Once an aspiring art photographer, she now makes ends meet taking portraits of school children and working for a caterer. Recovering from her addiction, she spends lonely evenings checking out profiles on an online dating site. Weekend visits with her son are awkward. He’s drifting away from her, fast.When she meets Ava and Swift Havilland, the vulnerable Helen is instantly enchanted. Wealthy, connected philanthropists, they have their own charity devoted to rescuing dogs. Their home is filled with fabulous friends, edgy art, and dazzling parties.Then Helen meets Elliott, a kind, quiet accountant who offers loyalty and love with none of her newfound friends’ fireworks. To Swift and Ava, he’s boring. But even worse than that, he’s unimpressed by them.As Helen increasingly falls under the Havillands’ influence—running errands, doing random chores, questioning her relationship with Elliott—Ava and Swift hold out the most seductive gift: their influence and help to regain custody of her son. But the debt Helen owes them is about to come due.Ollie witnesses an accident involving Swift, his grown son, and the daughter of the Havillands’ housekeeper. With her young son’s future in the balance, Helen must choose between the truth and the friends who have given her everything.

    Major literary talent Ramona Ausubel, author of Sons and Daughters of Ease and Plenty, coming Summer 2016, combines the otherworldly wisdom of her much-loved debut novel, No One Is Here Except All of Us, with the precision of the short-story form. A Guide toBeing Born is organized around the stages of life—love, conception, gestation, birth—and the transformations that happen as people experience deeply altering life events, falling in love, becoming parents, looking toward the end of life. In each of these eleven stories Ausubel’s stunning imagination and humor are moving, entertaining, and provocative, leading readers to see the familiar world in a new way.In “Atria” a pregnant teenager believes she will give birth to any number of strange animals rather than a human baby; in “Catch and Release” a girl discovers the ghost of a Civil War hero living in the woods behind her house; and in “Tributaries” people grow a new arm each time they fall in love. Funny, surprising, and delightfully strange—all the stories have a strong emotional core; Ausubel’s primary concern is always love, in all its manifestations.

    In mapping their struggles over one wild and emotional wedding weekend, Laura Dave gives us a brilliantly subtle and honest look at contemporary courtship, family tension, and the angst that we all experience when we have to make difficult choices. Three years ago, Emmy Everett made the painful decision to call off her engagement and leave New York City behind. Since then she has been hiding out in Rhode Island working at a bait and tackle shop and haphazardly shooting a documentary about fishermen's wives. July 4th weekend has rolled around again and Emmy is mustering up the courage to return home to New York (the site of her own failed romance) to celebrate her brother Josh's wedding. En route to his bachelor party, Emmy is shocked when her typically resolute brother confesses that he is having serious doubts about getting married and he may even be in love with another woman. Emmy is determined to help her brother face up to this decision the one she fled from herself. With less than twenty-four hours to go before the wedding, she takes Josh on a road trip to find this mystery woman. Along the way, Emmy embraces her own hard-earned lessons about romance, commitment and what happens when we refuse to let go of the past. London is the Best City in America is a courageous, big-hearted portrait of love, loyalty, and heartbreak. Emmy is lively, wise and, ultimately, very brave as she tries to answer the universal question: how do we take that first step toward making our lives our own?

    But instead of the abstract canvases of the Pollocks and Rothkos, he stubbornly hewed to painting one subject the female nude. When he died in 2001, he left behind a wife, Abigail, an autistic son, and a sister, Maxine, herself a notable abstract painter all duly noted in the New York Times obituary.What no one knows is that Oscar Feldman led an entirely separate life in Brooklyn with his longtime mistress, Teddy St. Cloud, and their twin daughters. As the incorrigibly bohemian Teddy puts it, "He couldn't live without a woman around. It was like water to a plant for him." Now two rival biographers, book contracts in hand, are circling around Feldman's life story, and each of these three women, Abigail, Maxine, and Teddy, will have a chance to tell the truth as they experienced it.The Great Man is a scintillating comedy of life among the avant-garde of the untidy truths, needy egos, and jostlings for position behind the glossy facade of artistic greatness. Not a pretty picture but a provocative and entertaining one that incarnates the take-no-prisoners satirical spirit of Dawn Powell and Mary McCarthy.

    Raised by her father, owner of New York City's glamorous Gregory Hotels, after her mother's death, Nina was taught that family, reputation, and legacy are what matter most. And her boyfriend Tim, thoughtful, kind, and honest, not to mention her best friend since childhood, feels the same. But after Nina's father passes away, she learns he may not have practiced what he preached. As her world falls apart, Nina begins to question everything she thought she knew and to see the men in her life--her father, her boyfriend, and unexpectedly, her handsome and attentive boss, Rafael--in a new light. Soon Nina finds herself caught between the world she knows and loves, and a passion that could upend everything.More than Words is a heartbreaking and romantic novel about grief, loss, love, and self-discovery, and how we choose which life we are meant to live.

    Over the course of their visit, Lolly reveals the story behind each charm on her bracelet, and one by one the family stories help Lolly, Arden, and Lauren reconnect in a way that brings each woman closer to finding joy, love, and faith.A compelling story of three women and a beautiful reminder of the preciousness of family, The Charm Bracelet is a keepsake you’ll cherish long after the final page.

    This quirky group of women would much rather celebrate one another’s rejected manuscripts over cups of tea and slices of lemon cake than actually publish a book. But good friends are exactly what Janet needs after moving to the small town of Southlea Bay, Washington. Just as the ladies are about to raise a teacup to their five hundredth rejection letter, they receive bad news that could destroy one member’s reputation—and disband the group forever. To save the club, Janet joins her fellow writers on a wild road trip to San Francisco in search of the local publisher who holds the key to a long-buried secret. As they race to the finish line, they’ll face their fears—landslides, haunted houses, handsome strangers, ungrateful children—and have the time of their lives.

    What saves him is theater: in particular, the challenge of performing the role of Hotspur in a production of Henry IV under the leadership of a brilliant director, helmed by one of the most electrifying--and narcissistic--Falstaff's of all time. Searing, raw, and utterly transfixing, A Bright Ray of Darkness is a novel about shame and beauty and faith, and the moral power of art.

    She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage — with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home — though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life — her hunger, her anger — in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.

    It’s all he can do to keep his compassionate but ailing mother and his stepfather—a fanatical grassroots minister with a bruising rhetoric—from ruin. But they have no idea they’ve become the obsession of the girl in the woods.Abandoned and nearly feral, Eve has been watching them, seduced by the notion of family—something she’s known only in the most brutal sense. Soon she can’t resist the temptation to get close. Where Henry’s mother sees a poor girl in need, his father sees only wickedness. When Henry forges an unexpected bond with Eve, he believes he might be able to save her. He doesn’t know how wrong he is.Eve is about to take charge of her own destiny—and that of Henry’s family. As both their worlds spin violently out of control, Henry must make an impossible choice: protect the broken young woman who’s claimed a piece of his soul, or put everyone he loves at risk in order to do the right thing.

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    Life is good - nice and tidy. Until, that is, on her fiftieth birthday when her boyfriend does the unthinkable: He proposes. Libby's been down the marriage road before and it just didn't work. While she's trying to persuade her guy to keep things status quo, she reconnects online with her high-school boyfriend and begins an email correspondence...just for fun.But fun soon turns to flirtation and Libby is startled to feel some stirrings of the passion she felt at seventeen. How is that possible? She thought she had things all figured out. Now she must take stock of her life and everyone in it, to answer for herself the question everyone has been asking --What more could you wish for?

    When she meets Max, a beguiling romantic hero who tells her on date one that he's going to marry her, it feels like all is going to plan.A new relationship couldn't have come at a better time - her thirties have not been the liberating, uncomplicated experience she was sold. Everywhere she turns, she is reminded of time passing and opportunities dwindling. Friendships are fading, ex-boyfriends are moving on and, worse, everyone's moving to the suburbs. There's no solace to be found in her family, with a mum who's caught in a baffling mid-life makeover and a beloved dad who is vanishing in slow-motion into dementia.Dolly Alderton's debut novel is funny and tender, filled with whip-smart observations about relationships, family, memory, and how we live now.

    She fills increasingly bizarre placements in search of steadiness, connection, and something, at last, to call her own. Whether it's shining an endless closet of shoes, swabbing the deck of a pirate ship, assisting an assassin, or filling in for the Chairman of the Board, for the mythical Temporary, "there is nothing more personal than doing your job."This riveting quest, at once hilarious and profound, will resonate with anyone who has ever done their best at work, even when the work is only temporary.

    Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife Lydia, who is also the model upon whom he built his career, discovers the truth.  Abortion, local evangelism, marital disenchantment, and the rifts of social class:  Brundage takes on the fault lines of our era with a deft hand.