At age fifteen he became a sports reporter for his Ocean City High School newspaper; four years later, as sports editor of the University of Alabama's Crimson-White, he began to employ devices more common in fiction, such as establishing a scene with minute details-a technique that would later make him famous.Later, as a sports reporter for the New York Times, Talese was drawn to individuals at poignant and vulnerable moments rather than to the spectacle of sports. Boxing held special appeal, and his Esquire pieces on Joe Louis and Floyd Patterson in decline won praise, as would his later essay Ali in Havana, chronicling Muhammad Ali's visit to Fidel Castro. His profile of Joe DiMaggio, The Silent Season of a Hero, perfectly captured the great player in his remote retirement, and displayed Talese's journalistic brilliance, for it grew out of his on-the-ground observation of the Yankee Clipper rather than from any interview. More recently, Talese traveled to China to track down and chronicle the female soccer player who missed a penalty kick that would have won China the World Cup.Chronicling Talese's writing over more than six decades, from high school and college columns to his signature adult journalism- and including several never-before-published pieces (such as one on sports anthropology), a new introduction by the author, and notes on the background of each piece-The Silent Season of a Hero is a unique and indispensable collection for sports fans and those who enjoy the heights of journalism.

    There’s the time the FBI showed up at her door because of something she tweeted about Game of Thrones. The pop songs that have been the soundtrack to the worst moments of her life. And of course, the pivotal day when Orange Is the New Black hit the airwaves and broke down the door to Jill’s own sexuality. In these honest examinations of identity, desire, and self-worth, Jill explores perhaps the most monumental cultural shift of our lifetimes: the mainstreaming of lesbian culture. Dusting off her own personal traumas and artifacts of her not-so-distant youth she examines how pop culture acts as a fun house mirror reflecting and refracting our values—always teaching, distracting, disappointing, and revealing us. Girls Can Kiss Now is a fresh and intoxicating blend of personal stories, sharp observations, and laugh-out-loud humor. This timely collection of essays helps us make sense of our collective pop-culture past even as it points the way toward a joyous, uproarious, near—and very queer—future.

    Based on her popular column, which ran in lesbian and gay periodicals across the country, this series of fictional comedy/adventures stars femme author Leslea Newman and her beloved butch, Flash.

    I've had that lesson beaten into me ever since I was a child. Some people might think that's a tragedy, but not me. Because you know what's even better than love?Power.I clawed my way to the top of the food chain and became the leader of the Beaufort crime syndicate at only twenty years old. Now, nobody crosses me and lives to tell the tale. There's just one little problem:You don't build an empire without making a few enemies.My past is coming back to haunt me with a vengeance, but I have no intention of going down without a fight. Hiring a K-9 handler for added security was a simple business decision.But I wasn’t counting on Ayla. Aloof attitude, dark hair, tattoos--exactly my type. She’s far more than just a K-9 handler, and I want to peel back that carefully composed exterior and see what’s underneath.I know I'm bad for her, but sometimes, being bad feels too good to stop. I just hope we both make it out of this alive.AYLAI’ve always had three rules for how I handle my work: Get in. Get the job done. And don’t get invested.When a mysterious client offered me a fabulous sum of money to come work for them, I jumped at the opportunity. I thought it would be just another job.Turns out I probably should have asked a few more questions.Now I'm stuck working for a woman who is equal parts terrifying and gorgeous. My new employer has a reputation for being ruthless, and I've seen firsthand what she's capable of. She crushes hardened criminals beneath the point of her stiletto heels without breaking a sweat.I should be running away from her as fast as I can.So why can't I get her out of my head?

    She just wants to be in love. Sound simple? Well, there's a catch. She wants to be deeply in love with someone who is also deeply in love with her. Jenny must face the past and the present when she discovers her lover's infidelity and her first love walks back into her life. Her life becomes even more complicated when old feelings surface for her first love -- the woman who broke her heart as a teenager, then entered the church and became "Sister Rachel". In her third published book, Mavis Applewater brings to the printed page a perfect combination of heat and romance, with just the right amount of adventure.

    Memoir. HEAVENLY BREAKFAST is Samuel R. Delaney's wise and vivid essay on urban communes and cooperatives in the winter of 'Sixty-seven/'Sixty-eight. It examines their function, structure, permanence, and impermanence as precisely as a sociological study. Because its method is narrative and anecdotal, however, it reads like a passionate memoir--a marvelous document from an extraordinary time. Based on journals he kept at the time, these pages recount his encounters with other communes and experimental living arrangements-some gentle, some brutal; of encounters between those inside and those outside the countercultural life; of idealism and hopes pushing against a resistant reality.

    Examples abound in popular culture, from actress Cynthia Nixon, who left her male partner of 15 years to be with a woman, to writer and comedienne Carol Leifer, who divorced her husband for the same reason.In a culture increasingly open to accepting this fluidity, Dear John, I Love Jane is a timely, fiercely candid exploration of female sexuality and personal choice. The book is comprised of essays written by a broad spectrum of women, including a number of well-known writers and personalities. Their stories are sometimes funny, sometimes painful—but always achingly honest—accounts of leaving a man for a woman, and the consequences of making such a choice.Arousing, inspiring, bawdy, bold, and heartfelt, Dear John, I Love Jane is an engrossing reflection of a new era of female sexuality.

    This book includes revealing stories by forty diverse Americans, some well-known and some not, and insights from straight clergy and parents explaining their support of gay people as whole human beings guaranteed equal rights by our Constitution.

    The introduction is by Doctor Who and Torchwood star John Barrowman, and his sister and frequent collaborator, Carole E Barrowman (Anything Goes, Torchwood: Exodus Code). The book’s cover art is by Colleen Coover (Small Favors).Essay contributors to this collection include Tanya Huff (Blood Ties), Melissa Scott (Trouble and Her Friends), John Richards (Outland), Paul Magrs (Hornets’ Nest), Gary Russell (Doctor Who script editor), Rachel Swirsky (Through the Drowsy Dark), Hal Duncan (Ink: The Book of All Hours), Amal El-Mohtar (The Honey Month), Brit Mandelo (Beyond Binary), Nigel Fairs (In Conversation with an Acid Bath Murderer), David Llewellyn (Night of the Humans), Susan J. Bigelow (Extrahumans), Jennifer Pelland (Machine), Mary Anne Mohanraj (Bodies in Motion), and Jed Hartman (Strange Horizons).

    Sam is in trouble after a last minute cancellation of one of the bachelorettes, so Pamela demands to be allowed to help. The only thing is, she doesn't ask the right questions.What ensues is at times funny, poignant, playful, and adventurous as Pamela learns a few things about herself, and about what it might be like to love the right person. Or people.This novel of 84,000 words features warm, sometimes troubled characters, sweet and lovely dates, and perhaps a little bit of hot, graphic sex.

    No social movement has brought change so quickly and with such dramatically mixed results. While same-sex marriage and gender transition is celebrated in some parts of the world, laws are being strengthened to criminalize homosexuality and gender nonconformity in others. A new Pink Line, Gevisser argues, has been drawn across the world, and he takes readers to its frontiers.In between sharp analytical chapters about culture wars, folklore, gender ideology, and geopolitics, Gevisser provides sensitive and sometimes startling profiles of the queer folk he’s encountered on the Pink Line’s front lines across nine countries. They include a trans Malawian refugee granted asylum in South Africa and a gay Ugandan refugee stuck in Nairobi; a lesbian couple who started a gay café in Cairo after the Arab Spring, a trans woman fighting for custody of her child in Moscow, and a community of kothis—“women’s hearts in men’s bodies”—who run a temple in an Indian fishing village.Eye-opening, moving, and crafted with expert research, compelling narrative, and unprecedented scope, The Pink Line is a monumental—and vital—journey through the border posts of the world’s new LGBTQ+ frontiers.

    Here is an author who takes neither love nor the power of language for granted, and her book is as provocative and lively as the love it evokes. An extraordinary performance by a writer who renews our wonder at the complexity of human connection."—Bernard Cooper"Barrie Jean Borich wins my respect with her ingenious and original description of feelings which, for many, need translating into a familiar language. She writes about her lover and their life together with a rare deftness, clarity, and antic sense of humor, never strident or defensive, rather self-confident and as if she herself were curious to discover what she is thinking about their relationship." — Rosellen BrownWinner of the American Library Association GLBT Book AwardFinalist for the Lambda Literary Award

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    For one of these adventurers, the trip will hold consequences that may well shape the rest of her life. Allison Stern, an executive with a New York financial firm, finds her world turned upside down, when her manager puts her in charge of a character-building adventure, and things go terribly wrong. Cynthia Brooks, a ranger with the forestry service finds herself thrown in with Allison, as she attempts a rescue. Allison is floundering in a loveless marriage and Cynthia wants nothing to do with any sort of relationship, having left her heart on a mountainside in Colorado, years before. Can a city girl with an affinity for nature, find love with a devout mountain girl with a broken heart? Read Eagle Ridge, and find out if opposites really do attract.(Author's note: 2nd Edition of this book contains various corrections of grammatical and ease of reading problems that had been brought to my attention following the publication of the original manuscript.)

    She would like to tell the whole, freaking queer as hell story. Her story. Not the sidebar to a straight person's rebirth-she doesn't give a makeover or plan a wedding or get a couple back together. This isn't a queer tragedy. She doesn't die at the end of this book, having finally decided to kiss the girl. It's the sexy, honest, bumpy and triumphant dyke's tale her younger, theology major self needed to read. Because there was a long time when she thought she wouldn't make it. Not as a comic, but as a human.SAVE YOURSELF is full of funny and insightful recollections about everything from coming out (at a Catholic college where being gay can get you expelled) to how joining the circus can help you become a better comic (so much nudity) to accepting yourself for who you are--even if you're an awkward tween with an eyepatch (which Cameron was). Packed with heart, humor, and cringe-worthy stories anyone who has gone through puberty can relate to, Cameron's memoir is for that timid, fenced-in kid in all of us--and the fearless standup yearning to break free.