Tensions sometimes flared, but tolerance largely prevailed until the twentieth century when the Greek army marched in, Muslims were forced out, and the Nazis deported and killed the Jews. As the acclaimed historian Mark Mazower follows the city’s inhabitants through plague, invasion, famine, and the disastrous twentieth century, he resurrects a fascinating and vanished world.

    This book, by the noted historian who served as a consultant for the film, adds new dimensions to this famous legend.

    People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives, " write the authors of this important new look at Italian Renaissance art. A glance at the pages of Art in Renaissance Italy shows at once its freshness and breadth of approach, which includes thorough explanation into how and why works of art, buildings, prints, and other kinds of art came to be. This book discusses how men and women of the Renissance regarded art and artists as well as why works of Renaissance art look the way they do, and what this means to us. It covers not only Florence and Rome, but also Venice and the Veneto, Assisi, Siena, Milan, Pavia, Padua, Mantua, Verona, Ferrara, Urbino, and Naples -- each governed in a distinctly different manner, every one with its own political and social structures that inevitably affected artistic styles. Spanning more than three centuries, the narrative brings to life the rich tapestry of Italian Renaissance society and the art works that are its enduring legacy.

    It was perhaps the most cosmopolitan state in the world--and possibly the most volatile. "A Brief History of the Late Ottoman Empire" now gives scholars and general readers a concise history of the late empire between 1789 and 1918, turbulent years marked by incredible social change. Moving past standard treatments of the subject, M. Sukru Hanioglu emphasizes broad historical trends and processes more than single events. He examines the imperial struggle to centralize amid powerful opposition from local rulers, nationalist and other groups, and foreign powers. He looks closely at the socioeconomic changes this struggle wrought and addresses the Ottoman response to the challenges of modernity. Hanioglu shows how this history is not only essential to comprehending modern Turkey, but is integral to the histories of Europe and the world. He brings Ottoman society marvelously to life in all its facets--cultural, diplomatic, intellectual, literary, military, and political--and he mines imperial archives and other documents from the period to describe it as it actually was, not as it has been portrayed in postimperial nationalist narratives. "A Brief History of the Late Ottoman Empire" is a must-read for anyone seeking to understand the legacy left in this empire's ruins--a legacy the world still grapples with today."

    After five hundred years, the most notorious mystery of the Renaissance is finally solved. The Italian Renaissance is remembered as much for intrigue as it is for art, with papal politics and infighting among Italy's many city-states providing the grist for Machiavelli's classic work on take-no-prisoners politics, The Prince. The attempted assassination of the Medici brothers in the Duomo in Florence in 1478 is one of the best-known examples of the machinations endemic to the age. While the assailants were the Medici's rivals, the Pazzi family, questions have always lingered about who really orchestrated the attack, which has come to be known as the Pazzi Conspiracy.More than five hundred years later, Marcello Simonetta, working in a private archive in Italy, stumbled upon a coded letter written by Federico da Montefeltro, the Duke of Urbino, to Pope Sixtus IV. Using a codebook written by his own ancestor to crack its secrets, Simonetta unearthed proof of an all-out power grab by the Pope for control of Florence. Montefeltro, long believed to be a close friend of Lorenzo de Medici, was in fact conspiring with the Pope to unseat the Medici and put the more malleable Pazzi in their place.In The Montefeltro Conspiracy, Simonetta unravels this plot, showing not only how the plot came together but how its failure (only one of the Medici brothers, Giuliano, was killed; Lorenzo survived) changed the course of Italian and papal history for generations. In the course of his gripping narrative, we encounter the period's most colorful characters, relive its tumultuous politics, and discover that two famous paintings, including one in the Sistine Chapel, contain the Medici's astounding revenge.

    Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.Meanwhile, Leonardo’s life is falling apart: he loses the hoped-for David commission; he can’t seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market—a merchant’s wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo’s genius.Oil and Marble is the story of their nearly forgotten rivalry. Storey brings early 16th-century Florence alive, and has entered with extraordinary empathy into the minds and souls of two Renaissance masters. The book is an art history thriller.

    There are wars and sieges, scandals and seductions, fountains playing in deserted squares and crowds thronging the markets.And there is a dark undertone too, of shadowy corners and dead ends, prisons and punishment.The language and way of thinking of the Venetians sets them aside from the rest of Italy. They are an island people, linked to the sea and to the tides rather than the land.'The moon rules Venice,' Ackroyd writes: 'It is built on ocean shells and ocean ground; it has the aspect of infinity.It is the floating world... changing and variable and accidental.'This book, like a magic gondola, transports its readers to thatsensual, surprising realm. We could have no better guide - reading Ackroyd's Venice is, in itself, a glorious journey and the perfect holiday.

    Suraiya Foroqhi here explores the urban world of the Ottoman lands from the Middle Ages to the early twentieth century. She describes the social significance of the popular arts and crafts of the period and examines the interaction among the diverse populations and classes of the Empire. She also brings to life the banalities associated with everyday life, such as bathing, the market, loving and grieving--all explored for the first time.

    After angry Protestants tossed three representatives of the Holy Roman Empire out the window of the royal castle in Prague, world war spread from Bohemia with similar abandon and relentless persistence, destroying European powers from Spain to Sweden as they marched on the contested soil of Germany. Fanatics, speculators, and ordinary people found themselves trapped in a nightmarish world of famine, disease, and seemingly unstoppable destruction. The Thirty Years War was a turning point in the making of modern Europe and the modern world: out of it came the system of nation-states that remains fundamental to international law. C.V. Wedgwood's magisterial book is the only comprehensive account of the war in English, as well as a triumph of scholarship and literature. Includes maps and charts.

    With his wife and three young sons, Robert Hutchinson moved to Rome shortly before his thirty-ninth birthday, intending to explore the Vatican in depth. He sought to capture "the personality of the place: the smells and the traffic, the rich delicacies of Roman food, the perils of the Italian language, the way Italian monsignori push their way to the front of the line, just like their lay countrymen." When in Rome is the extraordinary journal of his Roman sojourn.With playful good humor, Hutchinson introduces the varied and colorful individuals who live and work in the Vatican. In the process, he explores the mysterious orders of medieval knights, some dating back to the First Crusade, which still play a vital role in the Vatican; explains how bumbling Vatican archaeologists found, and then lost, the bones of St. Peter; probes the sex lives of the popes, from the "pornocracy" of Sergius III to the incestuous orgies of Rodrigo Borgia; experiences high fashion in the Holy See, including a visit to the pope's personal tailor; encounters the weird relics of Catholicism, such as the mummified body of St. Pius X and a museum made entirely out of human bones; recounts the true story behind the True Cross, now kept in a run-down church near the Colosseum; and much, much more.Humorous, irreverent, but ultimately respectful, When in Rome does for the Vatican what A Year in Provence did for the French countryside, in an unforgettable and unprecedented eyewitness account of one of the most fascinating places on Earth.

    Was she the heartless seductress of legend? Or merely an unsuspecting pawn in a familial web, forced to choose between loyalty and her own survival?Glamorous and predatory, the Borgias became Italy’s most ruthless and powerful family, electrifying and terrorizing their 15th-century Renaissance world.To this day, Lucrezia Borgia is known as one of history’s most notorious villainesses, accused of incest and luring men to doom with her arsenal of poison.International bestselling author C.W. Gortner’s new novel delves beyond the myth to depict Lucrezia in her own voice, from her pampered childhood in the palaces of Rome to her ill-fated, scandalous arranged marriages and complex relationship with her adored father and her rival brothers—brutal Juan and enigmatic Cesare.This is the dramatic, untold story of a papal princess who came of age in an era of savage intrigue and unparalleled splendor, and whose courage led her to overcome the fate imposed on her by her Borgia blood.

    Art

    Serving as both an introduction to fifteenth-century Italian painting and as a text on how to interpret social history from the style of pictures in a given historical period, this new edition to Baxandall's pre-eminent scholarly volume examines early Renaissance painting, and explains how the style of painting in any society reflects the visual skills and habits that evolve out of daily life. Renaissance painting, for example, mirrors the experience of such activities as preaching, dancing, and gauging barrels. The volume includes discussions of a wide variety of painters, including Filippo Lippi, Fra Angelico, Stefano di Giovanni, Sandro Botticelli, Masaccio, Luca Signorelli, Boccaccio, and countless others. Baxandall also defines and illustrates sixteen concepts used by a contemporary critic of painting, thereby assembling the basic equipment needed to explore fifteenth-century art.

    Did you know that the law requiring a London taxi driver to carry a bale of hay on top of his cab to feed the horse was in force until 1976? Or that Welshmen are not allowed in the city of Chester after dark? Nigel Cawthorne has unearthed an extraordinary (and sometimes hilarious) collection of the most bizarre and arcane laws that have been enacted over the centuries. Some of which, incredibly are still in force! It is still illegal to enter the Houses of Parliament in a suit of armour!

    As religious violence flares around the world, we are confronted with an acute dilemma: can people coexist in peace when their basic beliefs are irreconcilable? Benjamin Kaplan responds by taking us back to early modern Europe, when the issue of religious toleration was no less pressing than it is today.