Jesse James, at the age of 34, is at the height of his fame and powers as a singularly successful outlaw. Robert Ford is the skittish younger brother of one of the James gang: he has made himself an expert on the gang, but his particular interest - his obsession - is Jesse James himself. Both drawn to him and frightened of him, the nineteen-year-old is uncertain whether he wants to serve James or destroy him or, somehow, become him.Never have these two men been portrayed and their saga explored with such poetry, such grim precision and such raw-boned feeling as Ron Hansen has brought to this masterful retelling.'Wonderful. This is great storytelling, not undermined by our knowin how it turns out. The reader is driven - by story and by language and by history... the best blend of fiction and history I've read in a long while!' -- John Irving, author of The World According to Garp

    Roc sweeps her off her feet, taking her from her home by an emerald sea to the ancient family home of the Pendorrics, in Cornwall. His sister and her family await them with open arms, welcoming young Favel. She is the much anticipated Bride of Pendorric, a name that amuses and flatters her.The castle is beautiful in its way, but the atmosphere is foreboding. Roc’s twin nieces begin watching her carefully; even the stones in the courtyard seem to have eyes. On the walls hang portraits of two other Brides of Pendorric—one of them Roc’s mother—who died both young and tragically. Favel’s fear increases as Roc seems to be growing more and more distant. Has her courtship and marriage been just a deception?Soon Favel can no longer dismiss as accidents the strange things happening to her. Someone is trying to kill her and she must confront the very real dangers that surround her.

    

    Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.

    Set in the seventeenth century, it tells the story of a country and a family riven by war, and features one of fiction's most original heroines.Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As Richard rises through the ranks of the army, marries and makes enemies, Honor remains true to himAs the English Civil war is waged across the country, Richard rises through the ranks of the army, marries and makes enemies, and Honor remains true to him, and finally discovers the secret of Menabilly.Decades later, an undaunted Sir Richard, now a general serving King Charles I, finds her. Finally they can share their passion in the ruins of her family's great estate on the storm-tossed Cornish coast-one last time before being torn apart, never to embrace again.

    But he has yet to meet the test of human conflict. In a tale of violent action and superbly sustained suspense, the harsh realities of tribal warfare force him to kill his first foe, then face torture at the stake. Still yet another kind of initiation awaits him when he discovers not only the ruthlessness of "civilized" men, but also the special danger of a woman's will. His reckless spirit transformed into mature courage and moral certainty, the Deerslayer emerges to face life with nobility as pure and proud as the wilderness whose fierce beauty and freedom have claimed his heart.

    From the first book, Casino Royale, to the last, You Only Live Twice, readers will appreciate the genius and remarkable abilities of Bond’s creator, Ian Fleming. In addition to the 12 full-length novels, this collection also includes two books of short stories (For Your Eyes Only and Octopussy and the Living Daylights). 1. Casino Royale (1953) 2. Live and Let Die (1954) 3. Moonraker (1955)[f] 4. Diamonds Are Forever (1956) 5. From Russia, with Love (1957) 6. Dr. No (1958) 7. Goldfinger (1959) 8. Thunderball (1961) 9. The Spy Who Loved Me (1962) 10. On Her Majesty's Secret Service (1963) 11. You Only Live Twice (1964) 12. The Man with the Golden Gun (1965) 13. For Your Eyes Only (1960) 14. Octopussy and The Living Daylights (1966)

    But instead, he discovers that his father has died, his home is overrun by livestock and drunken servants, and Elizabeth, having believed Ross dead, is now engaged to his cousin. Ross must start over, building a completely new path for his life, one that takes him in exciting and unexpected directions....Thus begins an intricately plotted story spanning loves, lives, and generations. The Poldark series is the masterwork of Winston Graham, who evoked the period and people like only he could, and created a world of rich and poor, loss and love, that listeners will not soon forget.

    Unbeknownst to D'Artagnan, Aramis and Porthos plot to remove the inept king and place the king's twin brother on the throne of France. Meanwhile, a twenty-three-year-old prisoner known only as "Philippe" wastes away deep inside the Bastille. Forced to wear an iron mask, Phillippe has been imprisoned for eight years, has no knowledge of his true identity, and has not been told what crime he's committed. When the destinies of the king and Phillippe converge, the Three Musketeers and D'Artagnan find themselves caught between conflicting loyalties.

    A heart-wrenching, yet tender tale of two women whose boundless devotion to each other is continually challenged in nineteenth century America.

    Barroom brawls. Poisonous snakes. Cholera-infected drinking water. Tumbleweed abrasion. Something called "toe-foot." Even a trip to the outhouse. Yes, there are a million ways to die in the wild, wild West, and Albert plans to avoid them all. Some people think that makes him a coward. Albert calls it common sense. But when his girlfriend dumps him for the most insufferable guy in town, Albert decides to fight back--even though he can't shoot, ride, or throw a punch. Fortunately, he teams up with a beautiful gunslinger who's tough enough for the both of them. Unfortunately, she's married to the biggest, meanest, most jealous badass on the frontier. Turns out Albert has just discovered a million and one ways to die in the West.

    Adventurers, families, outlaws...all driven west in the 1860s by a longing for endless blue sky along with wild and wide-open spaces. Tracie Peterson, from her own Montana home, paints an unforgettable portrait of this rich, rugged landscape, populated by strong and spirited characters. When Dianne Chadwick urges her family to move west to her uncle's ranch in the Montana Territory, she has no idea that her new life in the rugged frontier ~and even within her uncle's home~ will not be the idyllic adventure she expects. But first she has to survive the arduous wagon journey with the help of guide Cole Selby, whose heart seems to be as hard as the mountains he loves.

    As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses,

    Erth at Stanyon. Unscathed from glory at Waterloo, Gervase expected a hero's welcome - instead he's given a frigid cold shoulder. Upon his return only Theo, a cousin even quieter than himself, is there to greet him--and when he meets his stepmother and half-brother open disdain put a chill on Gervase's welcome, and he detects open regret that he has survived inconveniently two wars. Now he must establish himself as the new head of the house... and ignore his family's rising hostility. Then Gervase's eye is caught by beautiful and charming Mariann Bolderwood, a collector of beaux -- the same young woman already much in favor with his half-brother. Gervase struggles to maintain a gentlemanly balance, but now the brothers are again rivals as they bid for the lady's attentions. But the dangers of the Lincolnshire countryside could never be more unexpected. Gervase finds himself the victim of repeatedly life-threatening accidents. And soon it becomes increasingly clear that someone wants the new Earl cruelly dead. Level-headed Drusilla Morville is captivated by Gervase but knows that she does not stand a chance against the debutantes vying for his affections, until Gervase's life is endangered and free-spirited Drusilla comes to the rescue.

    Eager to leave her grief behind, she sets off with her family for a life out West. On the trail, she forms an instant connection with John Lowry, a half-Pawnee man straddling two worlds and a stranger in both.But life in a wagon train is fraught with hardship, fear, and death. Even as John and Naomi are drawn to each other, the trials of the journey and their disparate pasts work to keep them apart. John’s heritage gains them safe passage through hostile territory only to come between them as they seek to build a life together.When a horrific tragedy strikes, decimating Naomi’s family and separating her from John, the promises they made are all they have left. Ripped apart, they can’t turn back, they can’t go on, and they can’t let go. Both will have to make terrible sacrifices to find each other, save each other, and eventually…make peace with who they are.