They were the men who came to your father in his hour of need. They were the men who fought with him. They were men, and that is the highest that can be written of them…”Ittai of Gath, a Philistine, has been the enemy of the Hebrews for many years and among their most capable opponents. But now he has been defeated by the fearsome warriors of the Hebrew king David’s army. While a storm rolls in to settle over the central hill country, Ittai escapes his capture and wrestles with his fate until he finds himself at the city of the Jebusites…which David intends to capture.A companion piece to the Lion of War series about the battles of King David, “Ittai” is a short story in the collection known as The Hall of the Mighty Men, set between the events of “Covenant of War” and the upcoming “Song of War.”Narrated by Jehoshaphat, the historian of King Solomon, this collection of origin tales expands the Lion of War literary universe and contains character origins, epic battles, and feats of bravery unable to be included in the novels and upcoming movies.Thrilling and passionate, The Hall of the Mighty Men is another chapter in the epic Lion of War series that fans will enjoy for years to come.

    Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves.Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

    This book also contains them all, except that each one appears by itself in its own chapter. A unique personality for each vowel soon emerges: A is courtly, E is elegiac, I is lyrical, O is jocular, U is obscene. A triumphant feat, seven years in the making, this uncanny work of avant-garde literature promises to be one of the most important books of the decade.

    A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them. Muddling though the severe round of the seasons, through years of meagre catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested. The Innocents is richly imagined and compulsively readable, a riveting story of hardship and survival, and an unflinching exploration of the bond between brother and sister. By turns electrifying and heartbreaking, it is a testament to the bounty and barbarity of the world, to the wonders and strangeness of our individual selves.

    Her attempt to live out her life as Lily Azerov shatters as she disappears, leaving a new husband and baby daughter, and a host of unanswered questions. Who is she really and what happened to the young woman whose identity she has stolen? Why has she left and where did she go? It is left to the daughter she abandoned to find the answers to these questions as she searches for the mother she may never find or really know.

    Overrun with paranoia, teenage angst, and religious zeal in the massacre's wake, this sleepy suburban neighborhood declares its saints, brands its demons, and moves on. But for a handful of people still reeling from that horrific day, life remains permanently derailed. Four dramatically different characters tell their stories: Cheryl, who calmly narrates her own death; Jason, the boy no one knew was her husband, still marooned ten years later by his loss; Heather, the woman trying to love the shattered Jason; and Jason's father, Reg, whose rigid religiosity has separated him from nearly everyone he loves. Hey Nostradamus! is an unforgettable portrait of people wrestling with spirituality and with sorrow and its acceptance.

    . . Thirteen year old Ephraim Wright suffers the depredations of war along with the white family who reared him. Raised with the family since he was two years old, he is never once required to call Jonathan Wright, his benevolent owner, "master." His speech, manners and outlook on life are more akin to his white "siblings than the other slaves in the community who chide him for being a "pet" and "talkin' like white folk." He is stranded between two worlds; that of free whites, and of enslaved blacks. His life is irreversibly changed when Confederate conscript officers take the family's oldest son at gun point and a bushwhacker gang guns down Jonathan Wright. The law forbids a slave to touch a firearm, because a “negro with a gun is a nervous thing to white folks.” But where his family is concerned, Ep is never one to care about what the slave laws say. By seeking to send men to hell, will Ephraim send himself there as well?Advance Praise for The Secret of Wattensaw BayouWhile reading the book my feelings of anger and resentment toward the institution of slavery and those who fought to protect such rights were sometimes overwhelming and required me to take a deep breath. Nevertheless, the story from a historical perspective, although it was a work of fiction, was masterly woven and I found myself with the urge to continue reading. . . The book is well written and the author provides a fascinating glimpse into the everyday existence of many Southern families during the Civil War. Commander Harold Barnes (US Navy, retired)

     Walt Ames, a former cavalryman with the First Virginia, is headed West with little more than a rifle, a revolver, and a pocket full of looted Yankee gold. But in his way stand bushwhackers, bluecoats, con men, and the ever-restless Indians. And perhaps most dangerous of all, even more dangerous than the cruel and unforgiving land, is the temptation of the woman whose face he can't forget. When you can’t go home again – go West!

    At nineteen, Mary Boulton has just become a widow—and her husband's killer. As bloodhounds track her frantic race toward the mountains, she is tormented by mad visions and by the knowledge that her two ruthless brothers-in-law are in pursuit, determined to avenge their younger brother's death. Responding to little more than the primitive fight for life, the widow retreats ever deeper into the wilderness—and into the wilds of her own mind—encountering an unforgettable cast of eccentrics along the way. With the stunning prose and captivating mood of great works like Charles Frazier's Cold Mountain or early Cormac McCarthy, Gil Adamson's intoxicating debut novel weds a brilliant literary style to the gripping tale of one woman's desperate escape.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    Escaping the only way he can, Rank disappears. But almost twenty years later he discovers that an old, trusted friend -- the only person to whom he has ever confessed his sins -- has published a novel mirroring Rank's life. The betrayal cuts to the deepest heart of him, and Rank will finally have to confront the tragic true story from which he's spent his whole life running away.With the deep compassion, deft touch, and irreverent humour that have made her one of Canada's best-loved novelists, Lynn Coady delves deeply into the ways we sanction and stoke male violence, giving us a large-hearted, often hilarious portrait of a man tearing himself apart in order to put himself back together.

    He isolates P words from the newspapers into long lists. For you, so you know he's kept busy, so you don't have to worry he might be beside you or following you or thinking about your body parts. So you don't have to worry about what else he has been thinking about.From Anakana Schofield, the brilliant and unconventional author of Malarky, comes a dark, humorous and uncomfortable novel circuiting through the minds, motivations, and preoccupations of a character many women have experienced, but few up until now, have understood quite so well. The result confirms Schofield as one of the bravest and most innovative authors at work in English today.Anakana Schofield is an Irish-Canadian writer, who won the Amazon.ca First Novel Award and the Debut-Litzer Prize for Fiction in 2013 for her debut novel Malarky.

    Epic and enchanting, 'The Birth House' is a gripping saga about a midwife's struggles in the wilds of Nova Scotia. As a child in the small village of Scot's Bay, Dora Rare -- the first female in five generations of Rares -- is befriended by Miss Babineau, an elderly midwife with a kitchen filled with folk remedies and a talent for telling tales. Dora becomes her apprentice at the outset of World War I, and together they help women through difficult births, unwanted pregnancies and even unfulfilling marriages. But their traditions and methods are threatened when a Doctor comes to town with promises of painless childbirth, and sets about undermining Dora's credibility. Death and deception, accusations and exile follow, as Dora and her friends fight to protect each other and the women's wisdom of their community. Hauntingly written and alive with historical detail, 'The Birth House' is an unforgettable, page-turning debut.

    For the Appleton sisters, life had unravelled many times before. This time it explodes.Eight-year-old Hariet, known to all as Ari, is dispatched to Cape Breton and her Aunt Mary, who is purported to eat little girls . . . With Ari on the journey is her steadfast companion, Jasper, an imaginary seahorse. But when they arrive in Pleasant Cove, they instead find refuge with Mary and her partner Nia.As the tumultuous ’60s ramp up in Toronto, Ari is torn from her aunts and forced back to her twisted mother and fractured sisters. Her new stepfather Len and his family offer hope, but as Ari grows to adore them, she’s severed violently from them too, when her mother moves in with the brutal Dick Irwin.Through the sexual revolution and drug culture of the 1960s, Ari struggles with her father’s legacy and her mother’s addictions — testing limits with substances that numb and men who show her kindness. She spins through a chaotic decade of loss and love, the devilish and divine, with wit, tenacity, and the astonishing balance unique to seahorses.The Clay Girl is a beautiful tour de force that traces the story of a child, sculpted by kindness, cruelty and the extraordinary power of imagination, and her families — the one she’s born in to and the one she creates.

    Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street.Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.