The creator of the literary sensations Divine Secrets of the Ya-Ya Sisterhood, Little Altars Everywhere, and Ya-Yas in Bloom delivers an unforgettable new stand-alone novel about the pull of first love, the power of home, and everyday magic. No matter if you already adore the Ya-Yas or haven’t yet entered the miraculous world of Rebecca Wells, you are going to love—and never forget—Calla Lily Ponder.

    Hannah. Bridget. Lizzy. Flavia. Each of them has a shameful secret, and each is about to find out that she is not alone… Gail, a prominent Boston judge, keeps receiving letters from her husband's latest girlfriend, while her husband, a theology professor, claims he's nine-months sober from sex with grad students. Hannah, a homemaker, catches her husband having sex with a male prostitute in a public restroom. Bridget, a psychiatric nurse at a state hospital, is sure she has a loving, doting spouse, until she learns that he is addicted to chat rooms and match-making websites. Lizzy, a high school teacher, is married to a porn addict, who is withdrawn and uninterested in sex with her. Flavia was working at the Boston Public library when someone brought her an article that stated her husband had been arrested for groping a teenage girl on the subway. He must face court, and Flavia must decide if she wants to stay with him. Finally, Kathryn, the young psychologist running the group, has as much at stake as all of the others.As the women share never-before-uttered secrets and bond over painful truths, they work on coming to terms with their husbands' addictions and developing healthy boundaries for themselves. Meanwhile, their outside lives become more and more intertwined, until, finally, a series of events forces each woman to face her own denial, betrayal and uncertain future head-on.From author Sylvia True comes The Wednesday Group, a captivating, moving novel about friendship, marriage, and the bonds that connect us all.

    But when illness brings them together, they discover they may be more like Austen’s famous sisters after all.Lizzy was only a teenager when her mother died of cancer. Shortly after, Lizzy fled from her home, her family, and her cherished nickname. After working tirelessly to hone her gift of creating magic in the kitchen, Elizabeth has climbed the culinary ladder to become the head chef of her own New York restaurant, Feast. But as her magic begins to elude her, Paul, Feast’s financial backer, brings in someone to share her responsibilities and her kitchen. So Elizabeth flees again.In a desperate attempt to reconnect with her gift, Elizabeth returns home. But her plans are derailed when she learns that her estranged sister, Jane, is battling cancer. Elizabeth surprises everyone—including herself—when she decides to stay in Seattle and work to prepare healthy, sustaining meals for Jane as she undergoes chemotherapy. She also meets Nick and his winsome son, Matt, who, like Elizabeth, are trying to heal from the wounds of the past.As she tends to Jane's needs, Elizabeth's powers begin to return to her, along with the family she left behind so long ago. Then Paul tries to entice her back to New York, and she is faced with a hard decision: stay and become Lizzy to her sister’s Jane, or return to New York and the life she worked so hard to create?

    Alas, she is more of the Jack Daniels kind. Self-medicating with ice cream for breakfast, breaking down at the supermarket, and showing up to work in her bathrobe and bunny slippers-soon she's not only lost her husband, but her job, house...and waistline. With humor and chutzpah Sophie leaves town, determined to reinvent her life. But starting over has its hurdles; soon she's involved with a thirteen-year-old who has a fascination with fire, and a handsome actor who inspires a range of feelings she can't cope with-yet.

    A harried working mother who’s so busy taking care of her husband and twins, she doesn’t even realize she’s had a heart attack.Surprised to discover that her recuperation seems to be an imposition on those who rely on her, Maribeth does the unthinkable: she packs a bag and leaves. But, as is often the case, once we get where we’re going we see our lives from a different perspective. Far from the demands of family and career and with the help of liberating new friendships, Maribeth is able to own up to secrets she has been keeping from herself and those she loves.With bighearted characters--husbands, wives, friends, and lovers--who stumble and trip, grow and forgive, Leave Me is about facing the fears we’re all running from. Gayle Forman is a dazzling observer of human nature. She has written an irresistible novel that confronts the ambivalence of modern motherhood head on and asks, what happens when a grown woman runs away from home?

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

    Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

    But little does she know that her newfound love is only the harbinger of greater changes to come. Meanwhile, across town, Clare Hobbs—eleven years old and abandoned by her erratic mother—goes looking for her lost father. She crosses paths with Cornelia while meeting with him at the café, and the two women form an improbable friendship that carries them through the unpredictable currents of love and life.

    Jen already has two college-age daughters by two different (probably) musicians, and it's her second time around the class mom block with five-year-old Max--this time with a husband and father by her side. Though her best friend and PTA President sees her as the-wisest-candidate for the job (or oldest), not all of the other parents agree.From recording parents' response times to her emails about helping in the classroom, to requesting contributions of-special-brownies for curriculum night, not all of Jen's methods win approval from the other moms. Throw in an old flame from Jen's past, a hyper-sensitive -allergy mom,-a surprisingly sexy kindergarten teacher, and an impossible-to-please Real Housewife-wannabe, causing problems at every turn, and the job really becomes much more than she signed up for.

    Introducing Ashley Keller, career girl turned stay-at-home mom who's trying to navigate the world of Pinterest-perfect, Facebook-fantastic and Instagram-impressive mommies but failing miserably. When Ashley gets the opportunity to participate in the Motherhood Better boot camp run by the mommy-blog-empire maven she idolizes, she jumps at the chance to become the perfect mom she's always wanted to be. But will she fly high or flop? With her razor-sharp wit and knack for finding the funny in everything, Bunmi Laditan creates a character as flawed and lovable as Bridget Jones or Becky Bloomwood while hilariously lambasting the societal pressures placed upon every new mother. At its heart, Ashley's story reminds moms that there's no way to be perfect, but many ways to be great.

    At seven, she’s correcting her teachers. At eight, she spins the globe and picks her favourite country on the sound of its name: Burundi. And now that she's an adult, Augusta has no interest in the goings-on of the small town where she lives with her parents and her beloved twin sister, Julia.When an unspeakable tragedy upends everything in Augusta's life, she's propelled headfirst into the unknown. She's determined to find where she belongs – but what if her true home, and heart, are half a world away?

    But when she discovers Aidan allowed himself to be seduced by one of his students, she moves into the third floor of her best friend Alexis's Presidio Heights mansion. Aided by the hilarious and high-spirited Alexis, Cassie has to decide if she can forgive Aidan and give their marriage one more chance. Saving her marriage is not the only choice Cassie has to make. Cassie's mother is eager to have her oversee Fenton's new Food Emporium, destined to be San Francisco's hottest gourmet shopping destination. Her true passion has always been food, and Cassie suspects her mother might be trying to lure her into the Fenton's fold by entrusting her with such an exciting opportunity. And then there is James, the architect designing the Emporium, who is quietly falling in love with her. Filled with delicious descriptions of high fashion, gourmet food and the City by the Bay, Market Street is a rewarding treat that will linger long after its surprising and satisfying finish.

    It’s a common cliché, and I’d heard it often enough. People die or move away. Investments go south. Affairs end. Loved ones betray us...Stuff happens.Daisy McCrae’s life is in tatters. She’s lost her job, broken up with her boyfriend, and has been reduced to living in the attic above her family’s store, The Union Street Bakery, while learning the business. Unfortunately, the bakery is in serious hardship. Making things worse is the constant feeling of not being a “real” McCrae since she was adopted as a child and has a less-than-perfect relationship with her two sisters. Then a long-standing elderly customer passes away, and for some reason bequeaths Daisy a journal dating back to the 1850s, written by a slave girl named Susie. As she reads, Daisy learns more about her family—and her own heritage—than she ever dreamed. Haunted by dreams of the young Susie, who beckons Daisy to “find her,” she is compelled to look further into the past of the town and her family.What she finds are the answers she has longed for her entire life, and a chance to begin again with the courage and desire she thought she lost for good.

    Now in their late 30s, the deeply devoted couple has everything-except the baby they've always wanted.When an accident leaves Elle brain dead, Matt is devastated. Though he cannot bear the thought of life without her, he knows Elle was afraid of only one thing-a slow death. And so, Matt resolves to take her off life support.But Matt changes his mind when they discover Elle's pregnant. While there are no certainties, the baby might survive if Elle remains on life support. Matt's mother, Linney, disagrees with his decision. She loves Elle, too, and insists that Elle would never want to be kept alive on machines. Linney is prepared to fight her son in court-armed with Elle's living will.Divided by the love they share, Matt and Linney will be pitted against each other, fighting for what they believe is right, and what they think Elle would have wanted resulting in a controversial legal battle that will ultimately go beyond one family . . . and one single life.

    Her sensitive and able crafting of language, character, and situation pierces through the turmoil and stress of everyday life, illuminating its message with almost painful intensity: "Maybe you should start wanting less." Wingate's words resonate as readers are introduced to Kate Bowman, her architect husband Ben, and their infant son. Kate, on maternity leave from her high-profile Chicago job, has been given the unenviable task of convincing her increasingly frail and forgetful grandmother that she can no longer live alone on the Missouri farm that has been her home for almost half a century. Kate and Ben are struggling to deal with mounting debts and medical bills as they strive to build a lifestyle, rather than a life. Frustrated by dealing with her stubborn, if well-meaning, grandmother, Kate finds solace and clarity in Grandma Rose's handwritten journal. The simple stories of earlier, less complicated times renew Kate's understanding of the truly important things in life. Through the journal, Kate discovers the essence of the remarkable Grandma Rose and is forced to reevaluate her priorities and those of her family. Simply put, Wingate's aim is to exhort readers to "stop and smell the roses." The daily race to achieve and have more, more, more is clearly and all-too-accurately portrayed in these pages. I guarantee readers will stop to think of their own lives and where they are spending their energies. Let's hope Lisa Wingate has other relatives as inspiring as Grandma Rose for future novels.