Brilliantly defying tradition she became the female embodiment of a male role, dressing in men's clothes and even wearing a false beard. Forgotten until Egptologists deciphered hieroglyphics in the 1820's, she has since been subject to intense speculation about her actions and motivations. Combining archaeological and historical evidence from a wide range of sources, Joyce Tyldesley's dazzling piece of detection strips away the myths and misconceptions and finally restores the female pharaoh to her rightful place.

    Her father soon started to spend the family fortune, enthusiastically supported by Consuelo's mother, Alva, who was determined to take the family to the top of New York society—forcing a heartbroken Consuelo into a marriage she did not want with the underfunded Duke of Marlborough. But the story of Consuelo and Alva is more than a tale of enterprising social ambition, Gilded Age glamour, and the emptiness of wealth. It is a fascinating account of two extraordinary women who struggled to break free from the world into which they were born—a world of materialistic concerns and shallow elitism in which females were voiceless and powerless—and of their lifelong dedication to noble and dangerous causes and the battle for women's rights.

    However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king.Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their gender, as the men around them moved them like pawns for political gains.In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

    Murphy is a superb storyteller, and her fast-paced narrative captures the intrigue, the scandal, the romantic affairs, and the violence that were commonplace in the Florentine court. She brings to life an extraordinary woman, fluent in five languages, a free-spirited patron of the arts, a daredevil, a practical joker, and a passionate lover. Isabella, in fact, conducted numerous affairs, including a ten-year relationship with the cousin of her violent and possessive husband. Her permissive lifestyle, however, came to an end upon the death of her father, who was succeeded by her disapproving older brother Francesco. Considering Isabella's ways to be licentious and a disgrace upon the family, he permitted her increasingly enraged husband to murder her in a remote Medici villa. To tell this dramatic story, Murphy draws on a vast trove of newly discovered and unpublished documents, ranging from Isabella's own letters, to the loose-tongued dispatches of ambassadors to Florence, to contemporary descriptions of the opulent parties and balls, salons and hunts in which Isabella and her associates participated. Murphy resurrects the exciting atmosphere of Renaissance Florence, weaving Isabella's beloved city into her story, evoking the intellectual and artistic community that thrived during her time. Palaces and gardens in the city become places of creativity and intrigue, sites of seduction, and grounds for betrayal. Here then is a narrative of compelling and epic proportions, magnificent and alluring, decadent and ultimately tragic.

    In a time when women could not vote, hold public office, or teach outside the home, the charismatic Hutchinson wielded remarkable political power. Her unconventional ideas had attracted a following of prominent citizens eager for social reform. Hutchinson defended herself brilliantly, but the judges, faced with a perceived threat to public order, banished her for behaving in a manner "not comely for [her] sex."Until now, Hutchinson has been a polarizing figure in American history and letters, attracting either disdain or exaltation. Nathaniel Hawthorne, who was haunted by the "sainted" Hutchinson, used her as a model for Hester Prynne in The Scarlet Letter. Much of the praise for her, however, is muted by a wish to domesticate the heroine: the bronze statue of Hutchinson at the Massachusetts State House depicts a prayerful mother -- eyes raised to heaven, a child at her side -- rather than a woman of power standing alone before humanity and God. Her detractors, starting with her neighbor John Winthrop, first governor of Massachusetts, referred to her as "the instrument of Satan," the new Eve, the "disturber of Israel," a witch, "more bold than a man," and Jezebel -- the ancient Israeli queen who, on account of her tremendous political power, was "the most evil woman" in the Bible.Written by one of Hutchinson's direct descendants, American Jezebel brings both balance and perspective to Hutchinson's story. It captures this American heroine's life in all its complexity, presenting her not as a religious fanatic, a cardboard feminist, or a raging crank-as some have portrayed her-but as a flesh-and-blood wife, mother, theologian, and political leader.Opening in a colonial courtroom, American Jezebel moves back in time to Hutchinson's childhood in Elizabethan England, exploring intimate details of her marriage and family life. The book narrates her dramatic expulsion from Massachusetts, after which her judges, still threatened by her challenges, promptly built Harvard College to enforce religious and social orthodoxies -- making her midwife to the nation's first college. In exile, she settled Rhode Island (which later merged with Roger Williams's Providence Plantation), becoming the only woman ever to co-found an American colony.The seeds of the American struggle for women's and human rights can be found in the story of this one woman's courageous life. American Jezebel illuminates the origins of our modern concepts of religious freedom, equal rights, and free speech, and showcases an extraordinary woman whose achievements are astonishing by the standards of any era.

    Though the world at first recoiled at the notion of a woman studying medicine, her intelligence and intensity ultimately won her the acceptance of the male medical establishment. In 1849, she became the first woman in America to receive an M.D. She was soon joined in her iconic achievement by her younger sister, Emily, who was actually the more brilliant physician.Exploring the sisters’ allies, enemies, and enduring partnership, Janice P. Nimura presents a story of trial and triumph. Together, the Blackwells founded the New York Infirmary for Indigent Women and Children, the first hospital staffed entirely by women. Both sisters were tenacious and visionary, but their convictions did not always align with the emergence of women’s rights—or with each other. From Bristol, Paris, and Edinburgh to the rising cities of antebellum America, this richly researched new biography celebrates two complicated pioneers who exploded the limits of possibility for women in medicine. As Elizabeth herself predicted, "a hundred years hence, women will not be what they are now."

    Females in this time are imagined to be damsels in distress, trapped in a high tower, and waiting for knights to rescue them, all while wearing traffic-cones for a hat. After rescue, their lives improved little. Their career choices were to be a docile queen, housewife, or be burned at the stake for witchcraft. But what if this image of medieval women is a complete fiction? It turns out that it is. Powerful female rulers fill the Middle Ages. Anglo-Saxon queen Aethelflaed personally led armies into direct combat with Vikings in the 900s and saved England from foreign invasion. Byzantine Empress Theodora kept the empire from falling apart during the Nika Revolts and stopped her husband Justinian from fleeing Constantinople. Catherine of Siena almost single-handedly restored the papacy to Rome in the 1300s and navigated the brutal and male-dominated world of Italian politics. Joan of Arc completely reversed the fortunes of France in the Hundred Years War and commanded assaults on English fortresses despite being an illiterate 17-year-old peasant. This book will look at the lives of the ten most powerful women in the Middle Ages. Whether it is the famed scholar Anna Komnene, who wrote the first narrative history, or Ottoman Queen Mother Kösem Sultan, who ruled the Islamic empire through three of her sons – all these women held extraordinary levels of power at a time when women were thought to not have any. It will explore how they managed to ascend the throne, what made their accomplishments so notable, and the impact they had on their respective societies after their deaths. It will also describe the historical background of these women, their cultures, and what about it helped or hindered their rise. Their stories still echo down to today. They are a testimony to the resiliency of individuals to accomplish extraordinary things, even if society puts on them enormous constraints.

    From sticking up for yourself, improving body image, deciding whether to have children, finding a mentor, getting dumped, feeling like an imposter, being unattractive, and dealing with gossip, we can learn a lot by reading motivational stories of heroic women who, living in much tougher times through history, took control of their own destinies and made life work for them.Here are Cleopatra’s thoughts on sibling rivalry, Mae West on positive body image, Frida Kahlo on finding your style, Catherine the Great on dealing with gossip, Agatha Christie on getting dumped, Hedy Lamarr on being underestimated—to list only a few—as well as others who address dilemmas including career-planning, female friendship, loneliness, financial management, and political engagement.Featuring whimsical illustrations by L.A.-based artist Bijou Karman, What Would Cleopatra Do? is a distinctive, witty, and gift-worthy tribute to history’s outstanding women.

    Here award-winning author Myra MacPherson deconstructs and lays bare the manners and mores of Victorian America, remarkably illuminating the struggle for equality that women are still fighting today.Victoria Woodhull and Tennessee "Tennie" Claflin-the most fascinating and scandalous sisters in American history-were unequaled for their vastly avant-garde crusade for women's fiscal, political, and sexual independence. They escaped a tawdry childhood to become rich and famous, achieving a stunning list of firsts. In 1870 they became the first women to open a brokerage firm, not to be repeated for nearly a century. Amid high gossip that he was Tennie's lover, the richest man in America, fabled tycoon Cornelius Vanderbilt, bankrolled the sisters. As beautiful as they were audacious, the sisters drew a crowd of more than two thousand Wall Street bankers on opening day. A half century before women could vote, Victoria used her Wall Street fame to become the first woman to run for president, choosing former slave Frederick Douglass as her running mate. She was also the first woman to address a United States congressional committee. Tennie ran for Congress and shocked the world by becoming the honorary colonel of a black regiment.They were the first female publishers of a radical weekly, and the first to print Karl Marx's Communist Manifesto in America. As free lovers they railed against Victorian hypocrisy and exposed the alleged adultery of Henry Ward Beecher, the most famous preacher in America, igniting the "Trial of the Century" that rivaled the Civil War for media coverage. Eventually banished from the women's movement while imprisoned for allegedly sending "obscenity" through the mail, the sisters sashayed to London and married two of the richest men in England, dining with royalty while pushing for women's rights well into the twentieth century. Vividly telling their story, Myra MacPherson brings these inspiring and outrageous sisters brilliantly to life. "If the subject of Gilded Age women brings to mind buccaneers in gently rustling hoop skirts rather than feminist firebrands, Myra MacPherson's fascinating dual biography...may go a long way in changing that."—Vogue.com"In this sweeping, engaging new biography, Myra MacPherson chronicles lives that intersected with nearly all of the era's great themes and famous figures."—Boston Globe"[In] MacPherson's enchanting dual biography...the epilogue hammers home that even in 2014 men use women's bodies as political bargaining chips."—The Washington Post"A lively account of the unlikely lives of the two most symbiotic and scandalous sisters in American History."—The New Yorker"'MacPherson crusades' for 19th century feminists."—Vanity Fair"Are these sisters the most scandalous feminists of all time? MacPherson's new book is about two sisters in the late 1800's but couldn't be more timely."—Metro "MacPherson, an award-winning journalist, takes a theatrical approach to these radical proceedings. She provides a cast of characters and unfolds the sisters' story over the course of five irresistible 'acts.' This is a grand tale presented on a grand scale."—Bookpage"MacPherson aims her wit and very sharp pen at a side of the suffrage movement rarely seen in history books, epitomized by these two real sisters...she takes us on a raucous romp through secret trysts, their self-published weekly advocating free speech and free love, sensational trials, fortune-telling, Spiritualism and brushes with the most powerful capitalists and revolutionaries of the time. Along the way the sisters set the suffrage movement on fire--albeit briefly--with their modern ideas, fiery rhetoric and passion for women's rights."—Los Angeles Daily Journal"Sensational...MacPherson gives a detailed portrait of the roller-coaster, rags-to-riches lives of two backwoods country girls, who, seeking to better their own situation, hoped to do the same for women everywhere..."—Booklist""Delightful...I am going to read it again! It is that good. Thanks to 'Vicky and Tennie' for making history-changing so darn interesting." —BookReporter"Ordinarily, one would look to the fiction of Twain or Dickens to find a nineteenth-century tale to match the real-life saga of the sisters Claflin-Woodhull. Happily, Myra MacPherson has rediscovered these proto-feminists. Their rebellion against Victorian sexual enslavement and the power of white males captivated and infuriated their contemporaries for good reason, and left a mark that resonates today."—Carl Bernstein, Pulitzer Prize-winning journalist, author of A Woman in Charge: The Life of Hillary Rodham Clinton, and coauthor of All the President's Men (with Bob Woodward)"Victoria Woodhull is one of the great unsung characters of American history--a beauty, a radical activist, a con artist, and a true revolutionary who pushed every boundary and every button that the century offered. THE SCARLET SISTERS is a roller-coaster ride though American history that will amaze and delight readers."—Debby Applegate, Pulitzer Prize winner for The Most Famous Man in America: The Biography of Henry Ward Beecher"THE SCARLET SISTERS has everything--from history and intrigue, to sex and money. Myra MacPherson has written this book with the care and professionalism of the great reporter she is but also with the wit, wisdom, and flair of the great novelist she definitely could be. A fabulous delight of a read."—Jim Lehrer, former host of PBS NewsHour, playwright, and author of Top Down: A Novel of the Kennedy Assassination"Read the epilogue first, to understand immediately why THE SCARLET SISTERS resonates so richly in today's political world. Myra MacPherson's rich understanding of the threads connecting these colorful pioneers to our contentious twenty-first century issues is wonderfully instructive."—Lynn Sherr, author of Failure Is Impossible: Susan B. Anthony in Her Own Words and the forthcoming Sally Ride: America's First Woman in Space"If the Scarlet Sisters hadn't existed, feminism would have had to invent them. Myra MacPherson writes the story of these fearless and path-breaking nineteenth-century radicals with her trademark energy and wit. This sisterhood is indeed powerful."—Ellen Goodman, Pulitzer Prize-winning journalist and coauthor of I Know Just What You Mean: The Power of Friendship in Women's Lives (with Patricia O'Brien)"Myra MacPherson's THE SCARLET SISTERS vividly and entertainingly brings to life a long lost chapter of American history that will surprise anyone who thinks that feminism is a twentieth century invention. It's both a great tale, and a great read."—Jane Mayer, staff writer for the New Yorker and author of The Dark Side"Myra MacPherson is a treasure among American historians. In [her] riveting, often uproarious chronicle, the Sisters' crusades against benighted convention were but the onset of a righteous firestorm that continues to arc into our times."—Ron Powers, Pulitzer Prize-winning journalist, novelist, and author of Mark Twain: A Life"Woodhull and Claflin deserve credit for crashing the glass front doors of Wall Street, Washington, and bedrooms across the country a century and a half ago. These too long neglected amazing pioneers of the Gilded Age are brought to life in Myra MacPherson's energetic, well researched, and enthralling book."—Kenneth D. Ackerman, author of The Gold Ring: Jim Fisk, Jay Gould, and Black Friday, 1869

    In the eighteenth century, this palace was a world of skulduggery, intrigue, politicking, etiquette, wigs, and beauty spots, where fans whistled open like switchblades and unusual people were kept as curiosities. Lucy Worsley's The Courtiers charts the trajectory of the fantastically quarrelsome Hanovers and the last great gasp of British court life. Structured around the paintings of courtiers and servants that line the walls of the King's Staircase of Kensington Palace-paintings you can see at the palace today-The Courtiers goes behind closed doors to meet a pushy young painter, a maid of honor with a secret marriage, a vice chamberlain with many vices, a bedchamber woman with a violent husband, two aging royal mistresses, and many more. The result is an indelible portrait of court life leading up to the famous reign of George III , and a feast for both Anglophiles and lovers of history and royalty.

    of photos.

    As he explodes many accepted myths (i.e. walking the plank is pure fiction), Cordingly replaces them with a truth that is more complex & often bloodier. 16 pages of photos. Maps.

    Passionate, witty and moving, the voices of the Lennox sisters reach us with immediacy and power, drawing the reader into their remarkable lives, and making this one of the most enthralling historical narratives to appear for many years

    Tracing their fates, Nicholson shows how the single woman of the inter-war years had to depend on herself and, in doing so, helped change society.

    Now revised and expanded, this edition of the splendidly detailed and lively history of the Middle Ages contains more than 30 percent new material.