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    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters—an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

    Le Guin explores the magic of animals. Her animal characters -- from the irreverent trickster Coyote to the wise matriarch Grandmother Spider -- seem like people to us, just as they do to the little girl who finds herself living among them. We learn, with the girl, that these "Old People" once lived freely on the earth but now must maintain their lifeways carefully alongside the "New People" -- humans.Susan Seddon Boulet chose this tale to illustrate, completing twenty works for its publication. They are extremely effective in bringing Le Guin's characters to life, imbuing them, of course, with Boulet's singular vision of the otherworldly realms occupied by animal spirits. This book is a must for any serious collector of Boulet art.

    In his essay collection, Thrill Me, he laid bare for readers how and why he channels disparate influences in his work. Now, in his first story collection since the acclaimed Refresh, Refresh, Percy brings his page-turning skills to bear in Suicide Woods, a potent brew of horror, crime, and weird happenings in the woods.A boy in his uncle’s care falls through the ice on a pond and emerges in a frozen, uncanny state. A group of people in therapy for suicidal ideation undergoes a drastic session in the woods with fatal consequences. A body found on a train and a blood-soaked carpet in an empty house are clues to a puzzling crime in a small town. And in a pulse-quickening novella, thrill seekers on a mapping expedition into the “Bermuda Triangle” of remote Alaska are stranded on a sinister island that seems to want them dead.In story after story, which have appeared in magazines ranging from the Virginia Quarterly Review and Orion Magazine to McSweeney’s and Ploughshares, Percy delivers haunting and chilling narratives that will have readers hanging on every word. A master class in suspense and horror, Suicide Woods is a dark, inventive collection packed to the gills with eerie, can’t-miss tales.

    As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    Wilde draws upon his own experiences as well as themes such as mythology and individuality to add colour to his poems. Oscar Wilde's satirical, witty and observant voice made his poems indispensable during the Aesthetic period, and they continue to captivate readers to this day. He was and still is a celebrated playwright, poet and novelist. Product Information: ISBN: 9781788885140 Author: Oscar Wilde Publisher: Arcturus Format: Paperback Pages: 237 Dimensions: 20 x 13 x 1.5cm

    Included here are the notorious "Latin Parts" that Reynold Nicholson felt were too unseemly to appear in English in his 1920s translation. For Rumi, anything that human beings do--however compulsive or ludicrous--affords a glimpse of the inner life.

    It is eagerly anticipated, as Granta's previous Best Young Novelist issues have been startlingly accurate, calling out the work of writers from Salman Rushdie to Jonathan Franzen and Zadie Smith.Here, for the first time in translation, we predict the literary stars of the future. CONTENTS7 ForewordAurelio MajorValerie Miles11 Cohiba Lucia Puenzo (translated by Valerie Miles)29 Stars and Stripes Santiago Roncagliolo (translated by Edith Grossman)41 After Effects Oliverio Coelho (translated by Anne McLean)51 The Coming FloodAndres Barba(translated by Lisa Dillman)65 The Place of Losses Rodrigo Hasbun (translated by Carolina De Robertis)81 Conditions for the RevolutionPola Oloixarac(translated by Mara Faye Lethem)99 The Hotel Life Javier Montes (translated by Margaret Jull Costa)115 Gigantomachy Pablo Guitierrez (translated by Anna Kushner)123 After Helena Andres Neuman (translated by Richard Gwyn)135 Eva and Diego Alberto Olmos (translated by Peter Bush)147 The Survivor Sonia Hernandez (translated by Samantha Schnee)157 Scenes from a Comfortable Life Andres Ressia Colino (translated by Katherine Silver)169 Seltz Carlos Yushimito (translated by Alfred Mac Adam)187 The Girls Resembled Each Other in the Unfathomable Carlos Labbe (translated by Natasha Wimmer)195 In Utah There Are Mountains Too Federico Falco (translated by Alfred Mac Adam)217 Small Mouth, Thin Lips Antonio Ortuno (translated by Tanya Huntington Hyde)233 Gerardo’s Letters Elvira Navarro (translated by Natasha Wimmer)243 The Bonfire and the Chessboard Matias Nespolo (translated by Frank Wynne)263 The Cuervo Brothers Andres Felipe Solano (translated by Nick Caistor)273 Olingiris Samanta Schweblin (translated by Daniel Alarcon)287 Ways of Going Home Alejandro Zambra (translated by Megan McDowell)301 A Few Words on the Life Cycle of Frogs Patricio Pron (translated by Janet Hendrickson)321 Notes on translators

    This is the story of "one small human being's struggle for survival", the author's two-and-one-half pound premature baby boy.While the specifics belong to Moraga and her loved ones -- her large close-knit biological clan; her long-term partner; the child's father -- the tale is told in common with every woman who has experienced the wonder and terror of pregnancy, the trauma of a child's near-death. What is uncommon is that the mother is a lesbian, a writer, a Chicana -- all in the same breath of her storytelling."Lesbians don't make babies with our lovers", she writes. "Our blood doesn't mix". What does mix in Waiting In The Wings are blood and queer relations, Mexican Catholicism and Indian ceremony, butch and femme, life and death -- creating the carne y huesos not only of a baby, but of a family. Familia the author holds to in the grip of labor, sister in one hand, lover in the other. Family whose history she sees written in the dried parchment that is a dying uncle's skin."I am trying to write about the impossible. The ordinary beginning and ending of a life", Cherrie Moraga tells us. So ordinary, in fact, that perhaps Waiting In The Wings is not that "queer" after all.

    These thirty-three short stories and poems, crafted with a deliberate delicacy, each capture the candid, private moments of women in love.Together, these stories and the women who inhabit them reveal an illuminating portrait of the sacred female romance, with all its nuances, complexities, burdens, and triumphs revealed. Violence, sickness, chaos, tenderness, beauty, and freedom adorn these pages in a mosaic of unforgettable moments, including a lesbian granddaughter discovering unexpected commonalities with her grandmother, a teenager’s tryst with her friend after disenchanting sex with a boy, and an old couple’s dreamy Sunday-morning ritual.Sweeping nearly every major Brazilian literary prize in 2016—including the Prêmio Jabuti and Prêmio Açorianos de Literatura—Amora has propelled Natália Borges Polesso to the forefront of the international literary world.

    And in handsome twin brothers Ramón and Inocente—both in love with Ana—she finds a way to get there. She marries Ramón, and in 1844, just eighteen, she travels across the ocean to a remote sugar plantation the brothers have inherited on the island. Ana faces unrelenting heat, disease and isolation, and the dangers of the untamed countryside even as she relishes the challenge of running Hacienda los Gemelos. But when the Civil War breaks out in the United States, Ana finds her livelihood, and perhaps even her life, threatened by the very people on whose backs her wealth has been built: the hacienda’s slaves, whose richly drawn stories unfold alongside her own. And when at last Ana falls for a man who may be her destiny—a once-forbidden love—she will sacrifice nearly everything to keep hold of the land that has become her true home.This is a sensual, riveting tale, set in a place where human passions and cruelties collide: thrilling history that has never before been brought so vividly and unforgettably to life.

    Writing in a lyrical mixture of Spanish and English that is her unique heritage, she meditates on the condition of Chicanos in Anglo culture, women in Hispanic culture, and lesbians in the straight world. Her essays and poems range over broad territory, moving from the plight of undocumented migrant workers to memories of her grandmother, from Aztec religion to the agony of writing. Anzaldua is a rebellious and willful talent who recognizes that life on the border, "life in the shadows," is vital territory for both literature and civilization. Venting her anger on all oppressors of people who are culturally or sexually different, the author has produced a powerful document that belongs in all collections with emphasis on Hispanic American or feminist issues.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    In the company of his faithful squire, Sancho Panza, his exploits blossom in all sorts of wonderful ways. While Quixote's fancy often leads him astray—he tilts at windmills, imagining them to be giants—Sancho acquires cunning and a certain sagacity. Sane madman and wise fool, they roam the world together, and together they have haunted readers' imaginations for nearly four hundred years.With its experimental form and literary playfulness, Don Quixote has been generally recognized as the first modern novel. The book has been enormously influential on a host of writers, from Fielding and Sterne to Flaubert, Dickens, Melville, and Faulkner, who reread it once a year, "just as some people read the Bible."