In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    

    In answering the questions of those who turned to him for guidance, Yogananda expressed himself with candor, spontaneity, and insight. He knew when to relieve a somber situation with a flash of wit, and was able to transform philosophical truths into simple precepts for everyday living.

    This brand new collection features a funny poem for every day of the year from gentle smiles to belly laughs via nonsense and a touch of mirth this book is packed with gems new and old from poets such as Charles Causley, Roger McGough, Lewis Caroll, Paul Cookson and Wendy Cope.

    

    In a collection of philosophical musings, Homer Simpson shares quips, diatribes, insults, dialogues, and quotes on such topics as religion, modern life, humankind's role in the universe, health, and other topics both sacred and profane.

    Carry your sword, my prophetess. Obstinate contumacy training. Find the objective that is more draining. More strenuous tasks will make you grow. Pain upon you I bestow. I’ll take it all and nothing less. I claim it back; I repossess. Tip the scale; Turn it over. Mark the unused; What’s leftover. The main part no longer exists; Despite the reduction, it persists. Continued movement; A quest for traction. An opposite and negative reaction. Hex induced metamorphosis; Reoccur once again for us. Physically and internally changing. The process of rearranging. The alteration was so fitting. Now they’re pausing; They’re intermitting. In reaffirming the causation; Keep kempt, and maintain your original explanation. Wear our serpent, prophetess; Prior to you was profitless. The soil was sown with no reaping. Tear our hearts out for your keeping. Beyond the boundaries of what is permitted. Reward me for the sins I’ve committed. My acts were bold; Caress my flesh. I give it all and nothing less. The facsimile will shudder. Express what it is I utter. Amidst psychos and others. Among psychos and others. Live with vigor; Efficiently transfigure. Disfigure; Change his figure. Make it so; Mark the torso. Undergo; Nock the torso. Let it grow; Open the torso. Let him know; Carve the torso.

    Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song. Heir to the democratic and poetic sensibilities of Walt Whitman and Allen Ginsberg, Bernstein has always crafted verse that responds to its historical moment, but no previous collection of his poems so specifically addresses the events of its time as Girly Man, whichfeatures works written on the evening of September 11, 2001, and in response to the war in Iraq. Here, Bernstein speaks out, combining self-deprecating humor with incisive philosophical and political thinking. Composed of works of very different forms and moods—etchings from moments of acute crisis, comic excursions, formal excavations, confrontations with the cultural illogics of contemporary political consciousness—the poems work as an ensemble, each part contributing something necessary to an unrealizable and unrepresentable whole. Indeed, representation—and related claims to truth and moral certainty—is an active concern throughout the book. The poems of Girly Man may be oblique, satiric, or elusive, but their sense is emphatic. Indeed, Bernstein’s poetry performsits ideas so that they can be experienced as well as understood. A passionate defense of contingency, resistance, and multiplicity, Girly Man is a provocative and aesthetically challenging collection of radical verse from one of America’s most controversial poets.

    Pack your bags and get ready to hit the road with this latest installment of family fun! You can help create car songs, spot some historical sights, even stop at a roadside diner--with a Mad Libs? twist, of course!Many have tried to imitate the world's most popular word game, but they just can't ___VERB___ the mustard! With Mad Libs? on the Road, traveling has never been so wacky!Book Details: Format: Paperback Publication Date: 6/7/1999 Pages: 48 Reading Level: Age 8 and Up

    In an effort to reach even more families with this eternally significant story, "Heaven Is For Real" is now simplified and told in a board book format for little ones. Young children will receive the same comfort and assurance that so many older kids have received from the picture book.Beautifully illustrated under Colton's direction, "Heaven Is for Real for Little Ones" can help parents introduce the concept of heaven to toddlers and preschoolers. It's never too early to let children know that Jesus really loves them and has a special place for them in heaven!

    From his earliest years, he writes in “Will,” he had “the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love.” This rage comes coupled with the poet’s own brand of love, what he calls “one / strange alone / heart’s wish / to help all / hearts.” Poetry is indeed Wright’s help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where “Tammy Wynette’s on the marquee” and he is visited by the figure of Walt Whitman, “examining the tear on a dead face.”Here, in Wheeling Motel, Wright’s poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.

    Although he has fun with his friends, he wonders if there is more to the world than what he has always been told.He may not be the most popular zombie in school, but Z is about to be the big man on campus.When he gets a gig at the school newspaper, his stories portraying humans as likable start to get attention. The only problem is, not all of that attention is good. After hearing a mysterious warning from his brother R, Z is taken aback when he runs into trouble at school with some of the older kids who don't like his writing. But the real surprise comes when Z actually meets a real life human.Are humans really that bad? Find out when you read "First Day of Middle School"Delightfully entertaining and laugh out loud funny, this book will be sure to capture any child's attention, even those who don't like to read.Disclaimer: This book is a work of fanfiction; it is not an official Minecraft book. It is not endorsed, authorized, licensed, sponsored, or supported by Mojang AB, Microsoft Corp. or any other entity owning or controlling rights to the Minecraft name, trademarks or copyrights.

    It pops open, and a little puppy wriggles out. The Don’s annoyed, her gang is upset. A new puppy spells trouble. For the dogs on the beach, life can be tough. And the new arrival has broken their rhythm. But soon they discover Shingmo the Seventh is actually a sliver of sunshine on the beach. The pack weaves a circle of friendship and love that shelters them all through sun and storm.These unforgettable dogs and their world come to life with Sagar Kolwankar’s beautiful black-and-white illustrations. An adventure with a heart, Woof! is a must-read for anyone who’s exchanged a knowing look with a dog.

    Including poets as diverse as John Betjeman and Ted Hughes, Siegfried Sassoon and Allan Ahlberg, and subjects from all avenues of life - war, family life, love, death, religion, the countryside, animals and comedy - the whole breadth of the nation's life during the 20th century is encapsulated here. Compiled and edited by Griff Rhys Jones as part of the successful The Nations Favourite Poems series, this book brings together the wealth of new and innovative poetry styles that flourished in the 20th Century.

    With a stick in hand, Stanley's options are endless - he flies to moon, writes in the sand, goes fishing, plays a whistle and rides a dinosaur - and his imagination takes over as the magic begins. Stanley shows that seeing truly depends on the ability to believe in the possibilities.