The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.Based on actual events, Segutransports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

    Like navigating a monkey bridge? A bridge, built of spindly bamboo, used by peasants for centuries? The narrative traverses perilously between worlds past and present, East and West, in telling two interlocking stories: one, the Vietnamese version of the classic immigrant experience in America, told by a young girl; and the second, a dark tale of betrayal, political intrigue, family secrets, and revenge her mother's tale. The haunting and beautiful terrain of Monkey Bridge is the "luminous motion," as it is called in Vietnamese myth and legend, between generations, encompassing Vietnamese lore, history, and dreams of the past as well as of the future. "With incredible lightness, balance and elegance," writes Isabel Allende, "ALan Cao crosses? over an abyss of pain, loss, separation and exile, connecting on one level the opposite realities of Vietnam and North America, and on a deeper level the realities of the material world and the world of the spirits."Quality Paperback Book Club Selection and New Voices Award nomineeA Philadelphia Inquirer Best of the Rest of Summer 1997 pickA Kiriyama Pacific Rim Award Book Prize nominee

    The Rudomin family has been arrested by the Russians. They are "capitalists' enemies of the people." Forced from their home and friends in Vilna, Poland, they are herded into crowded cattle cars. Their destination: the endless steppe of Siberia.For five years, Esther and her family live in exile, weeding potato fields and working in the mines, struggling for enough food and clothing to stay alive. Only the strength of family sustains them and gives them hope for the future.

    Central to the story is one Chinese family: Claude, raised to be more British than the British and ashamed of his own heritage; his father, Humphrey, whose Anglophilia blinds him to possible defeat and his wife's dalliances; and the redoubtable Grandma Siok, whose sage advice falls on deaf ears. Expatriates, spies, fifth columnists, and nationalists—including the elusive young woman Ling-Li—mingle in this exotic culture as the Japanese threat looms. Beset by the horror of war and betrayal and, finally, torture, Claude must embrace his true heritage. In the extraordinary final paragraphs of the novel, the language itself breaks into Chinese. With penetrating observation, Vyvyane Loh unfolds the coming-of-age story of a young man and a nation, a story that deals with myth, race, and class, with the ways language shapes perceptions, and with the intrigue and suffering of war. Reading group guide included.

    Janie's quest for identity takes her through three marriages and into a journey back to her roots.

    Her latest creation is a shape-shifting gator man who lurks in the marshes, waiting to steal human souls. But when boastful Sonny Wrapped loses a wrestling match with an elusive alligator named Ghost — and a man is found murdered by the railroad tracks soon after — young Zora’s tales of a mythical evil creature take on an ominous and far more complicated complexion, jeopardizing the peace and security of an entire town and forcing three children to come to terms with the dual-edged power of pretending. Zora’s best friend, Carrie, narrates this coming-of-age story set in the Eden-like town of Eatonville, Florida, where justice isn’t merely an exercise in retribution, but a testimony to the power of community, love, and pride. A fictionalization of the early years of a literary giant, this astonishing novel is the first project ever to be endorsed by the Zora Neale Hurston Trust that was not authored by Hurston herself.

    Allegheny Indians murder her father and brother, burn their Pennsylvania home to the ground, and take Regina captive. Only her mother, who is away from home, is safe. Torn from her family, Regina longs for the past, but she must begin a new life. She becomes Tskinnak, who learns to catch fish, dance the Indian dance, and speak the Indian tongue. As the years go by, her new people become her family . . . but she never stops wondering about her mother. Will they ever meet again?"A first-person narrative based on the true story of a young woman held by Indians from 1755-1763, related with all the impact of a hard-hitting documentary . . .Wonderful reading." (School Library Journal)"I Am Regina is an enthralling and profoundly stirring story, historical fiction for young people at its very finest." (Elizabeth George Speare, Newbery Award-winning author of The Witch of Blackbird Pond)

    But her quiet life is shattered when her husband, Kamal, is found brutally murdered with a hatchet in the courtyard of their home. Nearly catatonic with shock, Zeba is unable to account for her whereabouts at the time of his death. Her children swear their mother could not have committed such a heinous act. Kamal’s family is sure she did, and demands justice. Barely escaping a vengeful mob, Zeba is arrested and jailed.Awaiting trial, she meets a group of women whose own misfortunes have led them to these bleak cells: eighteen-year-old Nafisa, imprisoned to protect her from an “honor killing”; twenty-five-year-old Latifa, a teen runaway who stays because it is safe shelter; twenty-year-old Mezghan, pregnant and unmarried, waiting for a court order to force her lover’s hand. Is Zeba a cold-blooded killer, these young women wonder, or has she been imprisoned, like them, for breaking some social rule? For these women, the prison is both a haven and a punishment; removed from the harsh and unforgiving world outside, they form a lively and indelible sisterhood.Into this closed world comes Yusuf, Zeba’s Afghan-born, American-raised lawyer whose commitment to human rights and desire to help his homeland have brought him back. With the fate this seemingly ordinary housewife in his hands, Yusuf discovers that, like the Afghanistan itself, his client may not be at all what he imagines.A moving look at the lives of modern Afghan women, The House with No Windows is astonishing, frightening, and triumphant.

    There she is trained to be a "proper German" for adoption by a German family, and all the while she struggles to remember her true identity.

    Young-sup is an expert at kite flying. He knows just what his kite wants him to do. Kee-sup has trouble handling his kite, but can build and design a kite fit for a king. Each brother knows his own talents as they practice together for the New Year kite-fighting competition. But according to tradition, Kee-sup, the first-born son, must represent the family. Young-sup knows he must help his older brother and stay in second place. But that doesn’t stop him from hoping for the chance to show his great skill as a kite fighter.

    There, among the archives inherited from his great-aunt Rebecca MacKenzie, was a 1920's journal recounting the thrilling and dangerous adventures of fifteen-year old Rebecca and her younger brother, Doug, in the wake of their parents mysterious disappearance in the deserts of China. Now carefully re-created in a lavish volume complete with cloth binding and a journal-style elastic clasp, the siblings tale begins aboard the Expedient, their uncle's enigmatic research ship, and moves at a breathless pace through the streets of Shanghai and on to a terrifying island fortress. Along the way, Doug and Becca encounter an ancient order of Chinese mercenaries, a brutal pirate warlord, a feisty Texan heiress, and a stolen cache of a volatile explosive called zoridium. By their saga's end, the intrepid duo has exposed a murderous plot involving their parents and uncovered a high-minded secret society hidden from the world for hundreds of years. Interspersed are such archival elements as:elaborate diagram and mapsvintage photos and illustrationsdocuments with stamps, seals, and watermarksfour full-color gatefolds, the largest a six-page foldoutextensive appendices and notes

    His fearsome master has just one demand: steal Shakespeare's play "Hamlet"--or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama."A fast-moving historical novel that introduces an important era with casual familiarity." --School Library Journal, starred review

    Along with searchlight towers and armed guards, Manzanar ludicrously featured cheerleaders, Boy Scouts, sock hops, baton twirling lessons and a dance band called the Jive Bombers who would play any popular song except the nation's #1 hit: "Don't Fence Me In."Farewell to Manzanar is the true story of one spirited Japanese-American family's attempt to survive the indignities of forced detention—and of a native-born American child who discovered what it was like to grow up behind barbed wire in the United States.

    When twelve-year-old Lian Shui accompanies her mother to reeducation camp, no one imagines that Lian will receive an education. But detained along with her mother are some of China's greatest thinkers and they take an interest in young Lian. She in turn delivers lectures of her own to the creatures inhabiting a pond she dubs "The Lily Theater." These ideas inform her life when she returns to school and reunites with her best friend Kim, a peasant girl through whom Lian ultimately learns about the painful failings of Mao's teachings-and of life.

    Its sequel, Dear Enemy (1915), also told in letters, follows the progress of Judy's former orphanage now run by her friend Sallie McBride, who struggles to give her young charges hope and a new life. Full of irrepressible female characters that both recall Alcott's Jo March and anticipate the popular heroines of contemporary literature, Webster's novels are witty, heartfelt, and delightfully modern.