The results are individual glimpses of a shared vision, and a reading experience unlike any you've had before.A strange man comes to an even stranger encampment...a bouncer becomes the linchpin of an unexpected urban movement...a courier on the run has to decide who to trust in a dangerous city...a slacker in a "zero-footprint" town gets a most unusual new job...and a weapons investigator uses his skills to discover a metropolis hidden right in front of his eyes.Welcome to the future of cities. Welcome to Metatropolis.Contents:Introduction (METAtropolis) - essay by John ScalziIn the Forests of the Night - novella by Jay LakeStochasti-city - novella by Tobias S. BuckellThe Red in the Sky Is Our Blood - novelette by Elizabeth BearUtere Nihil Non Extra Quiritationem Suis - novella by John ScalziTo Hie from Far Cilenia - novella by Karl Schroeder

    Read how it all begins in this short story, The First.It's been just over a year since Edmund Blithe died, and just over a month since his fiancée, Emily, stopped wearing her engagement ring. Emily has finally begun to move on… Until Edmund mysteriously and inexplicably returns, sending the world—and Emily—into a tailspin.Edmund is only just the beginning. Around the world, people's loved ones are returning from beyond, seeking only to reenter the lives they left behind. As the world dives deep into uncertainty, Emily and Edmund are determined to find their way back to one another…even if it means risking everything.The reappearances continue in The Sparrow, and look for The Returned from Harlequin MIRA, a moving tale of a family given a second chance at life and a world where nothing—not even death—is certain.

    - Patrick Ness

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    With Earth no longer habitable and the Mars colony slowly failing, they are humanity's best hope.After ten years in a failed cryogenic bed--body asleep, mind awake--William Chanokh's torture comes to an end as the fog clears, the hatch opens, and his friend and fellow hacker, Tom, greets him...by stabbing a screwdriver into his heart. This is the first time William dies.It is not the last.When he wakes from death, William discovers that all but one crew member--Capria Dixon--is either dead at Tom's hands, or escaped to the surface of Kepler 452b. This dire situation is made worse when Tom attacks again--and is killed. Driven mad by a rare reaction to extended cryo-sleep, Tom hacked the Galahad's navigation system and locked the ship on a faster-than-light journey through the universe, destination: nowhere. Ever.Mysteriously immortal, William is taken on a journey with no end, where he encounters solitary desperation, strange and violent lifeforms, a forbidden love, and the nature of reality itself....HE DISCOVERS THE INFINITE.Jeremy Robinson, the master of fast-paced and highly original stories seamlessly blending elements of horror, science fiction, and thrillers, tackles his most ambitious subject matter to date: reality itself. An amalgam of the works of J.J. Abrams and Ridley Scott, Infinite is a bold science fiction novel exploring the vastness of space and a man's desire to exist, find love, and alter the course of his life.

    But now, it seems to describe the real world of cell phones, Blackberries and iPods, and its prediction of terrible things to come isn't so easy to shrug off. Leiber sets the tale in a future when "missiles are on the prowl," and most people live underground. George Gusterson is a writer with crazy ideas -- one being, he still lives on the surface. For another, he imagines a gizmo that would remind him of things like when to turn on the TV. George's mere whim inspires an actual gadget called the Tickler, just a "wire recorder and clock" at first, but then . . . it whispers constantly through an earphone. It instills positive thinking. It injects drugs. It makes decisions. It weights 28 pounds. And it won't get off. Only Gusterson understands what "the little fellow perched on your shoulder" is really saying, one word: Obey! And only Gusterson knows what to say back, if it's not too late.

     In his illustrious forty-five year career as a novelist and author of short fiction, Robert Silverberg has belonged in the company of the best writers of the 20th century. His writing has been compared to Conrad, Huxley, and Orwell. In this definitive collection Silverberg presents the novellas that have won him multiple Hugo and Nebula Award nominations, including his Nebula Award winning achievement, "Sailing To Byzantium." Here are the virtuoso performances of the third phase of Silverberg's astounding career: the Nebula Award nominee "Homefaring"; the Hugo Award nominee "The Secret Sharer"; "Thomas The Proclaimer" and "We Are For The Dark." If you are a lover of Silverberg's work or are simply looking for a place to begin a relationship with the literature of science fiction and fantasy, this is the place to start.Contents:Sailing to Byzantium (1985)Homefaring (1983)Thomas the Proclaimer (1972)We Are for the Dark (1988)The Secret Sharer (1987)

     Sixth of the Dusk, set in a never-before-seen world, showcases a society on the brink of technological change. On the deadly island of Patji, where birds grant people magical talents and predators can sense the thoughts of their prey, a solitary trapper discovers that the island is not the only thing out to kill him. When he begins to see his own corpse at every turn, does this spell danger for his entire culture? -------------------- A note from the publisher: For a detailed behind-the-scenes look at the creation of this novella, including brainstorming and workshopping session transcripts, the first draft, line-by-line edits, and an essay by Brandon, please see Shadows Beneath: The Writing Excuses Anthology.

    It seemed the planet-wrecking pirates were invincible. But they made a big mistake when they raided ex-commando leader Alicia DeVries' quiet home work, tortured and murdered her family, and then left her for dead. Alicia decided to turn "pirate" herself, and stole a cutting-edge AI ship from the Empire to start her vendetta. Her fellow veterans think she's gone crazy, the Imperial Fleet has shoot-on-sight orders. And of course the pirates want her dead, too. But Alicia DeVries has two allies nobody knows about, allies as implacable as she is: a self-aware computer, and a creature from the mists of Old Earth's most ancient legends. And this trio of furies won't rest until vengeance is served.In Fury Born is a greatly expanded new version of David Weber's popular novel Path of the Fury, which has gone through six large printings in its original mass market edition. David Weber has added considerable new material, revealing the earlier life of Alicia DeVries before she embarked on her mission of vengeance, and illuminating the universe of the original story. The result is a novel with almost twice the wordage of the original, and a must-buy for all David Weber fans.

     Carl Ramsey has a heist to run and the crew to pull it off. All he’s missing is a specialized computer and the tech to run it. But when an unrelated robbery loses him both, the prospects for a successful job look grim. Unfortunately the one who hired them won’t take excuses, and the owners of the computer come looking for their stolen gear. Caught between a local crime lord and thugs from a galaxy-spanning syndicate, Carl needs to come up with a plan that doesn’t get them all killed. His assets: his retired marine ex-wife, a drunkard mechanic, a feline security chief, and an old family friend who happens to be a wizard. His liabilities: a missing computer, a hospitalized tech, two ruthless criminal organizations looking for answers, and about two hours to sort it all out. …no problem. Tech, Lies, and Wizardry is the free short story prequel to Black Ocean, a science fiction fantasy series set in the 26th century. Do you wish there had been a second season of Firefly? Do you love the irreverent fun of Guardians of the Galaxy? Have you ever wondered how Star Wars would have turned out if Luke and Obi-wan had ditched the rebellion to become smugglers with Han and Chewie? Then Black Ocean is the series for you! Pick up your copy of Tech, Lies, and Wizardry. You don’t even have to steal it! Interview with the Author Q - So, what made you decide to write the Black Ocean series? A – After rewatching Firefly, I wondered why no one since had made a series that recaptured the edge-of-the-law, outlaws-in-space feeling. Then it dawned on me that even though I’m not a TV producer, I could still write one of my own. Black Ocean isn’t meant to be a successor to Firefly, or a clone, but I wanted to put together a “miscreants in space” series to fill that void the show left.   Since I’m a fantasy writer at heart, I added wizards. Q – How do wizards fit in a sci-fi series? A – Anyone who follows science fiction knows that a lot of hand-waving goes on. Faster than light (FTL) travel probably isn’t possible. Artificial gravity would be more 2001: a Space Odyssey than the “we just walk on the floor” sort that Star Trek or Star Wars use. Those and a host of others I just left alone. Instead of waving my hand and having phony science appear, I just let wizards handle it with actual magic.   Arthur C. Clarke said that “Any sufficiently advanced technology is indistinguishable from magic,” but I wanted to have magic be magic, science be science, and for the two not get along at the office holiday party. Q - So, what genre is this? Does it have a name? A – There’s really no consensus that I’ve found on what to call a mix of space opera and high fantasy. I’ve heard it called science fantasy, futuristic fantasy, sci-fantasy, and sword and laser. There’s always just plain old space opera fantasy. I’ve found that it isn’t easy finding books like Black Ocean because no two people seem to call it the same thing.

    But Shining is now something more than human. And the scrapyard is no longer just a scrapyard, but a place full of secrets that she has guarded for years.This life she has built, while empty, is predictable and safe. Until the only friend left from her previous life shows up, dead, in the back of a scrapped Tesla warplane, a note to her clutched in his fingers - a note warning her of a coming attack.Someone knows who she is. Someone knows what she is guarding. Will she be able to protect the scrapyard? Will she even survive? Or will she have to destroy everything she loves to keep her secrets out of the wrong hands?

    and anything is possible. In this, Gaiman's first book of short stories, his imagination and supreme artistry transform a mundane world into a place of terrible wonders -- a place where an old woman can purchase the Holy Grail at a thrift store, where assassins advertise their services in the Yellow Pages under "Pest Control," and where a frightened young boy must barter for his life with a mean-spirited troll living beneath a bridge by the railroad tracks. Explore a new reality -- obscured by smoke and darkness, yet brilliantly tangible -- in this extraordinary collection of short works by a master prestidigitator. It will dazzle your senses, touch your heart, and haunt your dreams.

    Each of the writers was asked to write a new story based on one of his or her most famous series. Stephen King tells a tale of Roland, the Gunslinger, in the world of The Dark Tower, in "The Little Sisters of Eluria."Terry Pratchett relates an amusing incident in Discworld, of a magical contest and the witch Granny Weatherwax, in "The Sea and Little Fishes"Terry Goodkind tells of the origin of the Border between realms in the world of The Sword of Truth, in "Debt of Bones."Orson Scott Card spins a yarn of Alvin and his apprentice from the Tales of Alvin Maker, in "Grinning Man."Robert Silverberg returns to Majipoor and to Lord Valentine's adventure in an ancient tomb, in "the Seventh Shrine."Ursual K. Le Guin adds a sequel to her famous books of Earthsea, portraying a woman who wants to learn magic, in "Dragonfly."Tad Williams tells a dark and enthralling story of a great and haunted castle in the age before Memory, Sorrow, and Thorn, in "The Burning Man."George R.R. Martin sets his piece a generation before his epic, A Song of Ice and Fire, in the adventure of "The Hedge Knight."Ann McCaffrey, the poet of Pern, returns once again to her world of romance and adventure in "Runner of Pern."Raymond E. Feist's Riftwar Saga is the setting of the tale of "The Wood Boy."Robert Jordan, in "New Spring," tells of crucial events in the years leading up to The Wheel of Time, of the meeting of Lan and Moiraine and the beginning of the search for the child who must grow to lead in the Last Battle.

    The collection contains some of Ellison's best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they're dead or dying, some of them are as brand-new as today's technology. Unlike some of Ellison's collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction.His stories will rivet you to the floor and change your heartbeat...as unforgettable a chamber of horror, fantasy and reality as you'll ever experience.-Gallery "Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing."-Richmond Times-Dispatch

    From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: The nature of life in the aftermath of total societal collapse. Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction - including George R. R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King - Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders. Wastelands delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre's core. --back coverContains the following stories:Introduction by John Joseph AdamsThe End of the Whole Mess by Stephen KingSalvage by Orson Scott CardThe People of Sand and Slag by Paolo BacigalupiBread and Bombs by M. RickertHow We Got In Town and Out Again by Jonathan LethemDark, Dark Were the Tunnels by George R. R. MartinWaiting for the Zephyr by Tobias S. BuckellNever Despair by Jack McDevittWhen Sysadmins Ruled the Earth by Cory DoctorowThe Last of the O-Forms by James Van PeltStill Life With Apocalypse by Richard KadreyArtie’s Angels by Catherine WellsJudgment Passed by Jerry OltionMute by Gene WolfeInertia by Nancy KressAnd the Deep Blue Sea by Elizabeth BearSpeech Sounds by Octavia E. ButlerKillers by Carol EmshwillerGinny Sweethips’ Flying Circus by Neal Barrett, Jr.The End of the World as We Know It by Dale BaileyA Song Before Sunset by David GriggEpisode Seven... by John LanganAppendix: For Further Reading