The classic account of modern British journalism, now updated and re-issued.

    

    It began, in 1979, as a mad idea of starting a cable channel to televise local sporting events throughout the state of Connecticut. Today, ESPN is arguably the most successful network in modern television history, spanning eight channels in the Unites States and around the world. But the inside story of its rise has never been fully told-until now. Drawing upon over 500 interviews with the greatest names in ESPN's history and an All-Star collection of some of the world's finest athletes, bestselling authors James Miller and Tom Shales take us behind the cameras. Now, in their own words, the men and women who made ESPN great reveal the secrets behind its success-as well as the many scandals, rivalries, off-screen battles and triumphs that have accompanied that ascent. From the unknown producers and business visionaries to the most famous faces on television, it's all here.

    Hitz told?the US Reps that the CIA had maintained relationships with companies and?individuals the Agency knew to be involved in the drug business. Even more?astonishingly, Hitz revealed that back in 1982 the CIA had requested and?received from Reagan’s Justice Department clearance not to report any knowledge?it might have of drug-dealing by CIA assets. With these two admisstions, Hitz definitively sank decades of CIA denials,?many of them under oath to Congress. Hitz’s admissions also made fools of?some of the most prominent names in US journalism, and vindicated investigators?and critics of the Agency, ranging from Al McCoy to Senator John Kerry. The involvement of the CIA with drug traffickers is a story that has?slouched into the limelight every decade or so since the creation of the?Agency. Most recently, in 1996, the San Jose Mercury News published a sensational?series on the topic, “Dark Alliance”, and then helped destroy?its own reporter, Gary Webb. In Whiteout, Alexander Cockburn and Jeffrey St. Clair?finally put the whole story together from the earliest days, when the CIA’s?institutional ancestors, the OSS and the Office of Naval Intelligence, cut?a deal with America’s premier gangster and drug trafficker, Lucky Luciano. They show that many of even the most seemingly outlandish charges leveled?against the Agency have basis in truth. After the San Jose Mercury News?series, for example, outraged black communities charged that the CIA had?undertaken a program, stretching across many years, of experiments on minorities.?Cockburn and St. Clair show how the CIA imported Nazi scientists straight?from their labs at Dachau and Buchenwald and set them to work developing?chemical and biological weapons, tested on black Americans, some of them?in mental hospitals. Cockburn and St. Clair show how the CIA’s complicity with drug-dealing?criminal gangs was part and parcel of its attacks on labor organizers, whether?on the docks of New York, or of Marseilles and Shanghai. They trace how?the Cold War and counterinsurgency led to an alliance between the Agency?and the vilest of war criminals such as Klaus Barbie, or fanatic heroin?traders like the mujahedin in Afghanistan. Whiteout is a thrilling history that stretches from Sicily in 1944 to?the killing fields of South-East Asia, to CIA safe houses in Greenwich Village?and San Francisco where CIA men watched Agency-paid prostitutes feed LSD?to unsuspecting clients. We meet Oliver North as he plotted with Manuel?Noriega and Central American gangsters. We travel to little-known airports?in Costa Rica and Arkansas. We hear from drug pilots and accountants from?the Medillin Cocaine Cartel. We learn of DEA agents whose careers were ruined?because they tried to tell the truth. The CIA, drugs… and the press. Cockburn and St. Clair dissect the shameful?way many American journalists have not only turned a blind eye on the Agency’s?misdeeds, but helped plunge the knife into those who told the real story. Here at last is the full saga. Fact-packed and fast-paced, Whiteout is? a richly detailed excavation of the CIA’s dirtiest secrets. For all who ?want to know the truth about the Agency this is the book to start with.

    Roy Orbison died in 1988 but he's hardly forgotten. Raised in rural Texas, Orbison became one of the pioneers of rock and roll in the 1950s, sharing the famed Sun Records with Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. He achieved superstar status in the 1960s, writing and releasing a series of smash singles, such as Oh, Pretty Woman, Only the Lonely, and Crying, plus many others that remain the most well-known songs of the era. IN DREAMS features rare memorabilia from Roy's career, much of it unseen for decades. This stunning biography, written by his sons along with Jeff Slate, tells the true story of their father's remarkable life, including his personal tragedies, reinventions, and untimely death.

    The Italianistas. The scooter-riding, all-night-dancing instigators of what became, from its myriad sources, a very British phenomenon.Mod began life as the quintessential working-class movement of a newly affluent nation – a uniquely British amalgam of American music and European fashions that mixed modern jazz with modernist design in an attempt to escape the drab conformity, snobbery and prudery of life in 1950s Britain. But what started as a popular cult became a mainstream culture, and a style became a revolution.In Mod, Richard Weight tells the story of Britain’s biggest and most influential youth cult. He charts the origins of Mod in the Soho jazz scene of the 1950s, set to the cool sounds of Charlie Parker and Miles Davis. He explores Mod’s heyday in Swinging London in the mid-60s – to a new soundtrack courtesy of the Small Faces, the Who and the Kinks. He takes us to the Mod–Rocker riots at Margate and Brighton, and into the world of fashion and design dominated by Twiggy, Mary Quant and Terence Conran.But Mod did not end in the 1960s. Richard Weight not only brings us up to the cult’s revival in the late 70s – played out against its own soundtrack of Quadrophenia and the Jam – but reveals Mod to be the DNA of British youth culture, leaving its mark on glam and Northern Soul, punk and Two Tone, Britpop and rave.This is the story of Britain’s biggest and brassiest youth movement – and of its legacy. Music, film, fashion, art, architecture and design – nothing was untouched by the eclectic, frenetic, irresistible energy of Mod.

    Although the rise of Jeremy Corbyn is to be attributed to more than hard-left entrism, to some within the party, Crick's book must seem like a lesson from history.Militant was a secret Trotskyite organisation that consistently denied being a party, though at its peak in the mid-1980s it could boast around 8,000 members, all of whom also belonged to the Labour Party. Militant operated clandestinely inside the Labour Party, edging out moderates at grass-roots level and recruiting people to its own ranks. Whilst eventually most of its leaders were expelled, it caused damaging rifts within Labour. Crick's book explores the origins, organisation and aims of Militant. It also explores the famous boss politics of Derek Hatton and Militant in Liverpool, and the party hierarchy's determined and ultimately successful attempts to squash the tendency.An important historical document, it is today seen as a field guide to how hard-left factions can infiltrate the Labour party, with some in the centre of the party allegedly urging its supporters to treat the long unavailable book as a 'war manual'.

    The companion volume to 'This is Uncool', Garry Mulholland shifts his focus from singles to albums, making witty and irreverent criticisms on the likes of David Bowie, The Smiths, Eminem and The Prodigy.

    . . . . . well, actually, God knows what you are holding in your hand, you are after all adults, and what you hold in your own right hand is entirely up to you . . . . . . you may, after all, have this in your left hand and something else in your right hand and you will probably have held far worse things in both your hands than this . . . and hey! . . . No! . . . Stop that! Miss Johansson, I said, "Please hold my calls . . ." Honestly. Hollywood! Anyway, what you are about to read--or have read to you--is a new book that is the first active collaboration of the Monty Python chaps for many, many years. In fact, the first book written and produced by the Pythons, themselves, since 1979. No, they are not all dead. Okay, some of them have been a bit quiet recently, and one or two have DNR notes by their bedsides, but the point is five of them are still technically alive and that, if not exactly cause for rejoicing, may well be cause for a new book. And this is it! So hold whatever you like in your right hand while you read this book. Because laughter is jolly good for you. Even if it can make you blind. --The Pythons

    1950s Prague is a city of numerous daily terrors, of political tyranny, corruption and surveillance. There is no way of knowing whether one’s neighbor is spying for the government, or what one’s supposed friend will say under pressure to a State Security agent. A loyal Party member might be imprisoned or executed as quickly as a traitor; innocence means nothing for a person caught in a government trap. When a little boy is murdered at the cinema, the ensuing investigation sheds a little too much light on the personal lives of the cinema’s female ushers, each of whom is hiding a dark secret of her own.

    Written by Lawrence Miles (Faction Paradox) and long-time sci-fi commentator Tat Wood, About Time focuses on the continuity of Doctor Who (its characters, alien races and the like), but also examines the show as a work of social commentary. In particular, Miles and Wood dissect the politics and social issues that shaped the show during its unprecedented 26-year run (from 1963 to 1989), detailing how the issues of the day influenced this series. As part of this grand opus, About Time 1 examines Doctor Who Seasons 1 to 3 (1963 to 1966) -- the show's every beginnings, with William Hartnell in the lead role. Among other things, About Time 1 answers such vitally important Who questions as Where (and When) is Gallifrey? and Why Couldn't the BBC Just Have Spent More Money?

    A divided America is debating whether or not to go to war. The FBI and police, scrambling to thwart any attacks, round up the plotters. Experts declare that our intelligence capabilities are insufficient and that a new agency must be created. The year is 1941. Fifth Column is the story of Johanna Falck, a German immigrant who joins the new American central intelligence service. As Americans focus on the war in Europe and whether the United States should intervene, the FBI is rounding up scores of German spies. The German-American Bund, a pro-Nazi group of Americans suspected of being saboteurs and subversives, is at the center of the FBI's investigations. Johanna is recruited to infiltrate the Bund and discover what they and the Nazis have planned. Soon she is caught up in a far-reaching conspiracy, one that stretches from the top of the Nazi state to the streets of New York. What she finds shatters her most basic assumption about the Third Reich.

    Now, the new Second Edition offers these highlights.This landmark anthology includes the work of 120 writers over two centuries, from the earliest known work by an African American, Lucy Terry's poem "Bars Fight, " to the fiction of the Nobel Laureate Toni Morrison and the poems of the U.S. Poet Laureate, Rita Dove.

    America's most widely used introduction to jazz, it teaches the chronology of jazz by showing students how to listen and what to notice in each style. Though originally conceived for nonmusicians and written at a college freshmen reading level, Jazz Styles also has been widely adopted in courses for musicians because of its point-by-point specification of each style's musical characteristics and its technical appendix. The text helps students hear how the styles differ and why the top names are important. The book's listening guides offer in-depth analysis for 38 historic recordings contained on the 2CD Jazz Classics collection.

    But what has been said about our "first families' families" - the colossal collection of animals, exotic and familiar, stubborn and playful, large and tiny, who have been welcome, and often celebrated, residents of the White House and its grounds since the days of George Washington? Over the years, the White House has been home to a unique assortment of pets. As a guest of John Quincy Adams, General Lafayette kept a live alligator in the East Room. Calvin Coolidge's Enoch, a huge white goose, gift from actress Marie Dressler, was said to be worth $100,000. Young Tad Lincoln surveyed his home grounds in a cart drawn by two pet goats. Warren Harding's Laddie Boy, a talented Airedale, was interviewed by reporters on national affairs. There were Franklin Roosevelt's famous Fala, Caroline Kennedy's Macaroni, Lyndon Johnson's beagles Him and Her. And Teddy Roosevelt's whole menagerie, which included a lion, snakes, roosters, a zebra, and five bears. The list of presidential pets is endless, and the stories about them and their owners are bizarre, hilarious, touching, and filled with incidents that point out many a first-family soft spot, peculiarity and, in every case, unabashed love of animals. Margaret Truman, a former White House resident herself, charts this special heritage with warmth and imagination.