Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    Included are two original stories, several rarities and out of print tales, as well as a few "best of the year" inclusions. Stephen Graham Jones is a master storyteller. What does happen after the people lights have gone off? Crack the spine and find out. With an introduction by Joe R. Lansdale.Stephen Graham Jones is the author of fifteen novels and five collections, and has some two hundred stories published. Stephen's been an NEA Fellow and has won the Texas Institute of Letters Award for Fiction and the Independent Publishers Award for Multicultural fiction. He's forty-two, married with a couple of kids, and lives in Boulder, Colorado.WINNER, Short Story Collection, THIS IS HORRORNOMINATED, Short Story Collection, BRAM STOKER AWARDSNOMINATED, Short Story Collection, SHIRLEY JACKSON AWARDS

    The stories traverse the magical and the mundane, where supernatural beings are indistinguishable from their mortal counterparts in their complexity and complicity.

    But it,s totally worth it.In these supernatural stories by five of today's hottest writers—Melissa Marr (Wicked Lovely), Scott Westerfeld (Specials), Justine Larbalestier (Magic or Madness), Gabrielle Zevin (Elsewhere), and Laurie Faria Stolarz (Blue is for Nightmares)—love may be twisted and turned around, but it's more potent than ever on its quest to conquer all.From two students who let the power of attraction guide them to break the hard-and-fast rules of their world to the girl who falls hard for a good-looking ghost with a score to settle, the clever, quirky characters in this exciting collection will break your heart, then leave you believing in love more than ever.

    Some call it the witching hour. Others call it the devil’s hour. Here in the graveyard, midnight is a very special time. It is a time when ghostly spirits are at their strongest, when the veil between our world and theirs is at its thinnest. Legend has it, that while most of the world is asleep, the lack of prayers allow the spirits to communicate under the cover of darkness, among the headstones, their whispers rustling in the leaves of the old oak trees. But if you’re here in the graveyard, you can tell yourself it’s just the wind, that the moonlight is playing tricks on your eyes, that it's only the swirling mist you see. But when you hear the graveyard gate clang shut, the dead have something to say. Here are their stories…

    They have become the monsters that best express the anxieties and fears of the modern west. This collection gathers together zombie works by Stephen King, Harlan Ellison, Robert Silverberg, George R. R. Martin, Clive Barker, Neil Gaiman, Joe Hill, Poppy Z. Brite, Laurell K. Hamilton, and Joe R. Lansdale. These brilliant minds, and The Living Dead, cover the many types of zombie fiction. Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    A book put together with the sole purpose of reminding readers what the horror genre is really about. Each author was told they could write about any subject matter they wanted so long as it was set in a world of horror. The only rule they had: No Paranormal Romance. Vampires do not sparkle, werewolves do not date, Witches do not scour Tinder for Virgins and ghosts do not declare their undying love whilst tidying the apartment... This is horror... Featuring work from: Brian Lumley, Adam Nevill, Guy N. Smith Ramsey Campbell, Gary McMahon, Shaun Hutson, J. R Park, Peter McKeirnon, Jim Goforth, Wrath James White, Craig Saunders, Matt Hickman, Sam West, Kit Power, Daniel Marc Chant, Matt Shaw, Adam Millard, Anton Palmer, Clare Riley Whitfield, Jaime Johnesee, Jeff Strand, Andrew Freudenberg, Michael Bray Shane McKenzie.

    From fairy tales to fims to fiction, witches cast their spells and capture our imaginations.Now the biggest names in fantasy and young adult literature have come together to make a little magic of their own. Neil Gaiman, Holly Black, Diana Peterfreund, Margo Lanagan, Peter S. Beagle, and Garth Nix are just a few of the authors who have toiled over their cauldrons and conjured up bewitching new creations inspired by and celebrating the might and mystery of the witch. Assembled by one of the most well-regarded anthologists in the science fiction/fantasy world, this rich, intelligent collection will enchant readers of all ages.Contents: Stray Magic by Diana PeterfreundPayment Due by Frances HardingeA Handful of Ashes by Garth NixLittle Gods by Holly BlackBarrio Girls by Charles de LintFelidis by Tanith LeeWitch Work by Neil GaimanThe Education of a Witch by Ellen KlagesThe Threefold World by Ellen KushnerThe Witch in the Wood by Delia ShermanWhich Witch by Patricia A. McKillipThe Carved Forest by Tim PrattBurning Castles by M. RickertThe Stone Witch by Isobelle CarmodyAndersen’s Witch by Jane YolenB is for Bigfoot by Jim Butcher (also included in Brief Cases)Great-Grandmother in the Cellar by Peter S. BeagleCrow and Caper, Caper and Crow by Margo Lanagan

    Wimbourne Books presents the first in a series of rare or out-of-print ghost stories from Victorian authors. With an introduction by author Alastair Gunn, Volume 1 in the series spans the years 1852 to 1899 and includes stories from a wide range of female authors; English, Irish, Scottish, Welsh and American. Includes tales by Mary Elizabeth Braddon, Charlotte Riddell, Isabella Banks and Gertrude Atherton. Readers new to this genre will discover its pleasures; the Victorian quaintness, the sometimes shocking difference in social norms, the almost comical politeness and structured etiquette, the archaic and precise language, but mostly the Victorians’ skill at stoking our fears and trepidations, our insecurities and doubts. Even if you are already an aficionado of the ghostly tale there is much within these pages to interest you. Wait until the dark of the stormy night arrives, lock the doors, shutter the windows, light the fire, sit with your back to the wall and bury yourself in the Victorian macabre. Try not to let the creaking floorboards, the distant howl of a dog, the chill breeze that caresses the candle, the shadows in the far recesses of your room, disturb your concentration.

    Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature.Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here... but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    The first story in this collection has been adapted to film (Dark Water, Walter Salles), and another, "Adrift" is currently in production with Dimension Films.

    Can anything save them when the spirit decides they belong to him? Crying through Plastic Eyes-A messy divorce, a room filled with creepy dolls, and a missing six-year-old all create the perfect storm for a young mother’s worse nightmare. Will Work for Food- You see them everywhere begging for money or food. When an older couple decides to lend a helping hand to a young man and his son, someone gets more than they bargain for. Pieces-A battered woman confesses to the mutilation and death of her husband, but did she really commit this heinous crime? Paying the Hitchhiker-You see a beautiful young woman on the side of the road with her thumb out, asking for a ride. Who should be the most afraid: the hitchhiker or the person picking her up? Inheritance-A confession from Accalia’s grandmother about a curse and an inheritance are just the prologue to seven days of suffering through a living hell.