After assaulting him, she’s suspended from her job. She uses her unexpected time off to make some home improvements, but Kay has no idea Rayne is stalking her, and he’s hell-bent on revenge. Brenda Jansen owns Jansen Construction with her father. A routine job brings her to Kay’s doorstep, and Brenda is blissfully unaware of the twists and turns her life is about to take. The instant attraction she feels toward her newest client is something Brenda’s doing her best to ignore. Since her two previous girlfriends cheated on her, she’s having a hard time putting her trust in anyone. Brenda’s indifference toward her intrigues Kay, who does everything she can to get Brenda to admit their attraction is mutual. As they grow closer, so does Tommy Rayne, until he finally threatens everything Kay holds dear.

    The impact is at once harrowing and thrilling.An elderly inventor, burning with manic creativity, tries to reconcile with his estranged gay son. A bereaved boy draws a thuggish classmate into a relationship of escalating guilt and violence. A genteel middle-aged woman, a long-time resident of a psychiatric hospital, becomes the confidante of a lovelorn teenaged volunteer. Told with Chekhovian restraint and compassion, and conveying both the sorrow of life and the courage with which people rise to meet it, You Are Not a Stranger Here is a triumph of storytelling.

    But his luck turns when he is asked to house-sit wannabe but talentless actress Fawn Farrar's $10 million Beverly Hills estate. Capitalizing on his new position, he is soon befriended by his all-time favorite star, Marina Stetson, a Janis Joplin-esque singer just out of rehab and trying to make a comeback -- and whose husband Jason secretly covets.Adding to the drama is Jason's ex-roommate, the incredibly pretentious Tricia Cox, whose struggles to make it as a talent agent take a wrong turn when she contracts her meal ticket, the talented and beautiful Violet Cyr, to a hip-hop sitcom called "Chillin' with Billy."When Billy turns out to be a talking goat, all hell breaks loose. The trashy, hip young heroes suffer through humiliations galore before they have a chance to make it -- but not before Christian McLaughlin has laid bare in hilarious detail all the foibles and fumbles of a group of happening young people in La La Land in their shameless pursuit of fame, fortune -- and sex.

    Seventeen-year-old Edward Zanni, a feckless Ferris Bueller–type, is Peter Panning his way through a carefree summer of magic and mischief. The fun comes to a halt, however, when Edward’s father remarries and refuses to pay for Edward to study acting at Juilliard.Edward’s truly in a bind. He’s ineligible for scholarships because his father earns too much. He’s unable to contact his mother because she’s somewhere in Peru trying to commune with Incan spirits. And, as a sure sign he’s destined for a life in the arts, Edward’s incapable of holding down a job. So he turns to his loyal (but immoral) misfit friends to help him steal the tuition money from his father, all the while practicing for his high school performance of Grease. Disguising themselves as nuns and priests, they merrily scheme their way through embezzlement, money laundering, identity theft, forgery, and blackmail. But, along the way, Edward also learns the value of friendship, hard work, and how you’re not really a man until you can beat up your father—metaphorically, that is.How I Paid for College is a farcical coming-of-age story that combines the first-person tone of David Sedaris with the byzantine plot twists of Armistead Maupin. It is a novel for anyone who has ever had a dream or a scheme, and it marks the introduction to an original and audacious talent.

    A retired plumber travels to Manhattan, where Billy Idol sweeps him into his entourage. An architect who lost his famous lover to AIDS reconnects with a high school fling. Howard Hughes seeks out the woman who once cooked him butter beans.A rich chorus of voices and visions, dreams and prophecies, marked by physicality and spirit, If I Had Two Wings is a glory.

    Each story offers a new perspective on events readers have speculated about for years. For new readers, it offers an introduction to the characters Romantic Times calls "two of the most memorable heroes in fantasy." Professional and amateur art provided by Flewelling's fans accompany Glimpses' stories, as she honors the dedication and devotion her fans have given her over the years. "Glimpses is full of treasures like Lynn Flewelling's deceptively easy and addictive storytelling, her vivid and engaging characters, and the amazing and heartfelt illustrations. This book is a must have for fans of Lynn's Nightrunner books, and if you haven't started the series yet, then Glimpses will leave you eager to discover more about Seregil and Alec, their adventures and the unique and fantastical world that the pair inhabit." -Suzanne McLeod, Spellcrackers.com series "It's hard to imagine a lovelier gift to fans than this exquisite collection of gorgeously illustrated short stories. Flewelling indulges her loyal readers with these graceful glimpses 'between the lines' of the long-running and immensely popular Nightrunner series." -Josh Lanyon, Adrien English Mysteries and the Holmes & Moriarity Mysteries "An unmissable short story collection from Flewelling. Set in the Nightrunner universe Glimpses captures Flewelling's characters at formative moments in their various timelines. Some of the stories fill in details that I've been waiting on for years..." -T.A. Moore, The Even Series "Glimpses is a terrific collection, lovingly illustrated, a gift to all of us who love the Nightrunners. This rocks." -Patricia Briggs, Mercy Thompson Series

    From Honduras to Lanzarote and from beach houses to camping, there’s something for everyone.Including:Stranded Lise GoldBlisters and Beer Claire Highton-StevensonBeach House KC LuckOrder Up! Cara MaloneTropical Heat TB MarkinsonAlways Check The Reviews Amanda RadleyPark Service Aurora Rey#MissedOpportunities Erin ZakInsomnia Club Emma Radley⚠ This collection is limited edition and will only be available for sale during the summer of 2020, so grab your copy now! ⚠

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    Here are characters faced with dangerous decisions, children slick with oil from the river, a woman in love with another despite the penalties. Here is a world marked by electricity outages, lush landscapes, folktales, buses that break down and never start up again. Here is a portrait of Nigerians that is surprising, shocking, heartrending, loving, and across social strata, dealing in every kind of change. Here are stories filled with language to make your eyes pause and your throat catch. Happiness, Like Water introduces a true talent, a young writer with a beautiful heart and a capacious imagination.

    So when she hears about a hostage situation, she runs right towards it. Because when Ashley sinks her teeth into a story, nothing can stop her. Not good sense, not the threat of danger, and certainly not her incredibly laid-back, yet annoyingly sexy camerawoman, Gina Tucker.Gina doesn’t want to jump into danger, and she doesn’t care about chasing the scoop either. She just wants to do her job and go the hell home. If only the ambitious (yet irritatingly hot) reporter she’s been paired up with would stop trying to drag her into disaster for five minutes.But Ashley and Gina are about to find themselves closer to the action than they’d ever dreamed. And with lives on the line - including their own - they’re going to have to learn how to work as a real team just to stay alive. However, the danger they’re facing together might just bring them closer than simple coworkers…‘Captive Hearts’ is a witty romantic comedy packed with adventure and thrills, from the internationally bestselling author of ‘Just Married?’ and ‘The Plus One.’Content note: This story contains a police element, with mentions of implied threat from the police.

    In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

    There, removed from the eyes of the world, they hoped to live out their quiet lives. But the world outside gradually came to claim the Ladies—first out of curiosity, but eventually on the basis of profound respect, and even love. Visited by such luminaries as Edmund Burke, William Wordsworth, Walter Scott, and Horace Walpole, among many others, Eleanor and Sarah became known throughout Britain and to history as the “Ladies of Llangollen.”

    Reading it is like attending a late night secret banquet where you know each course will serve up something unexpected, forbidden and unforgettably chilling. Take your private seat now for 50 luscious courses of terror, from 50 of the strongest voices in modern horror.

    By age six already a regular in the Sears Husky Boys Department. Young Frankie is also gay, and he's trapped in the aluminum-sidinged, lawn-sprinklered, what-exit? wilds of New Jersey suburbia. Imagine Elton John born to an Italian-American Edith and Archie Bunker and you've got the picture. A Boy Named Phyllis is Frank DeCaro's witty gem of a memoir about growing up among working-class Italian folk in Little Falls, New Jersey. There are the usual trials and tribulations between little Frankie and his parents, Marian and Frank Sr., but this is no angst-ridden, coming-of-age gay memoir. Frank is funny, and A Boy Names Phyllis is the antidote to such books. It is the mid-1960s and the DeCaros have it all: a living room that no one is allowed to live in; a complete collection of cardboard cutout decorations for every holiday; an Entenmann's factory around the corner; and a killer lineup of Friday-night TV - The Brady Bunch, The Partridge Family, Room 222, The Odd Couple, and, if you can stay awake long enough, Love, American Style. There's only one problem: instead of developing a crush on Laurie Partridge, Frankie gets a boner for Keith. He perfects a drop-dead Paul Lynde imitation, and ultimately finds liberation through Elton John and Disco.

    Since she never did find the story she was looking for all those years ago, she decided to write it.In Book I of the trilogy, Tamras arrives in Merin's house to begin her apprenticeship as a warrior, but her small stature causes many, including Tamras herself, to doubt that she will ever become a competent swordswoman. To make matters worse, the Lady Merin assigns her the position of companion, little more than a personal servant, to a woman who came to Merin's house, seemingly out of nowhere, the previous winter, and this stranger wants nothing to do with Tamras.