She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle's, estimation, but she's also the brightest. Rozelle--beautiful, charismatic, and light-skinned--exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at "the farmhouse" on the edge of town, where Rozelle beds local men for money.But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle's grasp without ruinous--even fatal--consequences?

    But Dexter is no ordinary man.The summer before he goes to college, Ricky Colenso travels to Bosnia to volunteer as an aid worker. A few weeks later, he disappears and is never heard from again. A family grieves and is offered little hope--in the fog of that horrible time and place, the killer, too, has vanished.Or so it would seem. For in a world that has forgotten right and wrong, there are few like Cal Dexter who can settle the score. And so, years later, a worldwide chase is on and Dexter begins to draw a net around the killer. But this time CIA agent Paul Devereux must find a way to stop Dexter before his quest for vengeance throws the world into chaos.A heart-stopping novel of murder and mystery, double-cross and triple-cross, old loyalties and new hatreds, Avenger has all of Frederick Forsyth's page-turning trademarks.

    has discovered what he and others believe may be the first novel written by an African-American woman -- a discovery made even more monumental by the fact that it was found in its original manuscript form, completely unedited. Extensive scientific testing has been completed to authenticate the manuscript and ascertain its origins, and experts agree that it was written between 1853 and 1859, by an African-American woman who had previously been enslaved. Gates has painstakingly sought to identify the author, Hannah Crafts, through historical research, and although he has been unsuccessful in determining her true identity, he has found that many of the places, dates, and characters in the novel can be linked reliably to real events and people.A riveting story about a young slave woman on a Southern plantation, The Bondwoman's Narrative follows the title character as she escapes and makes her way to freedom. As a novel, it possesses all the charms and devices of popular mid-19th-century fiction, and the influences of gothic and romantic writers popular in the day are apparent throughout the text. But Crafts accomplishes more than mere mimicry in her book, adding her own voice to established traditions to create a unique style.Throughout the 19th century, many slave narratives -- most notably The Narrative of the Life of Frederick Douglass -- detailed the daily horrors of slavery. In choosing to write a novel rather than an autobiographical narrative, however, Crafts expresses the complete psychological and emotional breadth of the experience, transcending personal, private tortures to illuminate the inhumanity of "the peculiar institution." Her characters reflect upon and feel the experience of enslavement -- and because they are wholly rounded and fully developed, they also express the intellect and insight present in the best writings of Dickens, Poe, or Thoreau.Discovered dallying in her master's portrait gallery by a white housekeeper, who comments that she is "[l]ooking at the pictures...as if such an ignorant thing as you would know any thing about them," the title character poignantly counters to herself, "Ignorance, forsooth. Can ignorance quench the immortal mind or prevent its feeling at times the indications of its heavenly origins? Can it destroy that deep abiding appreciation of the beautiful that seems inherent to the human soul? Can it seal up the fountains of truth and all intuitive perception of life, death, and eternity? I think not. Those to whom man teaches little, nature like a wise and prudent mother teaches much."Regardless of its historical importance -- and the unavoidable questions and controversies about its authenticity -- the literary merits of The Bondwoman's Narrative are clear. A deeply engaging novel told with the clarity of a woman who has endured slavery's sorrows and the creativity of one who, at her core, was a gifted artist, it is a powerful story that leaves the reader simultaneously bereft and exhilarated, one that bears witness to the transcendent power of art. (Ann Kashickey)

    Prepare yourself for the Queen of Suspense's "crackling tale of menace and love that holds your attention to the last page" (Andrew M. Greeley).Elizabeth Lange has arrived at Cypress Point Spa in Pebble Beach, California, weary of heart and soul. Still grieving for her beloved sister, a famous actress who plunged to her death from her Manhattan penthouse, Elizabeth is determined to unearth the truth about how Leila died. Dashing millionaire Ted Winters stands accused of her murder, but Elizabeth has doubts.Along the windswept cliffs of the Monterey coast, in luxurious bungalows, between gourmet meals and beachfront walks, uneasiness stalks Elizabeth while she begins opening doors to the past. As glimpses of the dark truth about Leila's life and death -- and about Elizabeth herself -- start to crash against her mind, an ominous wave from an unexpected source threatens to engulf her entirely.

    Cooper led thirty-six high school seniors on a spring vacation jaunt from Los Angeles to the desert near Quartzsite, Arizona. No student could earn the privilege of going on the Quartzsite Trip; it was given, and P.J. Cooper gave it. No activities were planned; they happened, and P.J. Cooper made them happen. What few rules there were were also P.J.'s and he enforced them with a whim of iron. In William Hogan's utterly delightful novel, the Quartzsite Trip turns out to be an utterly memorable experience.Here, the lion lies down with the lamb, the merciful find mercy, and the meek inherit the earth. Here, the tables are turned, and as they turn we meet a riotous and endearing cast of characters -- among them Deeter Moss, secret cowboy and closet Dodgers expert, who never talked to anybody before he went on the Quartzsite Trip; Margaret Ball, whose moonlit face displayed what pimples hid; Mary Allbright, who had a very secret fear and who, on the Quartzsite Trip, came up with a very secret plan to resolve it; and P.J. Cooper himself, the best teacher anyone ever had, who gave extra credit for Winnie the Pooh and The Catcher in the Rye and who discovered, in 1962, that the Great Equalizer makes rules too.[From the book jacket]

    With each new book, his instinct for playing upon our deepest dread has grown only stronger and more sinister. He?s never been afraid to push the boundaries of suspense and confront us with what frightens us most.After his father?s untimely death sends fifteen-year-old Ryan McIntyre into an emotional tailspin, his mother enrolls him in St. Isaac?s Catholic boarding school, hoping the venerable institution with a reputation for transforming wayward teens can work its magic on her son. But troubles are not unknown even at St. Isaac, where Ryan arrives to find the school awash in news of one student?s violent death, another?s mysterious disappearance, and growing incidents of disturbing behavior within the hallowed halls.Things begin to change when Father Sebastian joins the faculty. Armed with unprecedented knowledge and uncanny skills acquired through years of secret study, the young priest has been dispatched on an extraordinary and controversial mission: to prove the power of one of the Church?s most arcane sacred rituals, exorcism. Willing or not, St. Isaac?s most troubled students will be pawns in Father Sebastian?s one-man war against evil?a war so surprisingly effective that the pope himself takes notice of the seemingly miraculous events unfolding an ocean away.But Ryan, drawn ever more deeply into Father Sebastian?s ministrations, sees?and knows?otherwise. As he witnesses with mounting dread the transformations of his fellow pupils, his certainty grows that forces of darkness, not divinity, are at work. Evil is not being cast out . . . something else is being called forth. Something that hasn?t stirred since the Inquisition?s reign of terror. Something nurtured through the ages to do its vengeful masters? unholy bidding. Something whose hour has finally come to bring hell unto earth.

    It captured with devastating accuracy the deep-seated racial conflicts of a tightly knit southern town. The book is as engrossing and incendiary now as the day it was written.

    Women of the Sparrow family have unusual gifts. Elinor can detect falsehood. Her daughter, Jenny, can see people's dreams when they sleep. Granddaughter Stella has a mental window on the future -- a future that she might not want to see. In The Probable Future this vivid and intriguing cast of characters confronts a haunting past -- and a very current murder -- against the evocative backdrop of small-town New England. By turns chilling and enchanting, The Probable Future chronicles the Sparrows’s legacy as young Stella struggles to cope with her disturbing clairvoyance. Her potential to ruin or redeem becomes unbearable when one of her premonitions puts her father in jail, wrongly accused of homicide. Yet this ordeal also leads Stella to the grandmother she was forbidden to meet and to a historic family home full of talismans from her ancestors. Poignant, arresting, unsettling, The Probable Future showcases the lavish literary gifts that have made Alice Hoffman one of America’s most treasured writers.

    The year is 1965, the setting a university town in Connecticut, and serial killers are still referred to as "multiple murderers." Profiling hasn't even begun, so Delmonico has to go it alone on a frantic learning curve that has the killer always two steps ahead of him." "The story begins when parts of the body of a young woman are found in a research center for neurology privately funded by one of the university's greatest benefactors." "It swiftly develops that the killer is very possibly a member of the research facility and that this is not his first murder. With great cunning and daring, he targets a "type" of young woman, following which the women are subjected to unspeakable torture and rape, and finally a horrible death." "The suspects are many and varied, and include a wealthy and ambitious young Indian eager to win a Nobel Prize; the professional head of the institute, who does something peculiar in his basement; an internationally renowned epilepsy clinician; a neurochemist with a taste for fine food, wine, and music; a Japanese with rarefied and strange tastes; and a business manager named Desdemona Dupre, a tough, well-educated woman, full of common sense, for whom Delmonico feels a growing, risky attraction." As the serial murders begin to mount - the killer is getting more and more bloodthirsty and bold - and the media and anguished parents begin to put pressure on the governor, Delmonico and the forceful, enigmatic Miss Dupre are drawn deeper and deeper into the secrets of the suspects and toward an old family scandal as shocking as it is bizarre. But is the scandal something quite separate, or does it lie at the roots of the present killings?

    This time around, the ladies are a bit older, a lot richer, but not particularly wiser nor more endearing than Bushnell's earlier heroines. Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need. This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg Q: Were Victory, Wendy, and Nico inspired by any real-life women? A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man. Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle." Q: What kind of research did you do to cover fashion, film, and publishing in one book? A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!

    But their good intentions have both comic and gruesome consequences, in this first novel written by a twenty-five year old John Irving, already a master storyteller.

    covers partition and then life in East Punjab.

    Destined to lose her heritage and beloved Wideacre estate once she is wed, Beatrice will use any means necessary to protect her ancestral name. Seduction, betrayal, even murder--Beatrice's passion is without apology or conscience. "She is a Lacey of Wideacre," her father warns, "and whatever she does, however she behaves, will always be fitting." Yet even as Beatrice's scheming seems about to yield her dream, she is haunted by the one living person who knows the extent of her plans...and her capacity for evil.Sumptuously set in Georgian England from the "queen of royal fiction" (USA TODAY), Wideacre is intensely gripping, rich in texture, and full of color and authenticity. It is a saga as irresistible in its singular magic as its heroine.

    His assignment: a series of articles on the Allied occupation. His personal agenda: to find Lena, the German mistress he left behind at the outbreak of the war. When Jake stumbles on a murder -- an American soldier washes up on the conference grounds -- he thinks he has found the key that will unlock his Berlin story. What Jake finds instead is a larger story of corruption and intrigue reaching deep into the heart of the occupation. Berlin in July 1945 is like nowhere else -- a tragedy, and a feverish party after the end of the world. As Jake searches the ruins for Lena, he discovers that years of war have led to unimaginable displacement and degradation. As he hunts for the soldier's killer, he learns that Berlin has become a city of secrets, a lunar landscape that seethes with social and political tension. When the two searches become entangled, Jake comes to understand that the American Military Government is already fighting a new enemy in the east, busily identifying the "good Germans" who can help win the next war. And hanging over everything is the larger crime, a crime so huge that it seems -- the worst irony -- beyond punishment. At once a murder mystery, a moving love story, and a riveting portrait of a unique time and place, The Good German is a historical thriller of the first rank.

    This collection will appeal to a new generation of Nora Roberts fans.Tonight and AlwaysWhen a renowned anthropologist agreed to help a writer research his new novel, she wasn't prepared for the passion their collaboration would spark...A Matter of ChoiceAn international smuggling ring traps a beautiful antiques dealer and a New York City cop in a web of danger and desire...Endings and BeginningsTwo Washington television reporters try to protect their love from their own professional rivalry-and the hazards of their celebrity...