A Lycanthropy Reader: Werewolves in Western Culture presents an overall examination of the history of the werewolf in Western culture, medicine, myth, and literature.TABLE OF CONTENTSIllustrationsContributorsPrefaceAcknowledmentsIntroductionsection I: Medical Cases, Diagnoses, DescriptionsSection II: Trial Records, Historical Accounts, SightingsSection II: Philosophical and Theological Approaches to MetamorphosisSection IV: Critical essays on LycanthropySection V: Myth and LEgendsSection VI: AllegoryBibliographyIndex

    Combing through the oft-forgotten enclaves of the Holy City, Macy and Buxton bring readers face to face with a group of orphans who haunt a College of Charleston dorm, a Citadel cadet who haunts a local hotel and the specter of William Drayton at Drayton Hall Plantation, to name just a few. Based on historic events and specific details that are often lost in most ghost stories, this collection of haunting tales sparks curiosity about what figure might still be lurking in the alleyways of Charleston's storied streets.

    Set in coal mines and remote farm cabins, in hidden hollows and on mountain tops, some of these stories look back to the days when West Virginia was first settled; others reflect the rancor and brutality of the Civil War. But most of these tales guide us through the recent past of the uncommonly rich folk heritage of West Virginia. This

    . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times"People are right to be shocked." –The New YorkerFrom the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making. Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject.All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.

    Tales are recounted in vividdetail and incorporate all the latest scientific research and conclusions. Where possible, specially chosen images accompany the stories to help explain a particular riddle or provide a deeper insight into the nature of the unknown generally. Including investigations into prophecy and the paranormal and religious and medical marvels, this book attempts to discover the truth behind the greatest enigmas of the universe. It is sure to both bewilder and intrigue.

    Described as a large, hairy man-like creature, it’s said to haunt the vast Sulphur River Bottoms as it travels the secluded waterway known as Boggy Creek.Over the years, the creature has been seen by numerous witnesses including respected citizens, experienced hunters, famous musicians, and even a police officer. The encounters were often so shocking, they served as inspiration for the classic horror film, The Legend of Boggy Creek, by Charles B. Pierce.Tales of the creature have long existed in scattered pieces across news clippings, memoirs, police reports, and movies, but it is only now that the complete history of the Fouke Monster has been assembled in one place. This book collects all the facts, theories, and amazing sighting reports, and weaves them into a fascinating tale about this undeniable southern mystery, one that lives on, as frightening encounters with the Beast of Boggy Creek are still being reported today!

    There is now a growing realization that those ancient star civilizations have not forgotten this world. Through the diligent work of the author, Dr. Clarke, and her hundreds of interviews with Indian people throughout the Americas, we can all learn of remarkable, present-day close encounters with Star People.”—Richard O’Connor, MD, executive director, The Jesse A. Marcel Library“Commendations are due to Dr. Ardy Sixkiller Clarke. She shares her unique understanding of American Indian cultures and traditions. And now, as a story-teller, she honors thousands of participants and their families by collecting and reporting their extraterrestrial encounters. The UFO community—and all of humanity—is blessed by her heritage, training and professional effort to combine Science and Spirit.”—R. Leo Sprinkle, PhD, professor emeritus, University of Wyoming“It is refreshing to see an honest effort to tap UFO reports from an older society not nearly so influenced by movies, TV, hoaxers, etc. as ours. I am not surprised that Ardy, with considerable effort, was able to dig out reports from Mayans. I hope she will continue her work and share it with those of us serious about such matters.”—Stanton T. Friedman, MSc., author of Flying Saucers and Science“Dr. Ardy Sixkiller Clarke has for more than 20 years done a tremendous amount of field work and has carefully and with spiritual sensitivity collected these stories from the original witnesses. This book is an impressive documentation of the scope and depth of the UFO enigma.”—Hakan Blomqvist, Cofounder and Chairman, Archives for UFO Research (AFU), SwedenDr. Ardy Sixkiller Clarke, author of Encounters With Star People, vowed as a teenager to follow in the footsteps of two 19th-century explorers, John L. Stephens and Frederick Catherwood, who brought the ancient Maya cities to the world’s attention. Dr. Clarke set out on a seven-year adventure (from 2003 through 2010) through Belize, Honduras, Guatemala, and Mexico, collecting stories of encounters, sky gods, giants, little people, and aliens among the indigenous people. She drove more than 12,000 miles, visiting 89 archaeological sites (Stephens and Catherwood visited only 44) and conducting nearly 100 individual interviews.The result is an enthralling series of unique, original, true stories of encounters with space travelers, giants, little people, and UFOs. Sky People may very well change the way you perceive and experience the world.

    These "Selected Works provide facsimile editions of her landmark writings, spanning the whole of her publishing career, from 1959 to 1980.

    Written by Terry Lovelace, a 64 year-old lawyer and former assistant attorney general. In 2012 a routine x-ray of my leg found an anomalous bit of metal the size of a fingernail with two tiny wires attached. What followed were horrific nightmares, spontaneous recall and intrusive thoughts surrounding a 1977 camping trip I took with a friend to Devils Den State Park in Northern Arkansas. For fear of losing my job and my standing in the legal community I've kept this secret for 40 years. But the 2012 discovery of this object, one and one-half inches deep in my thigh, initiated a flood of nightmares I could not control. My poor health and the horrific memories were the catalyst to come forward and finally disclose what happened back in 1977. My friend and I were on a two-day camping trip to photograph eagles and wildlife. Rather than stay in the campground we chose to drive deep into an isolated area and set-up our camp on a high plateau that offered a scenic view of the wilderness. Late in the evening of our first night in camp a group of three very bright stars in the western sky caught our attention. Arranged in a triangle configuration we speculated as to what it could be? We eliminated aircraft lights due to the triangle configuration. Then it moved. The three stars rotated as if on an axis and slowly ascended upward. As it rose the three points of light spread apart, each equidistant to the others. The stars grew larger and brighter. As the triangle passed over stars they would blink-out for a moment and then blink-back again as it moved over them. The area inside the triangle was black, darker than the night sky. As the points expanded they were eventually devouring entire fields of stars as it traveled higher and moved closer to our camp. It eventually halted directly over us. It was huge. A third of the sky was covered by this black triangle overhead without a single star in between the three points. It was as if someone had cut an enormous triangle out of a sky filled with a billion stars. It descended until it was about thirty feet over the floor of the meadow. The size of the object was unbelievable. Each side of the triangle was a city block in length. I estimated its height at fifty feet or more. The size of a five story office building it sat motionless above the floor of the meadow. What followed was a horrific abduction experience. We both suffered badly from burns and dehydration and were hospitalized for two nights. I was interviewed by special agents from the USAF Security Police's "OSI" or Office of Special Investigations. They mistakenly believed I had photographed the object and I was viciously interrogated by two of their special agents. They demanded my film. My home and car were searched by consent and I was hypnotized to assist my recall. It was a nightmare that left my wife and I sour on the whole UFO and the allegations surrounding our experience. I never intended to tell anyone. But the events of 2012 opened a door to memories about the abduction experience I had long forgotten and had no desire to even remember. In 2016 and in poor health I decided it was the right time to disclose everything I knew and everything we experienced. The piece of metal in my leg was the genesis of this story. There is so much more that happened.

    In Dimensions, he presented his theory that UFOs are probably not spacecraft but manifestations of a consciousness-controlling technology from "dimensions beyond spacetime"; in Confrontations, he bolstered that theory with examples from his own casebook. Here, deftly blending theory & memoir, he attempts to clear ufololgy of "the weeds & the vines of human fantasy &...the poisonous flowers of unbalanced minds." That is, to him, cases from the infamous Roswell incident (spacecraft & aliens purportedly captured by the USAAF in '47) to the popular legend of Area 51 (aliens working tentacle-in-hand with US officials beneath the Nevada desert) to the alleged abduction of Franck Fontaine in '79 (exhaustively researched 1sthand by Vallee) to the purported top-secret federal UFO-investigating committee of Howard Blum's Out There ('90) aren't only mostly nonsense, but--here's the rub--"complex hoaxes that have been carefully engineered for our benefit." But by whom, & why? By federal disinformation agents, & possibly as "psychological warfare experiments" or "as a cover for something else"--i.e., experimental spy/warcraft or real "flying discs." He offers little hard evidence to back those conjectures, but he does unglove the heavy hand of military intelligence in many cases, while at the same time exposing the absurdity of others, including Budd Hopkins' best-selling alien-rape reports. So what's left? A host of genuinely mysterious cases, e.g., the '89 USSR sightings, & the spirit of rigorous scientific inquiry that he urges they be subjected to. Except for his wobbly conclusions, a forceful & refreshingly iconoclastic study that, for all its good sense, will likely add up to only a cry in the alien-infested ufowilderness.--Kirkus (edited)

    Essentials of Orthopaedics & Applied Physiotherapy

    She has spent her entire adult life seeking to understand why those non-human eyes held such an expression of human-like intelligence. What is the nature of a Sasquatch? Is it human? Animal? Or something in-between? How does Bigfoot live? How does it interact with others of its kind? And how would it interact with us? What would we learn about these creatures, if we stopped pursuing them... and they no longer avoided us? One man would finally offer answers to those questions. He is more than a witness. He is the friend of a wild man... and he calls him Enoch.

    Whether you believe these urban myths or not, they have the power to unnerve and enthral us all.

     Meet Ray Palmer. A hustler, a trickster, and a visionary. The hunchbacked Palmer, who stood at just over four feet tall, was nevertheless an indomitable force, the ruler of his own bizarre sector of the universe. Armed with only his typewriter, the Palmer changed the world as we know it –  jumpstarting the flying saucer craze; frightening hundreds of thousands of Americans with “true” stories of evil denizens of inner earth; and reporting on cover-ups involving extraterrestrials, the paranormal, and secret government agencies. As editor for the ground-breaking sci-fi magazine Amazing Stories and creator of publications such as Other Worlds, Imagination, Fate, Mystic, Search, Flying Saucers, Hidden World, and Space Age, Palmer pushed the limits and broke new ground in science fiction publishing in the 1940s and 1950s—and was reviled for it by purists who called him “the man who killed science fiction.” In the first-ever biography devoted to the figure who molded modern geek culture, pulp scholar Fred Nadis paints a vivid portrait of Palmer—a brilliant, charming, and wildly willful iconoclast who helped ignite the UFO craze, convinced Americans of hidden worlds and government cover ups, and championed the occult and paranormal. Palmer overcame serious physical handicaps to become the most significant editor during the “golden age” of pulp magazines; he rebelled in his own inimitable way against the bland suburban vision of the American Dream; he concocted new literary genres; and he molded our current conspiracy culture decades before The X-Files claimed that the truth was out there.

    These recipes, stories, jokes, advice, farm lore, and illustrations were collected from a wide variety of American agricultural sources from the 1880s to the 1950s.