"You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    Jim LaMarche's stunning paintings, reminiscent of his earlier work in The Rainbabies, are the perfect compliment to this favorite Grimm fairy tale.

    Folk tales and legends are an intrinsic part of English national culture—so which are the fairy tales from England? Rosalind Kerven presents an answer here, as she has revived the best of these tales for a new generation with more than a dozen classics rewritten to engage readers. The 15 stories include tales of giants, dragons, fairies, beauty-and-the-beast, and Arthurian romance. Each tale is linked with a specific place or county in England—for example, "The Dragon Castle" from Northumberland, "The Girl Snatched By Fairies" from County Durham, "The Princess and the Fool" from Kent, and "The Dark Moon" from Lincolnshire. The second half of the book has notes on each story relating where the history came from, its development, and short summaries of many related or similar stories.

    Meet Skulduggery PleasantAce DetectiveSnappy DresserRazor–tongued WitCrackerjack SorcererandWalking, Talking, Fire-throwing Skeleton—as well as ally, protector, and mentor of Stephanie Edgley, a very unusual and darkly talented twelve-year-old.These two alone must defeat an all-consuming ancient evil.The end of the world?Over his dead body.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    Each grouping is introduced and annotated by Jack Zipes, the genre's reigning expert. Twenty illustrations accompany the texts. Criticism includes seven important assessments of different aspects of the fairy tale tradition, written by W. G. Waters, Benedetto Croce, Lewis Seifert, Patricia Hannon, Harry Velten, Siegfried Neumann, and Jack Zipes. Brief biographies of the storytellers and a Selected Bibliography are included.

    A resourceful samurai and a faithful daughter. A spirit of the moon and a dragon king.This collection of 15 traditional Japanese folktales transports readers to a time of adventure and enchantment. Drawn from the works of folklorists Lafcadio Hearn and Yei Theodora Ozaki, these tales are by turns terrifying, exhilarating, and poetic.• Striking illustrations by contemporary Japanese artist Kotaro Chiba• Special gift edition features an embossed, textured case with metallic gold ink, and a satin ribbon page marker• Part of the popular Tales series, featuring Nordic Tales, Celtic Tales, Tales of India, and Tales of East AfricaFans of Ghostly Tales, and Japanese Notebooks will love this book.This book is ideal for:• Fans of fairytales, folklore, ghost stories, Greek mythology, roman mythology, Chinese mythology, and Celtic mythology• Anyone interested in Japan's history books and culture studies• People of Japanese heritage• Collectors of illustrated classics

    They are the fearful images that have stalked humanity's nightmares for centuries, supernatural creatures that feast on flesh and haunt the soul, macabre and uncanny beings that frighten and fascinate the imagination.Vampires, Zombies, Werewolves, and Ghosts collects classic stories from literary masters inspired by folklore and mythology who dared to explore the darker side of human nature and crafted tales that defied convention, stirred up controversy, and gave life to a storytelling genre that has endured for generations.

    Odin All Father crossed the Rainbow Bridge to walk among men in Midgard. Thor defended Asgard with his mighty hammer. Mischievous Loki was constantly getting into trouble with the other gods, and dragons and giants walked free. This collection of Norse sagas retold by author Padraic Colum gives us a sense of that magical time when the world was filled with powers and wonders we can hardly imagine.

    Perfect for fans of Alvin Schwartz and anyone who relishes a good creepy read-alone or read-aloud story. Features an introduction and commentary by the curators, and illustrations and decorations throughout.

    Her slime is the slimiest and her grime is the grimiest. Alas, she is neighbors with Boris Kleanitoff, a persnickety ghoul so tidy he vacuums his vampire bats. What could ever bring these two together? Why, a hoppin' Halloween party, of course!

    Filling some gaps of time and interest, these stories, some of which have been published before, will lead Tammy's fans, and new readers into one of the most intricately constructed worlds of modern fantasy.The Dragon's TaleDaine's dragonling, Kitten, helps an outcast from society.Elder BrotherA tree, made human by Numair, must learn the intricacies of being a man.The Hidden GirlDespite the laws of her patriarchal society, a girl wants to learn...and teach.HuntressA contemporary teen tries to fit in with the cool group at school, at a terrible price.LostA darking shows a self-doubting math genius how smart she can be.MimicRi helps any wounded creature, no matter how ugly or strangeNawatNawat the crow-man faces a choice no father wants to make.Plain MagicWhat happens when you lose a lethal lottery?Student of OstrichesA young girl fights a proven warrior to protect her sister's honor.TestingWhen trying out a new housemother, how hard do you push?Time of ProvingArimu of the Wind People meets a poet from the Veiled City.

    Zvorykin left Russia after the Revolution and settled finally in Paris, where he found employment in the publishing house of H. Piazza. At some point in the 1920s, years after the Russia he knew had disappeared, he made the original of this book as a present for his employer, Louis Fricotelle. He translated four Russian fairy tales into French, writing them out in beautiful calligraphy and illustrating them on heavy vellum pages, which he then bound in red Moroccan leather embossed with Russian motifs. It was a gift of gratitude for a new life, celebrating all he valued and missed in the old.Fifty years later Andreas Brown of the Gotham Book MArt brought this luxurious manuscript to the attention of Jacqueline Onassis (who also edited In the Russian Style) and The Viking Press, where it was decided to issue the book in a format that would make it accessible to the public. All the splendid illustrations - vivid in color, detail, and not least of all, whimsy - are reproduced from the original art. The stories - The Firebird, Maria Morevna, The Snow Maiden, and Vassilissa the Fair - spiced with quintessentially Russian images and supernatural beings, are based on existing English translations that have been modified to preserve the flavor of Zvorykin's versions.

    Included are The Gorgon’s Head, The Golden Touch, The Paradise of Children, The Three Golden Apples, The Miraculous Pitcher, and The Chimaera. In 1838, Hawthorne suggested to Henry Wadsworth Longfellow that they collaborate on a story for children based on the legend of the Pandora’s Box, but this never materialized. He wrote A Wonder Book between April and July 1851, adapting six legends most freely from Charles Anton’s A Classical Dictionary (1842). He set out deliberately to “modernize” the stories, freeing them from what he called “cold moonshine” and using a romantic, readable style that was criticized by adults but proved universally popular with children. With full-color illustrations throughout by Arthur Rackham.