Those experiments concluded that should one suffer a death not ordained by fate the human body lightened by an average of 30 grams, the weight of a man's soul stone.Today, two men, Sakarai and Amano, are in the hunt to find people who are about to die before their time and either prevent their unnatural death or recover these stones, "Livingstones."

    Not for the squeamish or the easily offended, Berserk asks for no quarter - and offers none! His name is Guts, the Black Swordsman, a feared warrior spoken of only in whispers. Bearer of a gigantic sword, an iron hand, and the scars of countless battles and tortures, his flesh is also indelibly marked with The Brand, an unholy symbol that draws the forces of darkness to him and dooms him as their sacrifice. But Guts won't take his fate lying down; he'll cut a crimson swath of carnage through the ranks of the damned - and anyone else foolish enough to oppose him! Accompanied by Puck the Elf, more an annoyance than a companion, Guts relentlessly follows a dark, bloodstained path that leads only to death...or vengeance.

    But their main concern isn’t about paying rent: they’re ravenous vampires, dying to sink their teeth into a fresh, live human! So they can’t believe their luck when Dongha, who grew up isolated from society, eagerly moves in with no idea of what awaits him. To the vampires’ dismay, however, Dongha doesn’t weigh enough for them to suck his blood! As they shower their unsuspecting new housemate with food and attention to fatten him up, have they gotten too attached to their would-be prey? And is there more to sweet, naive Dongha than meets the hungry vampires’ eyes?

    Humans now reside in a gigantic structure that forms a ring around the earth, 35 kilometers up in the sky. The society of the ring is highly stratified: the higher the floor, the greater the status.Mitsu, the lowly son of a window washer, has just graduated junior high. When his father disappears and is assumed dead, Mitsu must take on his father's occupation. As he struggles with the transition to working life, Mitsu's job treats him to an outsider's view into the living-room dioramas of the Saturn Apartments.

    She wants to thank him, but he’s part of a tight-knit trio and none of them are ever in class! Rumor has it that they all got expelled for acting up, and studious Midori’s actually at risk of expulsion, too… In order to help support her family, she has a part-time job, which is against the school rules. When the chairman of the school board catches her leaving work, he says he’ll let it go—but only if she’s up to the task of bringing the three boys back to school. Well, why not? It’ll be a piece of cake…right?

    She's awkward with her feelings, and she carries a camcorder to film everything she likes. Because of her quirks, she's labeled as a freak and alienated by her classmates. Satoru is her classmate and a recently retired teen actor who understands her. They quickly become friends, but what Minami doesn't know is that Satoru is hiding his secret from the world...

    "Sensei," as he comes to be known, is a city boy through and through, and has never experienced rural life until now. And by the looks of it, he has much to learn! Luckily(?), he has a willing teacher in Naru, the energetic expert islander, to help show him the ropes. But can Sensei keep up with the plucky first-grader, or will he get schooled?! Here unfolds a heartfelt island comedy about a gruff on the outside, soft on the inside urbanite teacher and his new, unfailingly kind island neighbors!

    Every day, on or around his school desk, he masterfully creates his own little worlds of wonder, often hidden to most of his classmates. Unfortunately for Rumi Yokoi, his neighbor at the back of their homeroom, his many games, dioramas, and projects are often way too interesting to ignore; even when they are hurting her grades.

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.

    Amid his daily drudgery, he finds himself in the grip of an incredible, inexplicable, and uncontrollable phenomenon that rewinds time, a condition that seems to only make his drab life worse. But then, one day, everything changes. A terrible incident forever changes Satoru's life as he knows it...and with it, comes a "Revival" that sends Satoru eighteen years into the past! In the body of his boyhood self, Satoru encounters sights he never imagined he would see again--the smile of his mother, alive and well, his old friends, and Kayo Hinazuki, the girl who was kidnapped and murdered when he was a boy the first time around. To return to the present and prevent the tragedy that brought him back to his childhood in the first place, Satoru begins plotting a way to change Hinazuki's fate...But up against the clock and a faceless evil, does eleven-year-old Satoru even stand a chance?

    When a typhoon hits Nagoya, Asa and her kidnapper must work together to survive. But there’s more to her kidnapper and this storm than meets the eye.When Asa’s mother goes into labor yet again, Asa runs off to find a doctor. But no one bats an eye when she doesn’t return—not even as a storm approaches Nagoya. Forgotten yet again, Asa runs into a burglar and tries to stop him on her own, a decision that leads to an unlikely alliance.

    Even as his price drops with each passing day, no one spares him a glance unless it's to call him names. Having practically given up on life, the kitty himself is most shocked of all when an older gentleman comes into the store and wants to take him home! Will the man and the cat find what they're looking for..in each other?

    Just as he’s contemplating doing the unthinkable, Tasuku meets a mysterious woman who leads him to a group of people dealing with problems not so different from his own. In this realistic, heartfelt depiction of LGBT+ characters from different backgrounds finding their place in the world, a search for inner peace proves to be the most universal experience of all.

    So when handsome classmate Izumi Oda asks Hana–his major crush–to join the school hockey club, persuading her proves to be a difficult task. True, the Grand Hockey Club is full of boys–and all the boys are super-cute–but given a choice, Hana prefers a sizzling steak to a hot date. Then Izumi mentions the field trips to fancy resorts. Now Hana can’t wait for the first away game, with its promise of delicious food and luxurious linens. Of course there’s also the getting up early, working hard, and playing well with others. How will Hana survive?

    When her royal father is murdered by a greedy drug manufacturer, Princess Alita must step forward to take over the kingdom. Unfortunately, a freak magical mishap has trapped her in the body of Falis, the bounty hunter. Now Alita must stay disguised as a servant while the battle-savvy Falis sits on the throne in her body! Threatened by a coup and attacks from the outside, the fate of the kingdom is in the hands of Alita and Falis. Switched souls or not, there's another royal heir and Alita has to hold everything together for a little longer. As though this weren't enough to juggle, evil Professor Akamashi and his twin android assassins are out to cause some trouble of their own.