In The Mecca was nominated for the National Book Award for poetry.

    And poets are people who are determined to leave a trace in words, to transform oceanic depths of feeling into art that speaks to others.   In 100 Poems to Break Your Heart, poet and advocate Edward Hirsch selects 100 poems, from the nineteenth century to the present, and illuminates them, unpacking context and references to help the reader fully experience the range of emotion and wisdom within these poems.   For anyone trying to process grief, loneliness, or fear, this collection of poetry will be your guide in trying times.

    . . " In words drawn from urban and Navajo perspectives, Sherwin Bitsui articulates the challenge a Native American person faces in reconciling his or her inherited history of lore and spirit with the coldness of postmodern civilization.Shapeshift is a collection of startling new poetry that explores the tensions between the worlds of nature and man. Through brief, imagistic poems interspersed with evocative longer narratives, it offers powerful perceptions of American culture and politics and their lack of spiritual grounding. Linking story, history, and voice, Shapeshift is laced with interweaving images—the gravitational pull of a fishbowl, the scent of burning hair, the trickle of motor oil from a harpooned log—that speak to the rich diversity of contemporary Diné writing."Tonight, I draw a raven's wing inside a circle measured a half second before it expands into a hand. I wrap its worn grip over our feet As we thrash against pine needles inside the earthen pot." With complexities of tone that shift between disconnectedness and wholeness, irony and sincerity, Bitsui demonstrates a balance of excitement and intellect rarely found in a debut volume. As deft as it is daring, Shapeshift teases the mind and stirs the imagination.

    

    Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society.

     In addition to her work as a nurse caring for wounded soldiers, Utinsky was instrumental in setting up an underground network to smuggle food, medicine, and money to Allied prisoners-of-war held at Camps O'Donnell and Cabanatuan (many of whom were survivors of the infamous Bataan Death March). Her code-name in the network was "Miss U." However, she was eventually captured by the Japanese and subjected to 32 days of imprisonment and torture at Fort Santiago in Manila. Following her release, and after six weeks in a hospital for treatment of her injuries, she left Manila and returned to the Bataan Peninsula, again serving as a nurse to guerrilla fighters. After American forces regained the Philippines, Utinsky was attached to the U.S. Army's Counter Intelligence Corps to help identify collaborators and those involved in the torture of prisoners. With the end of the war, she returned to the United States, and was awarded the Medal of Freedom in 1946. Margaret Elizabeth Doolin Utinsky (August 26, 1900 – August 30, 1970) was an American nurse who worked with the Filipino resistance movement to provide medicine, food, and other items to aid Allied prisoners of war in the Philippines during World War II. She was recognized in 1946 with the Medal of Freedom for her actions.

    The perfect gift for the mentors in our lives, this charming, illustrated poem reminds us of the beauty in, and importance of, cultivating curiosity, creativity, and confidence in others.

    The collection will include pre-published essays that have gone viral, like “The White Industrial Savior Complex,” first published in The Atlantic.

    

    Henry Shackleford is a young slave living in the Kansas Territory in 1857, when the region is a battleground between anti- and pro-slavery forces. When John Brown, the legendary abolitionist, arrives in the area, an argument between Brown and Henry’s master quickly turns violent. Henry is forced to leave town—with Brown, who believes he’s a girl. Over the ensuing months, Henry—whom Brown nicknames Little Onion—conceals his true identity as he struggles to stay alive. Eventually Little Onion finds himself with Brown at the historic raid on Harpers Ferry in 1859—one of the great catalysts for the Civil War. An absorbing mixture of history and imagination, and told with McBride’s meticulous eye for detail and character, The Good Lord Bird is both a rousing adventure and a moving exploration of identity and survival.

    She is taught only to obey, but she always finds ways to rebel—gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. It’s during the summer of 1950 that Forugh’s passion for poetry really takes flight—and that tradition seeks to clip her wings. Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh’s poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules—at enormous cost. But the power of her writing grows only stronger amid the upheaval of the Iranian revolution. Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews—and including original translations of her poems—Jasmin Darznik has written a haunting novel, using the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran—and who continues to inspire generations of women around the world.

    Her prize: A rent-free year in a cottage in the Berkshires, where she could finish a first book. But Taylor—outside the city for the first time in nearly a decade, and trying to conceive her first child—found herself alone. To break up her days, she began to intern on a small farm, planting leeks, turning compost, and weeding kale. In this calendric cycle of 28 poems, Taylor describes the work of this year, considering what attending to vegetables on a small field might achieve now. Against a backdrop of drone strikes, “methamphetamine and global economic crisis,” these poems embark on a rich exploration of season, self, food, and place. Threading through the farm poets—Hesiod, Virgil, and John Clare—Taylor revisits the project of small scale farming at the troubled beginning of the 21st century. In poems full of bounty, loss and the mysteries of the body, Taylor offers a rich, severe, memorable meditation about what it means to try to connect our bodies and our time on earth.

    So when a thick government-issued envelope arrived at her door announcing her assignment to the Philippines as a Peace Corps Volunteer, she snatched the opportunity and set out on a journey of self-discovery, travel, and adventure. Arriving in the mountain town of Baguio City, Philippines, she was introduced to a life of obnoxious roosters, bucket baths, and kids shouting her name every time she walked down the street. Despite her attempts to get involved in the community, her desire for belonging and identity did not materialize as quickly as planned. Realizing that “Filipino time” means nothing ever happens in a hurry, Deborah braces for the journey ahead, hoping to find answers, and above all, to find herself.Filled with warmth and humor, Somewhere in the Middle captures the simple joy found in ordinary moments and in the people we share our lives with, shedding new light on what it truly means to find the place where you belong. Whether you’re hoping to unearth your own cultural roots, volunteer abroad, or find your next travel adventure, this memoir offers inspiration for all those yearning to discover who they are and where they belong in the world.

    For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant—a part of a future that belonged to them.But beneath the hopeful veneer, there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where ghosts haunted the night, where mothers disappeared. A world where madness was just a sunset away and fathers found hope in religion.

    The book maps his trajectory through India, China, Pakistan, to Egypt and Morocco, during the year of his wandering between his native Singapore and his new home in Berowra. His essays offer memorable portraits of his parents and grandparents, friends and teachers, barbers and backpackers, the handicapped and the poor. Boey is a poet and he brings poetic sensibility to make this writing of the most powerful kind.