The story is set in the author's home town of St. Louis, Missouri, the site of pivotal events in the western theater of the Civil War, with historically prominent citizens having both Northern and Southern sympathies.

    First published in 1940, it focuses on the lynching of three innocent men and the tragedy that ensues when law and order are abandoned. The result is an emotionally powerful, vivid, and unforgettable re-creation of the Western novel, which Clark transmuted into a universal story about good and evil, individual and community, justice and human nature. As Wallace Stegner writes, [Clark's] theme was civilization, and he recorded, indelibly, its first steps in a new country.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.

    Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    The jubilant Kauravas insult the Pandavas in their helpless state and even try to disrobe Draupadi in front of the entire court, but her honour is saved by Krishna who miraculously creates lengths of cloth to replace the ones being removed.

    In this lively collection, learn how an ordinary young man, Mahesh Das, became the beloved Raja Birbal we all know today, and how he uses his famous wit, time and again, to build a ‘celestial palace’ for Emperor Akbar, order a census of crows, trap a thief using a magic bamboo, and much more.Replete with wisdom and wit, and brought to life by Tapas Guha’s beautiful illustrations, this clever collection of stories also offers valuable life lessons hidden beneath its humour.

     Marcus Aurelius wrote the 12 books of the Meditations as a source for his own guidance and self-improvement. These books have been carefully adapted into a contemporary form to allow for easy reading.

    We shall continue to have Wars; and some day the world is going to have a war to which the present Will serve only as a try-out. When that war comes our country will prob ably have to bear the burden for the western hemisphere. In that war our navy will be our first line of defense; and what we do for our navy now will have much to do with what our navy will be able to do for us then.

    But Chief Inspector Pointer has his doubts. Why, for instance, would the dead man choose to expire in the rather inconvenient confines of a piece of furniture? And who was the dead man, anyway? Soon these and other questions lead Pointer onto the trail of a completely different crime. Written by an author whose identity is as great a mystery as his/her novels. The Eames-Erskine Case is the first of nearly two dozen mysteries from the 1920’s and 1930’s to feature Chief Inspector Pointer.

    Separated by divorce from his father and brother, Toby and his mother are constantly on the move, yet they develop an extraordinarily close, almost telepathic relationship. As Toby fights for identity and self-respect against the unrelenting hostility of a new stepfather, his experiences are at once poignant and comical, and Wolff does a masterful job of re-creating the frustrations and cruelties of adolescence. His various schemes - running away to Alaska, forging checks, and stealing cars - lead eventually to an act of outrageous self-invention that releases him into a new world of possibility.

    In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father.Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.

    It is a book by and about a sportswriter who grew up near Ebbets Field, and who had the good fortune in the 1950s to cover the Dodgers for the Herald Tribune. This is a book about what happened to Jackie, Carl Erskine, Pee Wee Reese, and the others when their glory days were behind them. In short, it is a book about America, about fathers and sons, prejudice and courage, triumph and disaster, and told with warmth, humor, wit, candor, and love.

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    But for the new believer, these things can be difficult and confusing. To resolve this difficulty, I created The Story Bible. The idea was to remove from the text those things that are complicated and/or confusing for the new believer, or for anyone who is new to Bible reading. For example, the books of First and Second Chronicles contain some great stories. But they include so many numbers and lists that the narratives get lost in the shuffle. So in The Story Bible I simply removed the lists, while leaving the stories to be read and enjoyed. Another example is the book of Numbers, which also contains some fascinating stories. But the stories are interspersed with descriptions of sanctuary rituals and census data that can become boring or confusing to the new believer. So again, I simply removed the sanctuary ritual descriptions and the census data while leaving the stories in place to be enjoyed without frustration. What I have produced is a Bible that can be read by a new believer from cover to cover without getting stuck.After serving as a Christian pastor for many years, I not only recognize the problem of new believers getting stuck in genealogies, sanctuary rituals, etc., but I also recognize that what new believers need most is familiarity with Bible stories. The Bible narratives form the backbone for everything else in scripture. Prophecy, sanctuary rituals, pastoral letters, genealogies, and even census data find their place once the new believer becomes familiar with the stories.Keep in mind that I have not edited the narratives themselves. Every word of The Story Bible is from the text itself. I have only removed that which is not narrative, so that the narratives are no longer obscured and can more easily be enjoyed. Another way to put it is to say that The Story Bible is a compilation of all the stories of Scripture. Every portion of the Bible that is narrative was included. I did not edit, condense, or rewrite the narratives. I only compiled them.The translation I used for this project is the Bible in Basic English. It was translated by Professor Samuel Henry Hooke (1874-1968), an English scholar and Professor Emeritus of Old Testament Studies in the University of London. The BBE was printed in 1965 by Cambridge Press in England. Published without any copyright notice and distributed in America, this work fell immediately and irretrievably into the public domain in the United States. The BBE is easy to read, since it utilizes a 1000 word vocabulary. My hope is that new believers will be drawn in by the Bible stories and discover how relevant and practical the Bible is for us today.

    This guide introduces and sets in context, the range of critical arguments that have been generated by this work.