A farce with a hilarious drunk scene for two stylish comediennes.

    The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.Ella Hickson's explosive new play drills deep into the world's relationship with this finite resource.Oil premiered at the Almeida Theatre, London, in October 2016.

    And there is Oshoosi, fresh out of prison, who always takes the wrong track. When his ex-cell mate Elegba gives him a clapped-out car, true freedom seems just around the corner... The Brothers Size is the European debut of an amazing young writer who plants Nigerian myth in the fertile soil of Louisiana. The play premiered at Drum, Plymouth, in October 2007, before touring and transferring to the Young Vic, London.

    It is the third of three plays written over twelve years (1957-1969) meant to symbolize the different stages of life, usually shown together. The first, representing birth, is "The Suitcase". The second, "The Cliff of Time," represents life itself, or "The Process," and the third, "The Man who Turned into a Stick," is death.This play has been considered as a main example of the current of Magic Realism in Japanese Literature. Other Japanese authors with considerable literary contributions to this genre are: Yasunari Kawabata, Oe Kenzaburo and Yasushi Inoue.

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    A satire on big business, the media and product exploitation. Designer air proves to be the marketing phenomenon of the decade, but as demand outstrips supply, Lockheart Industries plunders the Third World for resources. The world is starting to gasp, and only the biggest suckers survive.Lockheart Industries are making big money - if God wanted to buy into their stock he'd have to think twice and talk to his people. They have a profit curve wound so far round the room that it looks like a "Blue Peter" Christmas appeal. But they want more.

    They sailed far out to sea. The blue one returned to the harbor. The red one sailed home too. But the yellow boat sailed up to the sun." Benjamin always concluded his bedtime ritual by saying, "Mom, you can be the red boat or the blue boat, but I am the yellow boat." This remarkable voyage of Benjamin was extensively developed and widely produced in America for several years, always to ovations. Cast of 4 men and 3 women.THE YELLOW BOAT is based on the true story of David and Sonja Saar's son, Benjamin, who was born with congenital hemophilia, and died in 1987 at the age of 8 of AIDS related complications. A uniquely gifted visual artist, Benjamin's buoyant imagination transformed his physical and emotional pain into a blaze of colors and shapes in his fanciful drawings and paintings. The story of THE YELLOW BOAT Is a glorious affirmation of a child's life, and the strength and courage of all children. Recommended for children of age 8 and older, parents, families and adults.

    Set in the aftermath of WW2, this gripping saga is richly evocative of the period and shows the true grit of our heroine Ruby.

    Of his latest play, The New York Times has written, "Uproarious ... wall-to-wall laughs ... Mr. Busch has swum straight into the mainstream and stays comfortably afloat there." Busch is the author of such plays as Vampire Lesbians of Sodom -- one of the longest-running plays in Off-Broadway history -- and Psycho Beach Party, a cross between Gidget and Spellbound. After a successful Off-Broadway run at New York City's Manhattan Theater Club, Busch moves to Broadway with The Tale of the Allergist's Wife, a hilarious comedy about a self-absorbed Upper West Side doctor's wife whose life is devoted to mornings at the Whitney, afternoons at the Museum of Modern Art, and evenings at the Brooklyn Academy of Music. Her world is shaken and transformed when a childhood friend makes an unexpected visit.

    

    Mysterious, gloomy castles and open graves at midnight are just two of the Gothic devices used to chilling effect in this 19th-century horror classic that turned an obscure figure from Eastern European folklore into a towering icon of film and literature.

    Like Mantle, he came up to the majors as a shortstop, but was later converted to a centerfielder. And like Mantle, his first at-bat in Yankee Stadium was at the tender age of 19.Bobby wasn't the Mick, but he became one of the most beloved Yankees of all time.Yankee for Life is the story of Murcer's stellar career as both a player and as an Emmy Award-winning broadcaster. With self-effacing humor and down-home charm, he shares fascinating, illuminating, and never-before-told anecdotes about former teammates and bosses, including Mantle, Phil Rizzuto, Lou Piniella—and George Steinbrenner.But no relationship was more significant and poignant than his friendship with Yankees captain Thurman Munson, who died in a plane crash in 1979. On the morning of Munson's funeral, Murcer delivered the eulogy for his friend in Ohio; he ended the day by driving in all five runs in an extra-inning 5-4 victory at Yankee Stadium to honor his captain's memory.Following his career, Murcer became a revered figure in the Yankees broadcast booth. From the best seat in the House That Ruth Built, he has watched the latest generation of Yankee superstars—Derek Jeter, Alex Rodriguez, and Mariano Rivera—grow up.No one is more qualified—or brave enough—to choose his own personal Pinstripe All-Star Team of the last 40 years.Murcer is no stranger to courage. On Christmas Eve 2006, he was diagnosed with a brain tumor. Five days later, after surgery to remove it, he learned that the cancer was terminal. In an uplifting, honest, and even humorous exploration of his battle with illness, Murcer explains how the love of his wife and his family, a deep religious faith, and the passionate support of fans have seen him through his ordeal.Bobby Murcer may not have become the next Mickey Mantle, but he became someone he always wanted to be—a Yankee for life.

    Inspired by Frank Wedekind’s controversial 1891 play about teenage sexuality and society’s efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.Steven Sater’s plays include the long-running Carbondale Dreams, Perfect for You, Doll (Rosenthal Prize/Cincinnati Playhouse), Umbrage (Steppenwolf New Play Prize), and a reconceived version of Shakespeare’s Tempest, which played in London.Duncan Sheik is a singer/songwriter who also collaborated with Sater on the musical The Nightingale. He has composed original music for The Gold Rooms of Nero and for The Public Theater’s Twelfth Night in Central Park.

    The King and Queen are nervous because - let's face it - Camilla is plain! It is decided that a beautiful maid will impersonate Camilla until the wedding. The Prince hears of Camilla's beauty and, considering himself rather plain, has his extremely handsome man Carlo impersonate him. Simon and Camilla meet by chance and fall in love. Each is beautiful to the other and they live happily ever after.3 women, 2 men

    "A brave and breathtaking musical."--The New York Times