and Protestant Christians - the split between the Sunnis and Shia has existed almost as long as the faith itself, and it quickly emerged out of tensions created by the political crisis after the death of the Prophet Muhammad. In a sense, what are now two different forms of Islam essentially started as political factions within the unified body of Muslim believers. Over the past few centuries, Christians have mostly been able to live alongside their co-religionists, but the split between the Sunnis and Shias is still so pronounced that many adherents of each branch view each other with disdain if not as outright apostates or non-believers. The religious divide is perhaps the most important fault line in the turbulent Middle East today, with Sunni nations like Egypt and Saudi Arabia at odds with Shiite nations like Iran. At lower levels, non-state groups like the Islamic State and Hezbollah are fighting each other in ways that cross state lines in places like Lebanon, Iraq, and Syria. Although it is technically a split in religion, the divide has had substantial global ramifications for decades, and there seems to be no end in sight. The History of the Sunni and Shia Split traces the origins of the split and the historic effects of the main divide within Islam. Along with pictures of important people, places, and events, you will learn about the history of the Sunnis and Shias like never before, in no time at all.

    His most recent volumes of poetry are Rooms Are Never Finished and The Country Without a Post Office. He is also the editor of Ravishing Disunities: Real Ghazals in English.

    Each chapter presents personal stories of women living in cities, small towns and villages in India, Pakistan and Bangladesh, the three lands to which Nighat Gandhi belongs. In writing their stories, she attempts to break the silence enshrouding Muslim women's sexuality and the ways in which they negotiate the restrictions placed on their freedoms within the framework of their culture. Women like Ghazala, who prefers the life of a second wife, 'living like a married single woman', to being bound within the ties of a conventional marriage, Nusrat and QT who believe theirs is a normal marriage, except that they are both women. Nisho, who refuses to accept that her trans-sexuality should deny her the right to love and Firdaus, writer and feminist, who can walk out of a loveless marriage but not give up on love, with or without marriage. Nighat also explores her own story as a woman who dared to make choices that pitted her against her family and cultures. Alternative Realities is her jihad or struggle to deconstruct the demeaning stereotypes that prevail about all Muslim women. It is a reflection of the myriad ways in which, despite these misogynistic forces, they continue to weave webs of love and peace in their own lives and in the lives of those they live with.

    The book argues that Muslims, nurished by their own points of reference, can approach the modern epoch by adopting a specific social, political, and economic model that is linked to ethical values, a sense of finalities and spirituality. Rather than a modernism that tends to impose Westernization, it is a modernity that admits to the pluralism of civilizations, religions, and cultures.Table of Contents:ForewordIntroductionHistory of a ConceptThe Lessons of HistoryPart 1: At the shores of Transcendence: between God and ManPart 2: The Horizons of Islam: Between Man and the CommunityPart 3: Values and Finalities: The Cultural Dimension of the Civilizational Face to FaceConclusionAppendixIndexTariq Ramadan is a professor of Islamic Studies at the University of Oxford and a visiting professor in Identity and Citizenship at Erasmus University. He was named by TIME Magazine as one of the one hundred innovators of the twenty-first century.