Have you ever wondered what it would be like to be a fly on the wall of a creative agency? No? Well, that’s fine as well. You wouldn’t know you were in an agency anyway; flies have no concept of that kind of thing. All they’re interested in is standing in poo then walking around the rim of your coffee mug.

    There was a woman.There was a cross. But in factthey have hung him too high to be touched.—from "A Woman Wipes the Face of Jesus"

    Molly gives us his unforgettable encounters with The Beatles, Elton John, David Bowie, The Rolling Stones, Madonna, John Farnham, Bruce Springsteen, the Bee Gees, Rod Stewart, Russell Crowe, Oasis, Beyonce and Prince. As well as the tales that surround his other loves: the Australian cricket team, the St Kilda footy club and the Melbourne Storm."I have a lot of love for the great Ian 'Molly' Meldrum" - Shane WarneNo one has lived a life like Ian 'Molly' Meldrum. And no one can tell a story like Molly.

    She is certain she and Jason have a strong and loving relationship that can weather any storm. Hooked by the beauty of Torringham with its quaint harbour and stunning coastline, they purchase Flotsam Guesthouse which needs more than a lick of paint to keep it afloat. Soon, Katie finds that renovating and running a guesthouse is taking its toll, especially when dealing with challenging guests and madcap neighbours, Shona and Kim. Katie comes to learn that trouble is afoot whenever Shona begs a favour. However, when her adored daughter moves back to their old hometown, she wonders if they’ve made a huge mistake, especially when cracks begin to show in her marriage. Her seaside idyll is crumbling along with her relationship. Should she let Flotsam Guesthouse founder while she salvages her marriage? Katie needs to decide where her priorities lie. The only issue is, she doesn’t know.

    Stardust is Rania Attafi's debut full length collection of poetry.Charged with themes of feminism, existentialism, love, loss and uncertainties, it will take you on a rollercoaster ride where you will glimpse lives of different people with each poem.Stardust is a book about a constellation of homo-sapiens written for all Booklovers regardless of their planet of origin.

    Includes: As the Water * Becoming a Geisha * The Chairman's Waltz * Going to School * Sayuri's Theme * Sayuri's Theme and End Credits.

    By the time he died in 1991 he was truly the king of his remarkable wilderness, and internationally celebrated for his unique lifestyle.

    But despite his lack of recognition, Mr. Hennen...has simply gone about his calling with humility and gratitude in a culture whose primary crop has become fame. He just watches, waits and then strikes, delivering heart-buckling lines.” —Dana Jennings, The New York Times"As with Ted Kooser, Tom Hennen is a genius of the common touch. . . . They are amazingly modest men who early accepted poetry as a calling in ancient terms and never let up despite being ignored early on. They return to the readers a thousandfold for their attentions."—Jim Harrison, from the introduction"Many readers will appreciate this evocation of a life not as commonly portrayed in contemporary verse."—Library Journal"There is something of the ancient Chinese poets in Hennen, of Clare and Thoreau, although he is very much a contemporary poet."—Willow Springs"One of the most charming things about Tom Hennen's poems is his strange ability to bring immense amounts of space, often uninhabited space, into his mind and so into the whole poem."—Robert Bly"America is a country that loves its advertising. That loves its boxes we can put people and places into. We love 'Heartland' as opposed to 'Dustbowl.' We also love to be surprised. Rural Minnesota, as written by Tom Hennen in Darkness Sticks to Everything, is a world of realistic loneliness and lessons. It’s a collection of sincere poems about man and the land."—The Rumpus"Hennen is a master of the prose poem [who] can take little details, tiny details and make them universal."—River Falls Journal"What separates Hennen from many of his contemporaries is his willingness to identify with the natural world in a way that feels neither possessive nor self-serving, but simply (once again) sincere."—Basalt Magazine"There is something strong in all Tom Hennen's poems, an awareness and a clear, sure voice... I don't usually want to end by saying 'Buy this book,' but I'm going to say it this time: 'You should buy this book.'"—Fleda Brown, Interlochen Public Radio, "Michigan Writers on the Air"Tom Hennen gives voice to the prairie and to rural communities, celebrating—with sadness, praise, and astute observations—the land, weather, and inhabitants. In short lyrics and prose poems, he reveals the detailed strangeness of ordinary things. Gathered from six chapbooks that were regionally distributed, this volume is Hennen's long-overdue introduction to a national audience. Includes an introduction by Jim Harrison and an afterword by Thomas R. Smith."In Falling Snow at a Farm Auction"Straight pine chairComfortableIn anyone's company,Older than grandmotherIt enters the presentIts arms wide openWanting to hold another young wife.Tom Hennen, author of six books of poetry, was born and raised in rural Minnesota. After abandoning college, he married and began work as a letterpress and offset printer. He helped found the Minnesota Writer's Publishing House, then worked for the Department of Natural Resources wildlife section, and later at the Sand Lake National Wildlife Refuge in South Dakota. Now retired, he lives in Minnesota.

    From the ramblings of an opium-riddled adventurer to treatises on life from a mind rattled by the world; from the tragic end of a teen queen to a day in the life of a rock star; from the execution of the Self by the Other to the pull between rules and freedom, this is a landscape located halfway between imagination and reality, a world that rocks between imagination and reality, a world that rocks between sleep and wakefulness, sanity and insanity, sobriety and inebriation. A must for fans of The Matthew Good Band, this book isn't Disneyland, but it will take you on a ride you will never forget.

    If you or someone you know is discontented, distressed, or downright disturbed, maybe the Great White North is right for you, eh. But how much do you really know about Canada? Can you do a job that Canada needs (do you play hockey, drill for oil, or make poutine?)? Can you identify the best Canadian province for your lifestyle (lots of tundra or just some tundra?)? Can you master the proper pronunciation of "sorry"? What strange wizardry is the Canadian government? Is maple syrup acceptable substitution for currency? At long last, How to Move to Canada can help make your vague threat into a cold Canadian reality. This book is also full of activities such as: Color the flag of your new homeland Match the strange Canuck dialect with their local definitions And more! PLEASE NOTE: This is a humor book. It won't really help you emigrate. Rather, it's a subversive mix of real information on the Great White North plus a hilarious look at all the reasons why you won't like it there any better — and why they probably won't have you anyway.

    Now, to celebrate a decade of delighting opera fans and foes alike, musical historian and humorist David Barber has prepared a special revised and expanded edition of his hilarious bestselling history of opera. Chapters such as Serious Buffoonery, Teutonic Tunesmiths and, of course, Italian Sausage Machines display Barber's rapier wit and knack for knowing fascinating, if sometimes useless, information about music, musicians and the offbeat world they live in. This expanded edition includes new material ranging from Strauss to ragtime, opera to the Tenor Menace. From Italian castrati to German Ring-bearers, from Handel's fights with rival sopranos to Puccini's nicotine habit, the author of Bach, Beethoven and the Boys and Tenors, Tantrums and Trills delivers a funny yet informative, irreverent yet affectionate history of serious music's most serious art form as only he can - and as only he would dare to do.

    Those who are familiar with Parra's work will find the humor more sharply honed and darker, the anger closer to the surface and sometimes breaking through, the language tighter, the compassion deeper and the statements more political--or anyway more social.

    There is a kind of religion that is lifeless and is the bitter enemy of true faith. Think of Dietrich Bonhoeffer’s prophetic attempts to waken the sleeping German church, often unwitting allies of Hitler and the Third Reich. Or of William Wilberforce’s heroic efforts to rouse his complacent “Christian” countrymen to stand against the monstrous evil of the slave trade. Bonhoeffer and Wilberforce stood against the evil of their times—an evil often repackaged in religious-sounding language.Eric Metaxas’s electrifying message—delivered before the president and dozens of national leaders at the Sixtieth Annual National Prayer Breakfast—calls readers to follow in the steps of Wilberforce and Bonhoeffer, men who lived their faith and swam against the mainstream, instead of drifting along with it. Metaxas makes it clear that phony religiosity offends God himself—and that real prayer is only possible with a living faith in a living God. And that kind of faith can transform the world. No pressure.

    Every woman should know the feelings of being loved and radiating those feelings back to her mate. This is a beautiful expression of heartfelt emotion using short, gratifying sentiments. If there is a lover in you, you will not get enough of "Her."

    Robert Creeley, who was involved with the publication of this volume before his death in 2005, helped define an emerging counter-tradition to the prevailing literary establishment--the new postwar poetry originating with Ezra Pound, William Carlos Williams, and Louis Zukofsky and expanding through the lives and works of Charles Olson, Robert Duncan, Allen Ginsberg, Denise Levertov, and others. "The Collected Poems of Robert Creeley, 1975-2005" will stand together with "The Collected Poems of Robert Creeley, 1975-2000" as essential reading for anyone interested in twentieth-century American poetry.