Fast paced, full of twisty goodness, a well-drawn and intriguing main protagonist and a well-constructed and horrifically addictive storyline.’ Liz Loves Books ‘I was Dead Impressed with the fast paced plot; Dead Curious about who 'The Watcher' was; Dead Impressed the author managed to fool me; Dead Surprised when the killer was revealed and felt the ending was… well… Dead Perfect!’ Noelle Holten, bestselling author of Dead Inside‘Fantastic stuff. A must read for any lovers of crime. Matt Brolly has a cracking series on his hands.’ NorthernCrime'An action-filled, totally gripping, page turner!' Carol Wyer, author of Little Girl Lost

    I just want to shoot somebody."--Mike Hammer Everybody loves a mystery, and nobody solves them like Mike Hammer. While other detectives bend and manipulate the law, Hammer holds it in total contempt, seeing it as nothing more than an impediment to justice, the one virtue he holds in absolute esteem. Now, the no-holds-barred private eye returns, along with his gorgeous secretary, Velda, and a collection of New York City characters, in two fully dramatized "theater-of-the-mind" audio adventures. "Dangerous Days" and "Oil and Water." "Dangerous Days" - When Hammer rescues a crazed young woman clad only in a medical gown, he's flung into the shadowy world of secret ops and international terrorism. New York is the target, and Mike Hammer is the only man who can prevent a massive catastrophe. But will he find out who the real enemy is before it's too late? "Oil and Water" - The one woman Mike Hammer might have married is back in town. But when she's murdered after making an appointment with her ex-lover, Mike winds up investigating a massive conspiracy involving a powerful oil company. Hammer thinks he's close to the truth, but has he been played for a sucker all along? Narrated by Stacy Keach, the acclaimed actor who starred in the original Mike Hammer TV series, these new mysteries are written by the writers of that show and enhanced with a full supporting cast, sound effects, and music. Even the show's jazzy theme song is back to set the gritty tone for each episode.

    including the President of the United States?

    A city lives in fear. The police fall into chaos. A woman is savagely murdered, her body stabbed over a hundred times, and the police recognise that the perpetrator will likely strike again. DCI Bloonsbury, the once-feted detective, is put in charge of the investigation, but when an officer is slain, and an old police conspiracy begins to unravel, Bloonsbury slides further into morose, intoxicated depression. And here, somewhere in the midst of the horror, is Detective Sergeant Thomas Hutton, lost in a sea of love, lust, deception, alcohol, and murdered colleagues. But the dead will not rest, the past will not be buried, and DS Hutton must find his way, as the killer kills, and kills again…

    Then the ER doctors revived him. It’s infatuation at first sight when he meets his nurse, Felicia Vogan, a strange young woman with a weakness for sad sacks and losers. After she helps Elliot escape from the hospital, she takes him back to her place. He’s happy to go with her, even when she leads him straight to a gang planning a million dollar heist. Does Felicia just want Elliot to protect her from the outfit’s psychotic leader, Stan the Man? Or is Elliot being set up to take the hard fall? One thing’s for sure: if he’s going to survive this long night of deceit and murder, Elliot will have to finally face himself and his own dark past.

    She’s found the perfect vessel: Revenge of the Tide. She already feels less lonely; as if the boat is looking after her.But the night of her boat-warming party, a body washes up, and to Genevieve’s horror, she recognizes the victim. She isn’t about to tell the police, though; hardly anyone knows about her past as a dancer at a private members’ club, The Barclay. The death can’t have anything to do with her. Or so she thinks...Soon, the lull of the waves against Revenge feels anything but soothing, as Genevieve begins to receive strange calls and can’t reach the one person who links the present danger with her history at the club. Fearing for her safety, Genevieve recalls the moment when it all started to go wrong: the night she saw her daytime boss in the crowd at The Barclay...Dark, sexy, and exquisitely chilling, Dark Tide is another superb mystery from acclaimed rising star Elizabeth Haynes.

    She’s lethal, seductive, and as ruthless as any double-O. Her latest assignment is to track down a scientist suspected of selling secrets to the Russians. It’s a high-stakes, global escapade that takes an unexpected violent turn that shatters her life…and ultimately pits her against a billionaire industrialist with terrifying intentions. “Jolly & Preposterous Intrigue.” New York Times “A clever, high-spirited story.” Times Literary Supplement (London) “Exhilarating…it’s a winner!” Irish Times

    Only one girl survived: Alex Salerno. The killer, Ken Parsons, was sent away. Life returned to normal. No more girls would have to die. Until another one did.It’s been twelve years since Kira Shanks was reported missing and presumed dead. Alex Salerno has been living in New York City, piecemealing paychecks to earn a livable wage, trying to forget those three days locked underground and her affair with Sean Riley, the married detective who rescued her. When Noah Lee, hometown reporter with a journalistic pedigree, requests an interview, Alex returns to Reine and Riley, reopening old wounds. What begins as a Q&A for a newspaper article soon turns into an opportunity for money, closure and—justice. The disappearance of Kira Shanks has long been hung on Benny Brudzienski, a hulking man-child who is currently a brain-addled guest at the Galloway State Mental Hospital. But after Alex reconnects with ex-classmates and frenemies, doubts are cast on that guilt. Alex is drawn into a dangerous game of show and tell in an insular town where everyone has a secret to hide. And as more details emerge about the night Kira Shanks went missing, Alex discovers there are some willing to kill to protect the horrific truth.In the modern vein of Girl on the Train and The Bone Collector, The One That Got Away is a dark, psychological thriller, featuring a compelling, conflicted heroine and a page-turning narrative that races toward its final, shocking conclusion.

    The vicious murder of a young child provides rookie journalist Paddy Meehan with her first big break when the suspect turns out to be her fiance's 11-year old cousin. Launching her own investigation into the horrific crime, Paddy uncovers lines of deception deep in Glasgow's past, with more horrific crimes in the future if she fails to solve the mystery. Infused with Mina's unique blend of dark humor, personal insights and social injustice, the story grips the reader while challenging our perceptions of childhood innocence, crime and punishment, and right or wrong.

    We're talking over a hundred print pages of pure pulp perfection that'll cost you less than the paper it ain't printed on.Includes the Spinetingler-Award-winning "Seven Days of Rain," Derringer-Award finalist "The Big Score," and "The World Behind," which originally appeared in Ellery Queen's Mystery Magazine.Also included are "A Better Life," "The Well," "A Simple Kindness," "Eight Pounds," and "The Toll Collectors."

    Whiplash twists, razor-sharp prose, an addictive narrative--I couldn't read it fast enough."--Rob Hart, author of South Village"With a plot that winds up like a Swiss watch and then explodes like an RPG, Bradley Spinelli's The Painted Gun pays off in every way a reader of noir fiction wants it to, and provides a lovely bonus--some of the most sure-footed tough guy prose I've seen since Hammett and Chandler walked those mean streets. Spinelli's novel pays homage to the conventions of detective fiction while also spinning an original and terrifying web of violence, menace, and intrigue. A bravura performance by a writer of marvelous gifts."--Sterling Watson, author of Suitcase City"The Painted Gun is a fun and wonderfully reckless remix. Bradley Spinelli spins the conventions of noir and whips up a tasty postmodern dish. It's an homage to yesterday, and also an examination of what's thrumming outside our walls right now."--Joshua Mohr, author of All This LifePraise for Killing Williamsburg by Bradley Spinelli:"Spinelli offers sharp and stylish prose...Benson's nihilistic views may resonate with readers in their twenties facing an uncertain economic future."-- Publishers Weekly "Spinelli has written the first visionary neo-Romantic novel of the twenty-first century."-- The Awl It's 1997 at the dawn of the digital age in San Francisco. Ex-journalist and struggling alcoholic David "Itchy" Crane's fledgling "information consultancy" business is getting slowly buried by bad luck, bad decisions, and the growing presence of the Internet. Before Itchy can completely self-destruct, a crooked private investigator offers him fifty grand to find a missing girl named Ashley. Crane takes the job because the money's right and because the only clue to her disappearance is a dead-on oil portrait of Crane himself painted by the mysterious missing girl--whom he has never met.As Crane's search for Ashley rapidly becomes an obsession, he stumbles upon a series of murders, gets slapped around by thugs and intimidated by cops, and begins to suspect he's being framed for the murders by a psychotic Guatemalan hit man. Left with no avenue but survival, Crane goes on the offensive, fighting to clear his name, solve the murders, and find the beguiling portrait artist Ashley, who may have a few surprises of her own.

    He’s hoping to escape a violent past he would rather forget. But his solitude is broken when he finds himself drawn into a friendship with Tom Kristoll, publisher of the mystery magazine Gray Streets—and into an affair with Laura, Tom’s sleek blond wife. When Tom offers him a job as an editor, Loogan sees no harm in accepting. What he doesn’t realize is that the stories in Gray Streets tend to follow a simple formula: Plans go wrong. Bad things happen. People die.Elizabeth Waishkey is a single mother raising a fifteen-year-old daughter. She’s also the most talented detective in the Ann Arbor Police Department. But when Tom Kristoll turns up dead, she doesn’t quite know what to make of David Loogan. Is he a killer, or an ally who might help her find the truth? Loogan, for his part, would like to trust her, but he has his own agenda. He suspects his friend’s death is part of a much larger puzzle, and he’s not going to wait for someone else to put the pieces together. As Loogan and Elizabeth navigate their way through the Kristoll's world, they find no shortage of people with motives for murder, from a young graduate student obsessed with Laura Kristoll to a trio of bestselling writers, all of them with secrets they don’t want uncovered.As the deaths start mounting up—some of them echoing stories published in Gray Streets—Loogan begins to look more and more like the most promising suspect.Soon it becomes clear that only Elizabeth can find the path to solving both the murders and the mystery of Loogan himself. But by the time she unravels the twisted skein, Loogan May be indicted for murder—or more likely, become the next victim.

    And that’s kinda how she likes it—until the day Atlanta is drawn into a battle against two groups of bullies and saves a pair of new, unexpected friends. But actions have consequences, and when another teen turns up dead—by an apparent suicide—Atlanta knows foul play is involved. And worse: she knows it’s her fault.You go poking rattlesnakes, maybe you get bit.Afraid of stirring up the snakes further by investigating, Atlanta turns her focus to the killing of a neighborhood dog. All paths lead to a rural dogfighting ring, and once more Atlanta finds herself face-to-face with bullies of the worst sort. Atlanta cannot abide letting bad men do awful things to those who don’t deserve it. So she sets out to unleash her own brand of teenage justice.Will Atlanta triumph? Or is fighting back just asking for a face full of bad news?

    But just as she's beginning to think of Barlow County as home, her life takes an ominous turn when she comes upon a grisly multiple car wreck and three shattered bodies on an isolated road outside of town. Near the scene, Melisende trips over a fourth body, that of a newborn girl lying a physics-defying distance from the wreckage. There is no one to claim the infant, nor a clear indication she was even part of the accident.The crash offers plenty of opportunities for an apprentice mortician--but when the victims' bodies are stolen from her family's mortuary, Melisende is branded suspect number one. Then, Portland lawyer Kendrick Pride arrives on the scene on behalf of one of the victim's families--or so he says--and Melisende begins to see that there's much more to this enigmatic figure than meets the eye.As the shadows gather and the mystery deepens, Melisende must race to find the truth--or be swallowed by the darkness.

    Motivated by justice and revenge, he seeks out the assassin that laid his friend Jack low.Professional killer Rafael Rontego traverses the deadly politics of Buffalo’s mafia underbelly. In a city whose winter can be just as deadly as those wielding power, Rontego tries to stay ahead of the game.Their two worlds collide in this epic thriller that takes the reader on a search for self, justice, and truth.