Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.

    It begins with memory loss and confusion and ends with the patient falling into a coma. Medical professionals are at a loss for the cause, but one thing remains constant: All of the victims are pregnant.Called in to consult on the case of his best friend’s wife, neurologist Jack Wyatt has never seen anything like it. Now, with the nation on the brink of panic, Jack and his colleagues are in race against time to find a cure.The disease they are calling Gestational Neuropathic Syndrome (GNS) is spreading. Patients are dying—and no one can guess what will happen next…

    Then he makes a shocking discovery: the naked, frozen body of a teenage girl, her skin as white as the snow around her. Even dead, she is the most beautiful girl he’s ever seen. It is a moment that will forever change his life and the lives of everyone around him. The mysterious dead girl–the “Virgin of Small Plains”–inspires local reverence. In the two decades following her death, strange miracles visit those who faithfully tend to her grave; some even believe that her spirit can cure deadly illnesses. Slowly, word of the legend spreads.But what really happened in that snow-covered field? Why did young Mitch Newquist disappear the day after the Virgin’s body was found, leaving behind his distraught girlfriend, Abby Reynolds? Why do the town’s three most powerful men–Dr. Quentin Reynolds, former sheriff Nathan Shellenberger, and Judge, Tom Newquist–all seem to be hiding the details of that night? Seventeen years later, when Mitch suddenly returns to Small Plains, simmering tensions come to a head, ghosts that had long slumbered whisper anew, and the secrets that some wish would stay buried rise again from the grave of the Virgin. Abby–never having resolved her feelings for Mitch–is now determined to uncover exactly what happened so many years ago to tear their lives apart. Three families and three friends, their worlds inexorably altered in the course of one night, must confront the ever-unfolding consequences in award-winning author Nancy Pickard’s remarkable novel of suspense. Wonderfully written and utterly absorbing, The Virgin of Small Plains is about the loss of faith, trust, and innocence . . . and the possibility of redemption.From the Hardcover edition.

    Not again. Not again. Why did I ever come back here? Surely because of you. Because I thought of something I'd always meant to tell you. Because you were the only one I ever really wanted to tell it to.Therapist Dr. Mark Fabian is dead, bludgeoned in his office. But that doesn't stop former patient Nadine Raines from talking to him -- in her head. Why did she come back to her hometown after so many years away? Everyone here thinks she's crazy. And she has to admit, they might have good reason to think so. She committed a shockingly violent act when she was sixteen and has never really been able to explain that dark impulse, even to Fabian. Now that Fabian's dead, why is she still trying? Meanwhile, as Detective Henry Peacher investigates Fabian's death, he discovers that shortly before he died Fabian pulled the files of two former patients. One was of Nadine Raines, one of Henry's former high school classmates. Henry still remembers the disturbing attack on a teacher that marked Nadine as a deeply troubled teen. More shockingly, the other file was of Johnny Streeter who is now serving a life sentence for a mass shooting five years ago. The shooting devastated the town and everyone -- including Henry who is uncomfortable with the "hero" status the tragedy afforded him -- is ready to move on. But the appearance of his file brings up new questions. Maybe there is a decades-old connection between Nadine and Streeter. And maybe that somehow explains what Nadine is doing in Fabian's office nearly twenty years after being his patient. Or how Fabian ended up dead two days after her return. Or why Nadine has fled town once again. But as Nadine and Henry head toward a confrontation, both will discover that the secrets of people's hearts are rarely simple and even in the hidden depths of a psychologist's files, rarely as they appear.

    Thanks to their intervention, the boy’s life is saved. In the aftermath, all three siblings are irrevocably changed. Matthew, the oldest, becomes obsessed with tracking down the assailant, secretly searching the local town with the victim’s brother. Zoe wanders the streets of Oxford, looking at men, and one of them, a visiting American graduate student, looks back. Duncan, the youngest, who has seldom thought about being adopted, suddenly decides he wants to find his birth mother. Overshadowing all three is the awareness that something is amiss in their parents’ marriage. Over the course of the autumn, as each of the siblings confronts the complications and contradictions of their approaching adulthood, they find themselves at once drawn together and driven apart.Written with the deceptive simplicity and power of a fable, The Boy in the Field showcases Margot Livesey’s unmatched ability to “tell her tale masterfully, with intelligence, tenderness, and a shrewd understanding of all our mercurial human impulses” (Lily King, author of Euphoria).

    Shipman delivers a powerful, action-packed novel that illustrates the long-buried secrets and unending costs of war--based on the true story of General Patton's clandestine unauthorized raid on a World War II POW camp. March, 1945. Allied forces are battle-worn but wearily optimistic. Russia's Red Army is advancing hard on Germany from the east, bolstering Allied troops moving in from the west and north. Soon, surely, Axis forces must accept defeat. Yet for Captain Jim Curtis, each day is a reminder of how unpredictable and uncertain warfare can be.Captured during the Battle of the Bulge after the Germans launched a devastating surprise attack, Curtis is imprisoned at a POW camp in Hammelburg, Bavaria. Conditions are grim. Inmates and guards alike are freezing and starving, with rations dwindling day by day. But whispers say General Patton's troops are on the way, and the camp may soon be liberated.Indeed, fifty miles away, a task force of three hundred men is preparing to cross into Germany. With camps up and down the line, what makes Hammelburg so special they don't know, but orders are orders. Yet their hopes of evading the enemy quickly evaporate. Wracked by poor judgment, insufficient arms, and bad luck, the raid unravels with shattering losses. The liberation inmates hoped for becomes a struggle for survival marked by a stark choice: stay, or risk escaping into danger--while leaving some behind.For Curtis, the decision is an even more personal test of loyalty, friendship, and the values for which one will die or kill. It will be another twenty years before the unsanctioned mission's secret motivation becomes public knowledge, creating a controversy that will forever color Patton's legacy and linger on in the lives of those who made it home at last--and the loved ones of those who did not.

    It’s early 2009, and the world has gone dark very quickly. The economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do is return to his hometown of Sebastian, Florida, but he’s in no position to refuse when he’s offered a job by his sister, Eilo.Besides, Eilo has shown him a photo of a ten-year-old girl who could be homeless and in trouble. The little girl looks strikingly like Gavin and has the same last name as his high school girlfriend, Anna, from a decade ago. Gavin, obsessed with film noir and private detectives and otherwise at loose ends, begins his own private investigation in an effort to track down Anna and their apparent daughter—an investigation that soon takes a surprisingly dangerous turn.

    In 1933, the year that forms the centerpiece of the narrative, Harry is 11 years old and living with his mother, father, and younger sister on a farm outside of Marvel Creek, Texas, near the Sabine River bottoms. Harry's world changes forever when he discovers the corpse of a young black woman tied to a tree in the forest near his home. The woman, who is eventually identified as a local prostitute, has been murdered, molested, and sexually mutilated. She is also, as Harry will soon discover, the first in a series of similar corpses, all of them the victims of a new, unprecedented sort of monster: a traveling serial killer.From his privileged position as the son of constable (and farmer and part-time barber) Jacob Collins, Harry watches as the distinctly amateur investigation unfolds. As more bodies -- not all of them "colored" -- surface, the mood of the local residents darkens. Racial tensions -- never far from the surface, even in the best of times -- gradually kindle. When circumstantial evidence implicates an ancient, innocent black man named Mose, the Ku Klux Klan mobilizes, initiating a chilling, graphically described lynching that will occupy a permanent place in Harry Collins's memories. With Mose dead and the threat to local white women presumably put to rest, the residents of Marvel Creek resume their normal lives, only to find that the actual killer remains at large and continues to threaten the safety and stability of the town.Lansdale uses this protracted murder investigation to open up a window on an insular, poverty-stricken, racially divided community. With humor, precision, and great narrative economy, he evokes the society of Marvel Creek in all its alternating tawdriness and nobility, offering us a varied, absolutely convincing portrait of a world that has receded into history. At the same time, he offers us a richly detailed re-creation of the vibrant, dangerous physical landscapes that were part of that world and have since been buried under the concrete and cement of the industrialized juggernaut of the late 20th century. In Lansdale's hands, the gritty realities of Depression-era Texas are as authentic -- and memorable -- as anything in recent American fiction.

    She isn't so much running away as on a journey of discovery. She carries with her a packet of letters addressed to her mother from an old army buddy of her father's. She has only recently been told that Oliver, who she adores more than anyone, isn't her biological father. She hopes the letter's sender will have answers to her many questions.Before We Sleep moves gracefully between Katey's perspective on the road and her mother, Ruth's. Through Ruth's recollections, we learn of her courtship with Oliver, their marriage on the eve of war, and his return as a changed man. Oliver had always been a bit dreamy, but became more remote, finding solace most of all in repairing fiddles. There were adjustments, accommodations, sacrifices--but the family went on to find its own rhythms, satisfactions, and happiness. Now Katey's journey may rearrange the Snows' story.

    Petersburg by the Mossad--ostensibly to network and set up business connections. His life is solitary, ordered, and lonely, until he meets Anna. Neither is quite what they seem to be, but while her identity may be mysterious, there is no doubt about the love they feel for each other.The affair, impassioned as it is, is not part of the Mossad plan and so the agency must hatch a dark scheme to drive the two apart. What began as a quiet, solitary mission has become a perilous exercise in survival, and Ben-Ari has no time to discover the truth about Anna’s real identity before the Mossad resolves the issue for him. Amid the shadowy manipulations of the secret services, the anguished agent finds himself at an impossible crossroads. Written with the masterful skill of a seasoned novelist, and bringing to bear his years of experience as a Mossad agent himself, Ben-David once again delivers a powerful look into the mysterious Israeli intelligence agency in this action-packed page-turner.

    When tragedy strikes her personal life, Anna, desperate and numb, flees to the Northern California village of Mendocino to grieve. She lived there as a child with her beloved foster parents, and now she believes it might be the only place left for her. Yet the day she arrives, she learns a local teenage girl has gone missing. The crime feels frighteningly reminiscent of the most crucial time in Anna's childhood, when the unsolved murder of a young girl touched Mendocino and changed the community forever. As past and present collide, Anna realizes that she has been led to this moment. The most difficult lessons of her life have given her insight into how victims come into contact with violent predators. As Anna becomes obsessed with the missing girl, she must accept that true courage means getting out of her own way and learning to let others in.Weaving together actual cases of missing persons, trauma theory, and a hint of the metaphysical, this propulsive and deeply affecting novel tells a story of fate, necessary redemption, and what it takes, when the worst happens, to reclaim our lives--and our faith in one another.From the New York Times bestselling author of The Paris Wife comes a novel of intertwined destinies and heart-wrenching suspense: A detective hiding away from the world. A series of disappearances that reach into her past. Can solving them help her heal?

    Near Checkpoint Zulu, one hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones in part to avoid his lackluster marriage and a daughter he loves but cannot connect with; Arwood is a mid-western American private who might be an insufferable ignoramus, or might be a genuine lunatic with a death wish--it's hard to tell. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack in which a young local girl in a green dress is killed as they are trying to protect her. The two men walk away into their respective lives. But something has cracked for them both. Twenty-two years later, in another place, in another war, they meet again and are offered an unlikely opportunity to redeem themselves when that same girl in green is found alive and in need of salvation. Or is she?

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    To Meta's eye, it appears to be an authentic eighteenth-century work; to her discerning ear, the music rendered there is commanding, hauntingly beautiful, clearly the undiscovered composition of a master. But there is no indication of who the composer might be. The gift comes with the request that Meta attempt to find the manuscript's true owner—a Prague friend the old woman has not heard from since they were forced apart by the Second World War—and to make the three-part sonata whole again. Leaving New York behind for the land of Dvorák and Kafka, Meta sets out on an unforgettable search to locate the remaining movements of the sonata and uncover a story that has influenced the course of many lives, even as it becomes clear that she isn't the only one after the music's secrets.

    When she stumbles into the opportunity to become the assistant to "Maud Dixon," a celebrated-but anonymous-novelist (think: Elena Ferrante), she believes that the universe is finally providing her big chance. The arrangement feels idyllic; Helen can be prickly, but she is full of pointed wisdom on both writing and living. She even invites Florence along on a research trip to Morocco, where her new novel is set. Florence has never been out of the country before; maybe, she imagines, she'll finally have something exciting to write about herself.But when Florence wakes up in the hospital after a terrible car crash, and Helen is dead, she begins to imagine what it might be like to 'upgrade' into not only Helen's life, but also that of Helen's bestselling pseudonym, Maud Dixon...